Coming from the Land of Fantasy
By Ahmed Abdelazim
Project Coordinator for The Mashrabiya Project
“Are your jeans good for Egypt?”
I replied after a short pause: “What do you mean?!”
“You know… camels…desert… that thing you wear… Would they be suitable?!”
Me: “Oh-oh. I need to show you Cairo!”
To my surprise, and probably to yours too, I constantly encounter similar perceptions about Egypt and the Middle East, more than I ever expected. Although this real conversation took place during my undergraduate study in Switzerland back in 2009, little has changed since then.
Having attended an American university for the past five years (as a PhD student), I often deal with questions about the Orient and the Islamic world. Through the courses I taught about art and architecture in the Middle East, I was able to form a better understanding of why such perceptions dominate. From Hollywood blockbusters to video games, depictions of Egypt are always haunted by thrillers, fantasy, mummies, and secret spells. Even in documentaries, aside from the desert where the pyramids and temples are located, nothing else about the city is featured, leaving the reader with an incomplete and inaccurate representation.
Fantasy and the Orient have gone hand in hand since the first 1001 Nights was published in a European language in the early eighteenth century. The Nights has dominated Western perceptions of the Orient in subsequent centuries. A manifestation of that would be what French newspapers reported on Khedive Ismail, the king of Egypt from 1863 to 1879, during his visit to the Paris Expo in 1867. Visitors flocked to the Egyptian pavilion to see and touch Khedive Ismail. For them, he was a character straight out of 1001 Nights, probably even one of its protagonists. The visitors’ interest in the mythical aspect of the country surpassed their interest in the actual expo display.
Through The Mashrabiya Project, we try to create the opportunity to see Egypt through the spaces that its people occupy. Using the mashrabiya, an iconic architectural element in “Islamic” architecture, this project stands on the borderline between reality and fantasy. On the one hand, you see the mashrabiya as an integral element in traditional domestic architecture, while on the other, it becomes the plot for fantasies and stories.
More is yet to follow!
Traffic at Ibrahim Pasha Square, Cairo