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DTSTART;TZID=America/New_York:20230622T190000
DTEND;TZID=America/New_York:20230622T210000
DTSTAMP:20260415T022332
CREATED:20230426T204125Z
LAST-MODIFIED:20230426T204715Z
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SUMMARY:A Concert with Mid East Ensemble
DESCRIPTION:A Concert with Mid East Ensemble | Thurs. June 22\, 2023 | 7:00 – 9:00 pm EDT | In-person Event\nClick HERE for General Tickets\nClick HERE for Member Tickets \nNot a Member? Join today and save! \nJoin us for a concert with Philadelphia’s Mid East Ensemble! The ensemble has been performing in one way or another since the early 90s\, and their origins stem from the Tayoun Family’s Middle East Restaurant\, which provided authentic music\, culture\, and cuisine for over 40 years in Old City\, Philadelphia. The group consists of the area’s TOP Middle Eastern musicians and dancers from the Tri-State area and beyond. Instrumentation includes\, on any given occasion: oud\, bouzouki\, clarinet\, nai\, zourna\, violin\, tabla\, riq\, def\, keyboards\, bass guitar\, guitar\, and vocalists! Dancing includes various forms of dance commonly referred to as belly dance and folk dances referred to as Dabkeh. The artists of the Mid East Ensemble are acclaimed for their original interpretations\, arrangements\, and choreographies of centuries-old musical compositions\, traditional folk music\, and various dance traditions from the Levantine and Anatolian regions. The size of the Mid East Ensemble can range from a duet to a full-sized orchestra and dancers of over a dozen artists! \nOn June 22nd\, the ensemble will include: William Tayoun on Keyboards\, Joseph Tayoun on Tabla/Darbouka\, Andrew Geller on Riq\, Steve Vosbikian on Clarinet\, Roger Mgrdichian on Oud\, and Meesha providing the Traditional Dance. \nFun fact\, the full name of the instrument Oud is El Oud\, which translates to The Wood\, making the Museum for Art in Wood the perfect venue for the Mid East Ensemble! \n*Pictured above clockwise from top left: William Tayoun on Keyboards\, Roger Mgrdichian on Oud\, Meesha providing the Traditional Dance\, Andrew Geller on Riq\, Joseph Tayoun on Tabla/Darbouka\, and Steve Vosbikian on Clarinet. \nPortrait of Meesha performing a traditional dance. \n  \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org. \nTo learn more about The Mashrabiya Project and Seeing through Space\, click HERE. \n\nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \n\nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc. and Sun-Lite Corporation. \n.
URL:https://museumforartinwood.org/event/a-concert-with-mid-east-ensemble/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
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ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230615T183000
DTEND;TZID=America/New_York:20230615T193000
DTSTAMP:20260415T022332
CREATED:20230517T202207Z
LAST-MODIFIED:20230517T210247Z
UID:10001673-1686853800-1686857400@museumforartinwood.org
SUMMARY:Oud: Arabic Culture\, Music and History
DESCRIPTION:Oud: Arabic Culture\, Music and History | Thurs. June 15\, 2023 | 6:30 pm – 7:30 pm EDT | In-person\nClick HERE to RSVP \nJoin us for an evening of music\, culture\, and history with Arab American composer\, vocalist\, and oud player Laith Alattar. We’ll learn about the instrument itself and its role in Arabic culture and society historically as well as in modern times\, especially how it is used today as a means for preserving and showcasing Arab and Middle Eastern heritage and culture. We’ll also discuss Arabic music and the similarities and differences to Western music\, all while Laith performs various musical examples. Join us for this exciting musical voyage! \nAbout Laith Alattar \n\n\n\n\n\n\n\n\nArab American composer\, vocalist\, and oud player LAiTH ALATTAR performs an eclectic assortment of traditional\, folk\, and contemporary Arabic and Middle Eastern music\, incorporating it with elements of classical\, jazz\, and other Western and World musical traditions. \nLAiTH grew up within a global music backdrop in Baghdad\, at the crossroads of Iraqi\, Egyptian\, Levantine\, and Ottoman music traditions\, and later completed classical music training at the University of Michigan School of Music\, Theatre\, and Dance’s Composition and Vocal Performance programs in Ann Arbor while also studying Arabic music and maqam theory under the apprenticeship of acclaimed master musicians Karim Bader\, Simon Shaheen\, and Rima Khcheich. LAiTH developed a unique sound and style that not only brings together the two music traditions but that also synthesizes the simplicity and nostalgia of folk music with the bold rudiments and audacity of classical and art music. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nLeaning on his dual-career background in Social Psychology\, Judgment & Decision Making\, and Culture & Cognition\, LAiTH is proactive in fostering cross-cultural musical collaborations and presenting music that brings people and communities together—including groundbreaking collaborations with Flamenco\, Greek\, Sephardic\, Rock\, Jazz\, Gamelan\, Indian\, Chinese\, and other musical styles. Laith also performs extensively with embassies and cultural centers in Washington\, DC\, and the East Coast to introduce and promote the oud and traditional Arabic music to new audiences and connect musical traditions and communities from different countries and regions of the world. \nLAiTH also composes and records music for film and theater\, with credits that include Refusing to be Enemies: The Zeitouna Story (Laurie White\, 2007)\, Our Arab American Story (Keith Famie\, 2007)\, The Sun Rises from There (Abed Senad)\, and Driving an Arab Street (Arthur Hurely\, 2003)\, as well as a number of soundtracks for the Palestine Podcast Academy (2021) podcast series.  \nLAiTH is currently working on a broader initiative to review the relationship and influence of Arabic music and songs on cultural norms and social expectations\, and to develop new\, more socially responsible content that promotes values and experiences that align with productivity\, inclusivity\, and equality in a way that preserves the cultural value of the original music while also elevating the prospects of agency\, confidence\, and hope across different sectors of society. LAiTH premiered the first pilot song within this initiative at the World Expo Dubai last year and is working on adapting additional songs in 2023. \nLAiTH is available for a variety of bookings from traditional oud performances and vocal recitals to educational seminars and workshops\, as well as collaborative projects in music and film\, and consulting related to the intersection of culture and policy. \n\n\n\n\n\n\n\n\n\nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org. \nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc.\, and Sun-Lite Corporation.
URL:https://museumforartinwood.org/event/oud-arabic-culture-music-and-history/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
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ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230615T170000
DTEND;TZID=America/New_York:20230615T170000
DTSTAMP:20260415T022332
CREATED:20230525T154343Z
LAST-MODIFIED:20230525T154626Z
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SUMMARY:Call for papers - Symposium: The Mashrabiya Project\, craft and architecture
DESCRIPTION:Call for papers\nSymposium: The Mashrabiya Project\, craft and architecture\nOrganizers: Museum for Art in Wood and the Center for Architecture + Design\nDate: July 20–21\, 2023\nThe mashrabiya is an iconic component of Islamic architecture. A scalable window lattice that facilitated ventilation while providing privacy and shade\, the mashrabiya also brought ornament to severe building façades. Found across North Africa\, West Asia\, South Asia\, and the islands of the Pacific\, the mashrabiya can be made from lathe-turned or carved wood\, stone\, or cement. \nIts porosity\, material versatility\, geometric patterning\, and adaptability present unexplored opportunities for architecture. From Hassan Fathy\, I. M. Pei\, and Jean Nouvel in the twentieth century\, to Farshid Moussavi\, Zaha Hadid\, and Senan Abdelqader in the twenty-first\, architects and designers have studied this form for inspiration and found innovative ways to incorporate it. \nWhat applications does the mashrabiya present for the future of architecture? Despite its power as a signifier for Islamic material culture\, little material has been dedicated to the study of the mashrabiya. In this two-day symposium co-hosted by the Museum for Art in Wood and the Center for Architecture + Design\, architects\, designers\, engineers\, and makers are invited to discuss the potential of the mashrabiya on architecture that is sustainable\, culturally meaningful\, and supports the needs of our future spaces. \nThe Museum for Art in Wood seeks emerging scholars and practitioners to present during this symposium\, held in conjunction with the Museum’s exhibition\, The Mashrabiya Project. Selected papers will be awarded an honorarium. \nPlease email up to 250 words and a brief CV for consideration no later than June 15\, 2023\, to info@museumforartinwood.org; subject line should read MASHRABIYA SYMPOSIUM.
URL:https://museumforartinwood.org/event/call-for-papers-symposium-the-mashrabiya-project-craft-and-architecture/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Call for Entries,The Mashrabiya Project
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ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230614T140000
DTEND;TZID=America/New_York:20230614T150000
DTSTAMP:20260415T022332
CREATED:20230329T215410Z
LAST-MODIFIED:20230628T175754Z
UID:10001543-1686751200-1686754800@museumforartinwood.org
SUMMARY:The Mashrabiya Project – Seeing through Space Artist Talk: Nadia Kaabi-Linke - on ZOOM
DESCRIPTION:The Mashrabiya Project – Seeing through Space Artist Talk: Nadia Kaabi-Linke | Wed. June 14\, 2023 | 2:00 pm – 3:00 pm EDT | on ZOOM\nClick HERE to RSVP\nThe Museum for Art in Wood is proud to present a series of free virtual lectures with artists featured in the upcoming exhibition Seeing through Space\, opening March 3\, 2023\, and running through July 23\, 2023. This series is meant to connect the public with the artists and engage in thoughtful discussions about mashrabiya in the context of architecture\, art\, craft\, and community. Our fourth lecture will feature artist Nadia Kaabi-Linke. \nPictured above: Nadia Kaabi-Linke\, A Shadow of a Shadow of a Shadow…\, 2023\, image by John Carlano \nNadia Kaabi-Linke \nNadia Kaabi-Linke was born Tunis\, Tunisia\, in 1978\, and raised in Tunisia and the United Arab Emirates. She graduated from the University of Fine Arts\, Tunis\, in 1999\, and earned a Ph.D. at Université Paris-Sorbonne\, in 2008. Growing up between Tunis\, Kyiv\, and Dubai\, and now residing in Berlin\, Kaabi-Linke has a personal history of migration across cultures and borders that has greatly influenced her work. Her works give physical presence to that which tends to remain invisible\, be it people\, structures\, or the geopolitical forces that shape them. \n  \n  \n\nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org. \nTo learn more about The Mashrabiya Project and Seeing through Space\, click HERE. \n  \nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc.\, and Sun-Lite Corporation.
URL:https://museumforartinwood.org/event/the-mashrabiya-project-seeing-through-space-artist-talk-nadia-kaabi-linke-2-2/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
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ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230608T183000
DTEND;TZID=America/New_York:20230608T193000
DTSTAMP:20260415T022333
CREATED:20230427T162919Z
LAST-MODIFIED:20230608T152945Z
UID:10001668-1686249000-1686252600@museumforartinwood.org
SUMMARY:Postponed! - Belly Dance: A Space for Personal Expression
DESCRIPTION:EVENT POSTPONED!\nDue to the poor air quality\, this event has been postponed. The new date will be July 21\, 2023\, time TBD. We apologize for any inconvenience this may cause. \nBelly Dance: A Space for Personal Expression | Thurs. June 8\, 2023 | 6:30 – 7:30 pm EDT | In-person Event\n  \nThe solo interpretive dance that Americans call “belly dance” is actually called raqs al sharqi in the Middle East. It means “Eastern dance.” It is one of the oldest documented dance forms and can be traced back to ancient Egypt. It has a long history as a women’s art form done by professional entertainers at weddings and celebrations of all kinds\, but it also has a long history as a social dance that everyone\, both men and women\, know as soon as they are old enough to stand. Belly dance has attracted adherents around the globe because it is a perfect vehicle for women to express their femininity and their strength. \nIn the Middle East\, dance and music are inseparable from daily life\, a vital part of virtually all celebrations and family gatherings.  In the belly dance performance\, the dancer actually “becomes” the music through movements of the torso\, hips\, and arms. Habiba will trace the long history of the dance and invite the audience to participate in some basic movements. \nABOUT HABIBA\nPortrait of Habiba \nHabiba is internationally recognized as a performer\, choreographer\, teacher and lecturer on dances of the Middle East.  She has performed extensively throughout the United States and abroad in nightclubs and on concert stages. She is a leading researcher of the dances of Egypt and Tunisia and teaches belly dance as well as the traditional folkloric dances that have been performed and passed down for many years. As a result of her fieldwork she has published numerous articles for national dance magazines. \nTo learn more\, visit: www.habibastudio.com \n  \n  \n  \n  \n  \nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org. \nTo learn more about The Mashrabiya Project and Seeing Through Space\, click HERE. \n\nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \n\nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc. and Sun-Lite Corporation.
URL:https://museumforartinwood.org/event/belly-dance-a-space-for-personal-expression/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
ATTACH;FMTTYPE=image/png:https://museumforartinwood.org/wp-content/uploads/2023/04/Belly-Dance-A-Space-for-Personal-Expression-1.png
ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230525T173000
DTEND;TZID=America/New_York:20230525T193000
DTSTAMP:20260415T022333
CREATED:20230418T164020Z
LAST-MODIFIED:20230511T172843Z
UID:10001664-1685035800-1685043000@museumforartinwood.org
SUMMARY:Tea & Game Night
DESCRIPTION:Tea & Game Night | Thurs. May 25\, 2023 | 5:30 pm – 7:30 pm EDT | In-person\nClick HERE to RSVP \nJoin us for an evening of East meets West with shesh besh and backgammon. Bring your own board or use one of ours. This game night will surely be packed with delightful entertainment\, so be sure to RSVP. \n  \nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org. \nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc.\, and Sun-Lite Corporation. \n  \n 
URL:https://museumforartinwood.org/event/tea-game-night/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
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ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230518T183000
DTEND;TZID=America/New_York:20230518T193000
DTSTAMP:20260415T022333
CREATED:20230417T203050Z
LAST-MODIFIED:20230417T203050Z
UID:10001663-1684434600-1684438200@museumforartinwood.org
SUMMARY:Mashrabiya or Mashrafiya: Language\, Art\, and Architecture
DESCRIPTION:Mashrabiya or Mashrafiya: Language\, Art\, and Architecture | Thurs. May 18\, 2023 | 6:30 pm – 7:30 pm EDT | Hybrid\nClick HERE for Virtual RSVP \nClick HERE for In-person RSVP \nJoin us for an evening discussing the art\, architecture\, and language of the Mashrabiya\, or is it Mashrafiya? We’ll dive into the nuances of the two terms\, the significance of the structure\, and the function and beauty the mashrabiya provides with Dr. Ali Dabbagh. Don’t miss this fascinating event! \nDr. Ali Dabbagh is a retired architect and urban planner from Baghdad\, Iraq. Prior to his retirement and relocation to the United States\, Dr. Dabbagh designed and implemented commercial and residential buildings in Iraq\, England\, France\, Kuwait\, and Oman. He has two design patents in low-cost spanning systems for housing and public buildings and designed the “Khanjar” City in Muscat\, Oman. \nDr. Dabbagh graduated from the University of Baghdad with a BSc in Architecture and MSc in City Planning. He received his PhD from Sheffield University. \nWhen he is not designing buildings\, you can find Dr. Dabbagh immersed in a book about history\, religion\, philosophy\, or politics. He currently resides with his wife in Ardmore\, PA. \nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org. \nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc.\, and Sun-Lite Corporation.
URL:https://museumforartinwood.org/event/mashrabiya-or-mashrafiya-language-art-and-architecture/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
ATTACH;FMTTYPE=image/png:https://museumforartinwood.org/wp-content/uploads/2023/04/Untitled-design-49.png
ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230513T130000
DTEND;TZID=America/New_York:20230513T150000
DTSTAMP:20260415T022333
CREATED:20230406T161554Z
LAST-MODIFIED:20230506T225728Z
UID:10001660-1683982800-1683990000@museumforartinwood.org
SUMMARY:The Art of Islamic Calligraphy: A Hands-on Event
DESCRIPTION:The Art of Islamic Calligraphy: A Hands-on Event | Sat. May 13\, 2023 | 1:00 pm – 3:00 pm EDT | In-person\nThis Event is full if you would like to sign up for the waiting list\, please contact katie@museumforartinwood.org. \nJoin us in our library for an afternoon of learning the art of Islamic Calligraphy with artist Abdulkarim Awad Al Farraji. You will learn the fundamentals of calligraphy and enjoy sharing stories and experiences with your fellow participants. \nAbdulkarim Awad Al Farraji is an Iraqi American artist and calligrapher based in Philadelphia. Abdulkarim is one of the collaborators of the Friends\, Peace\, and Sanctuary project by Swarthmore College. Many of his calligraphy artworks are on display in Philadelphia and New York. One of his remarkable projects is the mural Light of the Northeast\, a collaboration with artist Paul Santoleri by Mural Arts Philadelphia.  Abdulkarim is also the founder and admin for a few Arabic art groups on Facebook. \nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org. \nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc.\, and Sun-Lite Corporation.
URL:https://museumforartinwood.org/event/the-art-of-islamic-calligraphy-a-hands-on-event/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
ATTACH;FMTTYPE=image/jpeg:https://museumforartinwood.org/wp-content/uploads/2023/04/Abdulkarim-Work-1.jpg
ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230506T193000
DTEND;TZID=America/New_York:20230506T210000
DTSTAMP:20260415T022333
CREATED:20230323T211526Z
LAST-MODIFIED:20230505T173346Z
UID:10001540-1683401400-1683406800@museumforartinwood.org
SUMMARY:Nazariyā: The Dancer’s Gaze - A Guided Tour of The Mashrabiya Project 7:30 pm
DESCRIPTION:Nazariyā: The Dancer’s Gaze – A Guided Tour of The Mashrabiya Project | Sat. May 6\, 2023 | 7:30 pm EDT | In-person event\nClick HERE for 7:30 pm Tickets                            Click HERE for 7:30 pm Member/Donor Tickets \nClick HERE for 5:30 pm Tickets \nNazariyā: viewpoint\, ideology\, perspective \nJoin us for an exciting evening with Usiloquy Dance Designs for a magical tour of The Mashrabiya Project: Seeing Through Space. During the tour\, dancers take creative agency\, complementing and relating to the individual works while expanding on the direct and implied interpretations of the exhibition through the vocabulary of the South Asian dance style Bharatantyam. The choreography by Shaily Dadiala ranges from pieces in praise of a lotus-eyed goddess to 15th-century poet Kabir’s call to seek the divine within\, culminating in a joyful\, exuberantly rhythmic finale. This unique event is one that you will not want to miss. \nAbove: Portrait of Shaily Dadiala by Carina Romano \nImage by Ellen Rosenberg \nAbout Usiloquy Dance Designs\nUsiloquy Dance Designs creates traditional and contemporary cross-cultural works rooted in the technique of Indian classical dance Bharatanatyam. Founded in 2008 by Artistic Director Shaily Dadiala\, Usiloquy applies Bharatanatyam as a choreographic language telling universal stories\, exploring the lesser-known cultural aspects of diasporas and communities. \nImage by Brian Mengini \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org. \nTo learn more about The Mashrabiya Project and Seeing Through Space\, click HERE. \n  \nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc. and Sun-Lite Corporation.
URL:https://museumforartinwood.org/event/nazariya-the-dancers-gaze-a-guided-tour-of-the-mashrabiya-project/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
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ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230506T173000
DTEND;TZID=America/New_York:20230506T190000
DTSTAMP:20260415T022333
CREATED:20230323T211624Z
LAST-MODIFIED:20230505T172227Z
UID:10001541-1683394200-1683399600@museumforartinwood.org
SUMMARY:Nazariyā: The Dancer’s Gaze - A Guided Tour of The Mashrabiya Project
DESCRIPTION:Nazariyā: The Dancer’s Gaze – A Guided Tour of The Mashrabiya Project | Sat. May 6\, 2023 |  5:30 pm EDT | In-person event\nClick HERE for 5:30 pm Tickets                 Click HERE for 5:30 pm Member/Donor Tickets \nClick HERE for 7:30 pm Tickets \nNazariyā: viewpoint\, ideology\, perspective \nJoin us for an exciting evening with Usiloquy Dance Designs for a magical tour of The Mashrabiya Project: Seeing Through Space. During the tour\, dancers take creative agency\, complementing and relating to the individual works while expanding on the direct and implied interpretations of the exhibition through the vocabulary of the South Asian dance style Bharatantyam. The choreography by Shaily Dadiala ranges from pieces in praise of a lotus-eyed goddess to 15th-century poet Kabir’s call to seek the divine within\, culminating in a joyful\, exuberantly rhythmic finale. This unique event is one that you will not want to miss. \nAbove: Portrait of Shaily Dadiala by Carina Romano \nImage by Ellen Rosenberg \nAbout Usiloquy Dance Designs\nUsiloquy Dance Designs creates traditional and contemporary cross-cultural works rooted in the technique of Indian classical dance Bharatanatyam. Founded in 2008 by Artistic Director Shaily Dadiala\, Usiloquy applies Bharatanatyam as a choreographic language telling universal stories\, exploring the lesser-known cultural aspects of diasporas and communities. \nImage by Brian Mengini \n  \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org. \nTo learn more about The Mashrabiya Project and Seeing Through Space\, click HERE. \n  \nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc. and Sun-Lite Corporation.
URL:https://museumforartinwood.org/event/nazariya-the-dancers-gaze-a-guided-tour-of-the-mashrabiya-project-2/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
ATTACH;FMTTYPE=image/png:https://museumforartinwood.org/wp-content/uploads/2023/03/Untitled-design-38.png
ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230505T173000
DTEND;TZID=America/New_York:20230505T193000
DTSTAMP:20260415T022333
CREATED:20230413T195601Z
LAST-MODIFIED:20230413T210909Z
UID:10001662-1683307800-1683315000@museumforartinwood.org
SUMMARY:FREE First Friday Concert: JAFFNA ENSEMBLE
DESCRIPTION:FREE First Friday Concert: JAFFNA ENSEMBLE | Fri. May 5\, 2023 | 5:30 – 7:30 pm EDT | In-person Event\nWalk-ups Welcome! \nJoin us for a festive FREE First Friday concert with Philadelphia-based world music ensemble Jaffna! Jaffana combines instrumentation and influences from the Middle East\, India\, and anywhere else that inspires them. With roots in the early-1990s\, the group maintains its distinct style with original compositions and improvisations which stretch the boundaries of their respective cultures. Don’t miss being transported to other worlds! \nJaffna Ensemble: Roger Mgrdichian\, Raji Malik\, Branavan Ganesan\, Joseph Tayoun \nFollow Jaffna on Facebook and listen to them on Reverb Nation! \nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org. \nTo learn more about The Mashrabiya Project and Seeing Through Space\, click HERE. \n\nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \n\nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc. and Sun-Lite Corporation.
URL:https://museumforartinwood.org/event/free-frist-friday-concert-jaffna-ensemble/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
ATTACH;FMTTYPE=image/png:https://museumforartinwood.org/wp-content/uploads/2023/04/Untitled-design-44.png
ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230412T183000
DTEND;TZID=America/New_York:20230412T193000
DTSTAMP:20260415T022333
CREATED:20230323T212130Z
LAST-MODIFIED:20230408T185357Z
UID:10001542-1681324200-1681327800@museumforartinwood.org
SUMMARY:The Islamic Sacred Art of Calligraphy: Collaborations and Friendships - LIVE on ZOOM
DESCRIPTION:The Islamic Sacred Art of Calligraphy: Collaborations and Friendships | Wed. April 12\, 2023 | 6:30 pm – 7:30 pm EDT | LIVE on ZOOM\nClick HERE to RSVP \nJoin us for an evening with master calligrapher Farzana Razzaque and woodworker Kathryn Sullivan on how the art of calligraphy spurred a collaboration that turned into a lasting friendship. \nFarzana Razzaque is a trained Master Calligrapher with Ijaza\, the authorization to teach\, in the Ottoman style\, in Thuluth and Naskh scripts. She studied for many years under the strict guidance of Chinese Master Calligrapher Haji Noor Deen. She is also a trained Illumination artist. Her work creates a fusion of calligraphy and illumination while drawing inspiration from her Bangladeshi upbringing and travels around the world. Farzana seeks to merge the traditional art and practices of the Islamic worlds with contemporary media\, agendas\, and social issues.  She sees art as a spiritual agent of change and a means to overcome cultural barriers.  Farzana has exhibited her work in Dallas and internationally. \n  \nKathryn Sullivan is a woodworker focused on restoration and conservation.  Informed as a cultural and legal anthropologist\, Kathryn treats the trade with a blend of artistic academia and practical woodworking.  Their creative focus challenges tradition in both word and practice.   They bring intersectional approaches to the study and creation of wooden decorative art.  Kathryn is a contributing writer for Fine Woodworking\, an enthusiastic member of the Furniture History Society\, and an Associate Member of the American Institute for Conservation. \n  \n  \nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org. \nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc.\, and Sun-Lite Corporation. \n 
URL:https://museumforartinwood.org/event/the-islamic-sacred-art-of-calligraphy-collaborations-and-friendships-live-on-zoom/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
ATTACH;FMTTYPE=image/jpeg:https://museumforartinwood.org/wp-content/uploads/2023/03/Bismillah-Marquetry.jpg
ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230407T170000
DTEND;TZID=America/New_York:20230407T200000
DTSTAMP:20260415T022333
CREATED:20230331T183615Z
LAST-MODIFIED:20230331T183640Z
UID:10001659-1680886800-1680897600@museumforartinwood.org
SUMMARY:First Friday: The Mashrabiya Project
DESCRIPTION:First Firday: The Mashrabiya Project | Fri. Arpil 7\, 2023 | 5:00 – 8 pm EDT | In-person Event\nWalk-ins Welcome \nJoin us for First Friday and experience The Mashrabiya Project! \n\nThe Mashrabiya Project is a community-focused\, shared experience that links the heritage of the mashrabiya\, a screening element with ancient origins\, to responses in art and design that reflect considerations of space and seeing in contemporary life. The Project—the first in the U.S. to examine the mashrabiya as both an architectural object and a locus of metaphor—presents an opportunity for dialogue and connection across cultural and geographic borders. With its artful geometry and elaborate perforated designs\, the mashrabiya became a defining element of Islamic visual culture and ornament. The mashrabiya of North Africa—fabricated of wood\, which can expand and contract in response to the region’s intense climate—are found in residential and sacred spaces alike. Comprised of thousands of simple\, individually lathe-turned components\, they are assembled without glue or fasteners to create large\, scalable elements and furnishings that are complex and ornate in design. These serve many functions\, from permitting screening and ventilation\, to delineating spaces for public and private life\, to separating male and female members of a household in accordance with purity laws. Bountiful in metaphorical evocations\, particularly circulating around dualities of public and private; subject and viewer; denial and reclamation of space; and the porosity of boundaries\, the mashrabiya is an enduring symbol both of Islam’s cultural heritage and of the perpetually evolving nature of religion in society. \nThe Project will comprise a number of programs circulating around the creation of a wood-turned mashrabiya in the Museum’s public space. Regardless of woodturning experience or skill\, visitors will be able to participate in the making of a mashrabiya\, using regional wood types. \nA multidisciplinary exhibition titled Seeing through Space will interpret the societal and cultural concepts evoked by the mashrabiya\, featuring never-before-seen commissioned works by 6 women-identifying artists from the Muslim world. Their works\, exhibited in the Museum’s main gallery\, will speak through the many languages of the mashrabiya\, evoking the metaphors and stories found in its elemental forms. The Seeing through Space artists are: Anila Quayyum Agha\, Nidaa Badwan\, Susan Hefuna\, Nadia Kaabi-Linke\, Majida Khattari\, and Hoda Tawakol. \nThe Mashrabiya Project evokes the Museum’s origins as a nexus for wood turning and a space for communal practice. As such\, it reaches across space and time to embody our mission to interpret\, nurture\, and champion creative engagement\, honoring the Museum’s first makers while creating new dialogues between new audiences\, and across continents\, toward global engagement and understanding. The mashrabiya provides a viewpoint\, from one space to another; likewise\, The Mashrabiya Project links spaces and cultures framed by discussions of architecture\, art\, craft\, and community. \n\n\n  \nRead The Mashrabiya Project Blog to learn more!  \n\n\n  \n  \nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \n\nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc.\, and Sun-Lite Corporation.
URL:https://museumforartinwood.org/event/first-friday-the-mashrabiya-project/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
ATTACH;FMTTYPE=image/jpeg:https://museumforartinwood.org/wp-content/uploads/2023/03/MAW-Exterior-Image.jpg
ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230322T130000
DTEND;TZID=America/New_York:20230322T140000
DTSTAMP:20260415T022333
CREATED:20230227T220104Z
LAST-MODIFIED:20230321T114751Z
UID:10001532-1679490000-1679493600@museumforartinwood.org
SUMMARY:The Mashrabiya Project – Seeing Through Space Artist Talk: Susan Hefuna
DESCRIPTION:The Mashrabiya Project – Seeing Through Space Artist Talk: Susan Hefuna | Wed. March 22\, 2023 | 1:00 pm – 2:00 pm EDT | LIVE on ZOOM\nClick HERE to RSVP\nThe Museum for Art in Wood is proud to present a series of free virtual lectures with artists featured in the upcoming exhibition Seeing Through Space\, opening March 3\, 2023\, and running through July 23\, 2023. This series is meant to connect the public with the artists and engage in thoughtful discussions about mashrabiya in the context of architecture\, art\, craft\, and community. Our second lecture will feature artist Susan Hefuna. \n  \nPortrait of Susan Hefuna in the Studio. Courtesy of the Artist and The Third Line \nSusan Hefuna was born in Germany and grew up in Egypt. In 1992\, she completed a postgraduate degree in multimedia arts at the Institut für Neue Medien\, Städelschule\, Frankfurt. She lives and works in Cairo\, Düsseldorf\, and New York. In drawings\, installations\, performances\, photographs\, sculptures\, and videos\, she draws on her mixed heritage to ponder the intersection of location and identity. For over 30 years Hefuna has been fascinated by the mashrabiya and has brought their gridded geometries into her work; initially inspired by her connecting the gridded streets of New York City and modern urban architecture with mashrabiya matrices and their complex latticework\, she began using them as a way to speak through her work\, often weaving text–in English and in Arabic–into her handmade\, wooden\, window-scaled screened wall works. Hefuna continues to explore the power of the mashrabiya to discuss women’s experiences\, the invasiveness of the gaze\, and cultural boundaries in her work. She has exhibited internationally and her work is held by many public institutions\, including the Guggenheim Museum\, the Museum of Modern Art\, LACMA\, the Sharjah Art Museum and Foundation\, the Art Institute of Chicago\, the V&A\, and Centre Pompidou\, among others. \nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org. \nTo learn more about The Mashrabiya Project and Seeing Through Space\, click HERE. \n  \nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc.\, and Sun-Lite Corporation.
URL:https://museumforartinwood.org/event/the-mashrabiya-project-seeing-through-space-artist-talk-susan-hefuna/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Exhibitions,The Mashrabiya Project
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ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230318T120000
DTEND;TZID=America/New_York:20230318T170000
DTSTAMP:20260415T022333
CREATED:20230316T204103Z
LAST-MODIFIED:20230316T204103Z
UID:10001538-1679140800-1679158800@museumforartinwood.org
SUMMARY:Ramadan Lantern Craft
DESCRIPTION:Ramadan Lantern Craft | Sat. March 18\, 2023 | 12:00 – 5:00 pm EDT | In-Person\nWalk-ins Welcome! \nJoin us for a FREE\, family-friendly afternoon of crafting your very own Ramadan Lanterns in our gallery and experience our current exhibition\, The Mashrabiya Project: Seeing Through Space.  While you’re here\, learn more about the exhibition and the project with our free mini-tours offered throughout the day. \nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org. \nTo learn more about The Mashrabiya Project and Seeing Through Space\, click HERE. \nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc.\, and Sun-Lite Corporation. \n 
URL:https://museumforartinwood.org/event/ramadan-lantern-craft/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Family Friendly Craft Table,The Mashrabiya Project
ATTACH;FMTTYPE=image/jpeg:https://museumforartinwood.org/wp-content/uploads/2023/03/DSC_0426-scaled.jpg
ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230304T100000
DTEND;TZID=America/New_York:20230304T110000
DTSTAMP:20260415T022333
CREATED:20230224T192937Z
LAST-MODIFIED:20230227T220410Z
UID:10001530-1677924000-1677927600@museumforartinwood.org
SUMMARY:Gallery Talk for The Mashrabiya Project: Seeing Through Space
DESCRIPTION:Gallery Talk for The Mashrabiya Project: Seeing Through Space | Sat. March 4\, 2023 | 10:00 Am EST | In-person Event\nClick HERE to RSVP \nJoin us for a gallery talk with artists from The Mashrabiya Project: Seeing Through Space\, a multidisciplinary exhibition that interprets the societal and cultural concepts evoked by the mashrabiya\, featuring never-before-seen commissioned works by 6 women-identifying artists from the Muslim world. Their works\, exhibited in the Museum’s main gallery\, will speak through the many languages of the mashrabiya\, evoking the metaphors and stories found in its elemental forms. The Seeing through Space artists are: Anila Quayyum Agha\, Nidaa Badwan\, Susan Hefuna\, Nadia Kaabi-Linke\, Majida Khattari\, and Hoda Tawakol. \nGallery Talk Artists: \nAnila Quayyum Agha (b. Lahore\, Pakistan) received her BFA from the National College of Arts\, Lahore and an MFA from the University of North Texas. Major solo shows include the Amon Carter Museum of American Art in Fort Worth\, TX; Columbia Art Museum in South Carolina; Peabody Essex Museum in Salem\, MA\, National Sculpture Museum in Valladolid\, Spain\, The Dallas Contemporary Art Museum\, Cincinnati Art Museum\, the Museum of Contemporary Art in Jacksonville\, FL. Philbrook Museum of Art in Tulsa\, North Carolina Art Museum in Raleigh\, and the Toledo Museum of Art in Ohio. For the 2019 Venice Biennial\, Agha was included in a collateral event\, She Persists\, with 22 contemporary feminist artists. Agha has received the Efroymson Art Fellowship\, Cincinnati Art Museum’s 2017 Schiele Prize\, the DeHaan Artist of Distinction Award twice (2018 & 2021) and the Joan Mitchell Painters and Sculptors award in 2019. Agha’s 2014 ArtPrize entry\, titled “Intersections\,” earned the Public Vote Grand Prize and split the Juried Grand Prize in Grand Rapids\, Michigan. She is the recipient of numerous grants from Indiana University\, like the New Frontiers Exploratory grant. For her creative research\, Agha was awarded the highest research honor by Indiana University in 2016\, titled Glenn W. Irwin Research Scholar Award. In 2020\, Agha received an Endowed Chair position titled Morris Eminent Scholar in Art at Augusta University in Georgia\, as well as the prestigious Smithsonian Fellowship in the arts for 2021\, and worked with both SAAM and AAA in Washington DC in May 2022. Her work has been collected by both institutions and private collectors\, nationally and internationally. \nAgha works in a cross-disciplinary fashion with mixed media\, creating artwork that explores global and environmental politics\, cultural multiplicity\, and social and gender roles in our current cultural and global scenario. As a result\, her artwork is conceptually challenging\, producing complicated weaves of thought\, artistic action\, and social experience.\nSeeing through Space series talk\, November\, 2022: https://www.youtube.com/watch?v=0ZCKZZHCyLA&t=42s\nPortrait of Anila Quayyum Agha by Badri \nNadia Kaabi-Linke was born Tunis\, Tunisia\, in 1978\, and raised in Tunisia and the United Arab Emirates. She graduated from the University of Fine Arts\, Tunis\, in 1999\, and earned a Ph.D. at Université Paris-Sorbonne\, in 2008. Growing up between Tunis\, Kyiv\, and Dubai\, and now residing in Berlin\, Kaabi-Linke has a personal history of migration across cultures and borders that has greatly influenced her work. Her works give physical presence to that which tends to remain invisible\, be it people\, structures\, or the geopolitical forces that shape them. \n  \nMajida Khattari is a Moroccan visual artist and photographer. She first studied at the School of Fine Arts in Casablanca\, before moving to Paris in 1988. Initially she studied photography\, working in black and white to create portraits of her subjects veiled in muslin. This led Khattari to focus her work on the question of women’s head coverings in public schools; from there she began to work directly with the subject of clothing and the female body. Her sculptural garments\, inspired by burkas\, niqabs\, hijabs\, and safseris\, address the confinement of women’s bodies in contemporary Islam; the garments are worn during performances that take on the spectacle of fashion shows. In her exhibition at the Centre Pompidou in July 2001\, Khattari denounced the oppression endured by Afghan women under the Taliban regime. \n  \n  \nBorn in London and raised primarily in Paris\, Hoda Tawakol is a Franco-Egyptian artist who currently lives and works in Hamburg\, Germany. She graduated in 2011 from University of Fine Arts (HfbK) in Hamburg. Tawakol’s broad practice encompasses hand-dyed and sewn textile pieces\, mixed media sculptures\, and installations interweaving textures\, grids\, and lattices. Her approach to contemporary textile art is deeply rooted in the feminist movement of the 1970s that revived the medium as a critical and discursive practice embedded in the history of women’s knowledge and labor. In her work\, she attempts to deconstruct symbols and archetypes that beset female agency. Her Mashrabiya series\, part of a larger series titled Idolatry that disrupts the grid\, is an example of this preoccupation. Through the variety and compositional complexity of her aesthetic interventions\, Tawakol touches on the boundary between the extreme figuration of personal identities and their dissolution\, even to the point of disintegration. In taking up such forms in her series of aquarelles\, Tawakol is interested in relating formal aesthetic concerns to societal issues\, especially to those of a gender-specific nature. For her participation in The Mashrabiya Project\, Tawakol will continue her research of these concepts.\nSeeing through Space series talk\, October 13\, 2022: https://www.youtube.com/watch?v=9dh27jNDv3I&t=24s\nPortrait of HodaTawakol by Helge Mundt \n  \nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org. \n  \nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc.\, and Sun-Lite Corporation.
URL:https://museumforartinwood.org/event/gallery-talk-for-the-mashrabiya-project-seeing-through-space/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
ATTACH;FMTTYPE=image/png:https://museumforartinwood.org/wp-content/uploads/2023/02/Gallery-Talk-for-The-Mashrabiya-Project-Seeing-Through-Space.png
ORGANIZER;CN="Museum%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230303T170000
DTEND;TZID=America/New_York:20230303T200000
DTSTAMP:20260415T022333
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SUMMARY:Opening Reception: The Mashrabiya Project
DESCRIPTION:Opening Reception: The Mashrabiya Project | Fri. March 3\, 2023 | 5:00 – 8 pm EST | In-person Event\nWalk-ins Welcome \nJoin us for First Friday and the opening of The Mashrabiya Project! \n\nThe Mashrabiya Project is a community-focused\, shared experience that links the heritage of the mashrabiya\, a screening element with ancient origins\, to responses in art and design that reflect considerations of space and seeing in contemporary life. The Project—the first in the U.S. to examine the mashrabiya as both an architectural object and a locus of metaphor—presents an opportunity for dialogue and connection across cultural and geographic borders. With its artful geometry and elaborate perforated designs\, the mashrabiya became a defining element of Islamic visual culture and ornament. The mashrabiya of North Africa—fabricated of wood\, which can expand and contract in response to the region’s intense climate—are found in residential and sacred spaces alike. Comprised of thousands of simple\, individually lathe-turned components\, they are assembled without glue or fasteners to create large\, scalable elements and furnishings that are complex and ornate in design. These serve many functions\, from permitting screening and ventilation\, to delineating spaces for public and private life\, to separating male and female members of a household in accordance with purity laws. Bountiful in metaphorical evocations\, particularly circulating around dualities of public and private; subject and viewer; denial and reclamation of space; and the porosity of boundaries\, the mashrabiya is an enduring symbol both of Islam’s cultural heritage and of the perpetually evolving nature of religion in society. \nThe Project will comprise a number of programs circulating around the creation of a wood-turned mashrabiya in the Museum’s public space. Regardless of woodturning experience or skill\, visitors will be able to participate in the making of a mashrabiya\, using regional wood types. \nA multidisciplinary exhibition titled Seeing through Space will interpret the societal and cultural concepts evoked by the mashrabiya\, featuring never-before-seen commissioned works by 6 women-identifying artists from the Muslim world. Their works\, exhibited in the Museum’s main gallery\, will speak through the many languages of the mashrabiya\, evoking the metaphors and stories found in its elemental forms. The Seeing through Space artists are: Anila Quayyum Agha\, Nidaa Badwan\, Susan Hefuna\, Nadia Kaabi-Linke\, Majida Khattari\, and Hoda Tawakol. \nThe Mashrabiya Project evokes the Museum’s origins as a nexus for wood turning and a space for communal practice. As such\, it reaches across space and time to embody our mission to interpret\, nurture\, and champion creative engagement\, honoring the Museum’s first makers while creating new dialogues between new audiences\, and across continents\, toward global engagement and understanding. The mashrabiya provides a viewpoint\, from one space to another; likewise\, The Mashrabiya Project links spaces and cultures framed by discussions of architecture\, art\, craft\, and community. \n\n\n  \nRead The Mashrabiya Project Blog to learn more!  \n\n\n  \n  \nThe Mashrabiya Project has been supported by The Pew Center for Arts & Heritage. \n  \n\nSpecial thanks go to:\nBresler Foundation\nRockler Tools for in-kind support \nThe exhibition program at the Museum is generously supported by members of the Cambium Giving Society of the Museum for Art in Wood\, the Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, William Penn Foundation\, and Windgate Foundation. \nCorporate support is provided by Boomerang\, Inc.\, and Sun-Lite Corporation.
URL:https://museumforartinwood.org/event/opening-reception-the-mashrabiya-project/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
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DTSTART;TZID=UTC:20221118T183000
DTEND;TZID=UTC:20221118T193000
DTSTAMP:20260415T022333
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LAST-MODIFIED:20230321T202228Z
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SUMMARY:The Mashrabiya Project – Seeing Through Space Artist Talk: Anila Quayyum Agha
DESCRIPTION:The Mashrabiya Project – Seeing Through Space Artist Talk: Anila Quayyum Agha | Fri. Nov. 18\, 2022 | 6:30 – 7:30 pm EDT | LIVE on ZOOM\nClick HERE to RSVP \nThe Center for Art in Wood is proud to present a series of free virtual lectures with artists featured in the upcoming exhibition Seeing Through Space\, opening March 3\, 2023\, and running through July 23\, 2023. This series is meant to connect the public with the artists and engage in thoughtful discussions about mashrabiya in the context of architecture\, art\, craft\, and community. Our second lecture will feature artist Anila Quayyum Agha. \n\n\n\nPortrait of Anila Quayyum Agha by Badri \nAnila Quayyum Agha (b. Lahore\, Pakistan) received her BFA from the National College of Arts\, Lahore and an MFA from the University of North Texas. Major solo shows include the Amon Carter Museum of American Art in Fort Worth\, TX; Columbia Art Museum in South Carolina; Peabody Essex Museum in Salem\, MA\, National Sculpture Museum in Valladolid\, Spain\, The Dallas Contemporary Art Museum\, Cincinnati Art Museum\, the Museum of Contemporary Art in Jacksonville\, FL. Philbrook Museum of Art in Tulsa\, North Carolina Art Museum in Raleigh\, and the Toledo Museum of Art in Ohio. For the 2019 Venice Biennial\, Agha was included in a collateral event\, She Persists\, with 22 contemporary feminist artists. Agha has received the Efroymson Art Fellowship\, Cincinnati Art Museum’s 2017 Schiele Prize\, the DeHaan Artist of Distinction Award twice (2018 & 2021) and the Joan Mitchell Painters and Sculptors award in 2019. Agha’s 2014 ArtPrize entry\, titled “Intersections\,” earned the Public Vote Grand Prize and split the Juried Grand Prize in Grand Rapids\, Michigan. She is the recipient of numerous grants from Indiana University\, like the New Frontiers Exploratory grant. For her creative research\, Agha was awarded the highest research honor by Indiana University in 2016\, titled Glenn W. Irwin Research Scholar Award. In 2020\, Agha received an Endowed Chair position titled Morris Eminent Scholar in Art at Augusta University in Georgia\, as well as the prestigious Smithsonian Fellowship in the arts for 2021\, and worked with both SAAM and AAA in Washington DC in May 2022. Her work has been collected by both institutions and private collectors\, nationally and internationally. \nAgha works in a cross-disciplinary fashion with mixed media\, creating artwork that explores global and environmental politics\, cultural multiplicity\, and social and gender roles in our current cultural and global scenario. As a result\, her artwork is conceptually challenging\, producing complicated weaves of thought\, artistic action and social experience. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nImage above: Anila Quayyum Agha\, Intersection shown at Philbrook Museum\, Tulsa\, OK\, 2019 \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org. \nTo learn more about The Mashrabiya Project and Seeing Through Space\, click HERE.
URL:https://museumforartinwood.org/event/the-mashrabiya-project-seeing-through-space-artist-talk-anila-quayyum-agha/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
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DTSTART;TZID=UTC:20221013T110000
DTEND;TZID=UTC:20221013T120000
DTSTAMP:20260415T022333
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SUMMARY:The Mashrabiya Project - Seeing Through Space Artist Talk: Hoda Tawakol
DESCRIPTION:The Mashrabiya Project – Seeing Through Space Artist Talk: Hoda Tawakol | Thurs. Oct. 13\, 2022 | 11 am – 12 pm EDT | LIVE on ZOOM\nClick HERE to RSVP \nThe Center for Art in Wood is proud to present a series of free virtual lectures with artists featured in the upcoming exhibition Seeing Through Space\, opening March 3\, 2023\, and running through July 23\, 2023. This series is meant to connect the public with the artists and engage in thoughtful discussions about mashrabiya in the context of architecture\, art\, craft\, and community. Our inaugural lecture will feature Hamburg-based artist Hoda Tawakol. \nHoda Tawakol’s practice is built on the twin pillars of wit and criticality. Her colorful\, engaging textile works—collages\, sculptures\, installations—ripple with vitality\, while tackling compelling issues of gender and bodily control. At once captivating and disarming\, the works spring from a range of media\, yet focus largely on the female body\, its distortions and transformations across a woman’s lifecycle. The artist’s hallmark fabric sculptures of date palm trees\, while stemming from the plant realm\, wittily probe bodily questions of gender fluidity. This is a universe of transformation: the body forever hovers between physical and ethereal\, reality and abstraction\, presence and absence. \nTawakol herself is culturally liminal. Egypt-born\, raised in France and Germany by an interchanging trio of ‘mothers\,’ she not only navigates an ‘in-between’ that percolates through her identity\, she layers this suspension into her practice. Her works are spirited—boisterous\, wall-filling textile collages\, rambunctious fabric installations\, and plump sculptures that revel in the uncanny. Yet wrapped within these vigorous creations lie deeper questions around biopower\, control\, and corporal manipulation. \nTawakol’s practice vibrates with feminist energy. While her hand-dyed and intimately sewn textile pieces clearly signpost questions of women’s labor\, she also interrogates the wider yet more insidious forces (social\, biological\, cultural) impacting the female body. Sculptural gestures of abstraction and manipulation probe gender restrictions; superposed grids and lattices conjure sensations of confinement\, concealment\, repression; allusions to ancient rituals and embodied practices fathom death and procreation. \nWhile her artistic stance is precise—stay vivacious yet critical\, vaguely salacious yet deeply earnest—her material mastery is vast. A diversity of unpredictable hand-dyeing techniques—batik\, spotting\, painting\, tie-dye—vivify her textile work. Similarly\, her watercolour and ink compositions on paper are the fruit of a teetering negotiation with chance\, and a surprising relinquishing of control. Her sculptures\, whether assertively figurative or cryptically morphed\, enlist a variety of materials with which she consistently experiments. \nHoda Tawakol’s work has been exhibited in numerous institutions and galleries in Germany\, including  Schirn Kunsthalle in Frankfurt\, Weserburg Museum of Modern Art in Bremen\, Religio Westfälisches Museum für religiöse Kultur in Telgte\, Kunstverein in Hamburg\, Kunsthaus in Hamburg\, and Produzentengalerie in Hamburg and Berlin. Internationally\, she has shown at Sfeir-Semler gallery in Germany and Lebanon\, Beton Art Space in Denmark\, and at 10th Velada Santa Lucía in Venezuela. \nHer work appears in the following collections: The Salama bint Hamdan Al Nahyan Foundation (SHF)\, Abu Dhabi; The Progressive Art Collection\, USA; Huma Kabakci Collection\, Turkey\, UK; Sammlung Haus N\, Germany; Weserburg Museum Collection\, Germany\, among others. \nTop image: Hoda Tawakol\, Mashrabiya #5\, from the “Idolatry” series\, 2017. Wood. Photo: Courtesy of the artist\nPortrait of HodaTawakol by Helge Mundt\nHoda Tawakol biography by Kevin Jones\nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org. \nTo learn more about The Mashrabiya Project and Seeing Through Space\, click HERE.
URL:https://museumforartinwood.org/event/the-mashrabiya-project-seeing-through-space-artist-talk-hoda-tawakol/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:The Mashrabiya Project
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