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SUMMARY:Queering Wood Craft: Eroticism and Craft\, an LGBTQIA+ Woodworkers Roundtable Part 7b
DESCRIPTION:Queering Wood Craft: Eroticism and Craft\, an LGBTQIA+ Woodworkers Roundtable Part 7b | Sat. Dec 2\, 2023 | 12:00 pm ET | LIVE on ZOOM\nClick HERE to RSVP \nThe Museum for Art in Wood’s series of conversations with queer woodworkers is back for another installment this fall. Part 7 which took place in October had so much material that we needed to follow up with a second part. Haniel Wides will return to lead the roundtable discussion with leading queer woodworkers and artists in wood\, sharing the ways their lived experience impacts their craft\, process\, and aesthetic. Join us for this enlightening and fun afternoon. \nPortrait of Haniel Wides \nHaniel Wides is a non-binary artist and fabricator from Baltimore\, MD\, who is currently enrolled in the Cabinetry and Furniture Making program at North Bennet Street School. They strive to approach woodcraft with a socially and historically conscious lens to fuse the aesthetics and philosophies of their own cultures with techniques of pre-industrial furniture making. \n  \n  \n  \n  \n  \n\nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/queering-wood-craft-eroticism-and-craft-an-lgbtqia-woodworkers-roundtable-part-7b/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20231104T110000
DTEND;TZID=America/New_York:20231104T120000
DTSTAMP:20260503T074334
CREATED:20231013T152317Z
LAST-MODIFIED:20231017T155808Z
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SUMMARY:Gallery Talk for FLOE: A Climate of Risk with Stephen Talasnik
DESCRIPTION:Gallery Talk for FLOE: A Climate of Risk with Stephen Talasnik | Sat\, Nov. 4\, 2023 | 11:00 – 12 pm ET | In-person at the Museum for Art in Wood\nClick HERE to RSVP \nJoin the Museum for Art in Wood for an in-depth conversation with world-renowned sculpture and installation artist Stephen Talasnik on his latest exhibition\, FLOE: A Climate of Risk | The Fictional Archaeology of Stephen Talasnik. Talasnik\, who grew up and was educated in Philadelphia\, poses his hometown for his “fictional archaeology” of a  natural disaster brought on by climate change; the evidence is revealed in the collection of unearthed artifacts presented in the exhibition. FLOE features an imaginative and mesmerizing installation by Talasnik illustrated in wood\, bamboo\, and composite materials. The exhibition also includes works from the Museum’s permanent collection\, curated by Talasnik and selected to represent the remnants of a lost world. \nPictured above: Stephen Talasnik\, Leaning Globe (Photo Jeffrey Scott French) \n\nPortrait of Stephen Talasnik by Liam Talasnik \nStephen Talasnik is a native Philadelphian\, growing up in Southwest Philly and Mt.Airy. He attended Central High School and graduated from the Rhode Island School of Design (BFA) and the Tyler School of Art (MFA) both Rome and Philadelphia campuses. \nAfter a short career as a political cartoonist at the Atlantic City Press he moved back to Philadelphia to become the first Exhibitions Coordinator at the Fleisher Art Memorial where he spent six years developing the Challenge Exhibitions Program as well as maintaining his studio practice in Drawing. \nHe moved to Tokyo for three years where he taught art at Temple University’ branch campus. In addition to maintaining his studio in New York City\, continued to commute to Japan\, traveling throughout the Far East studying indigenous architecture in Thailand\, Malaysia \, and The Philippines . \nHis Drawings took him to spend later years exhibiting in Berlin\, Vienna\, London\, Paris\, and Moscow. \nAfter drawing exclusively for 20 years\, he started making sculpture informed by his time in the FarEast. His first piece of Land Art was hosted by the Storm King Art Center in NY with additional large scale installations at the Tippet Rise Art Center in Montana\, the Denver Botanic Gardens\, CO; and the Architektur Galerie Berlin. His Drawings are in major international collections at The British Museum\, London ; the Pompidou Centre\,Paris; The Albertina \, Vienna; and the Metropolitan Museum of Art\, NY to name just a few. \nHe continues to draw and build in his Brooklyn studio. \n  \nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \n\n\nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/gallery-talk-for-floe-a-climate-of-risk-with-stephen-talasnik/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Exhibitions,Gallery Talks
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DTSTART;TZID=America/New_York:20231018T190000
DTEND;TZID=America/New_York:20231018T200000
DTSTAMP:20260503T074334
CREATED:20230815T150453Z
LAST-MODIFIED:20230828T203640Z
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SUMMARY:Tree of Life: A Curatorial Talk with Cydney Pickens\, Curatorial Fellow at Houston Center for Contemporary Craft
DESCRIPTION:Tree of Life: A Curatorial Talk with Cydney Pickens\, Curatorial Fellow at Houston Center for Contemporary Craft | Wed\, Oct 18\,2023 | 7:00 pm – 8:00 pm EDT | ZOOM\nClick HERE to RSVP \nJoin us for a discussion with Curatorial Fellow Cydney Pickens on the exhibition Tree of Life\, on view now at the Houston Center for Contemporary Craft (HCCC). Tree of Life showcases sculptural objects made from the African blackwood tree\, also known as mpingo or Dalbergia melanoxylon. Native to Tanzania and the territory surrounding Mt. Kilimanjaro\, this tree has a naturally dark\, nearly black\, colored core and other unique properties that make it a preferred choice of material for ornamental turning\, carving\, and use in woodwind instruments. This exhibition features figural sculptures carved in the Makonde tradition by Tanzania-based artists\, Joseph Singombe and Pius Mtembe; ornamental turning by the late Texas-based artist James Harris; and woodwind instruments that explore the different methods artists are using when approaching this material. \nImage above: James Harris\, Clock Tower\, No. 4\, African blackwood\, mother-of-pearl\, brass inlay. Photo by James Harris courtesy of Bette Harris.\nJames Harris\, Wave Series Box\, No. 18\, 2007. African blackwood\, acrylic\, colored plastic laminate veneers\, yellow quartzite. Photo by James Harris courtesy of Bette Harris. \n  \nPortrait of Cydney Pickens by Sarah Darro \nCydney Elaine Pickens (she/her) is a curator\, appraiser\, and avid supporter of the arts currently based in Houston\, Texas. While attending the University of Houston\, she successfully completed a dissertation investigating the relationship between traditional and modern performance art in Africa and Europe as vehicles for metaphysical understanding. This research continues to inform her craft-centered and community-engaged curatorial practice celebrating the interconnectivity of society through creative expression in raw and synthetic materials such as wood\, glass\, fiber\, and metal. Through her personal art collection\, relationships with artists\, collectors\, and institutions\, she displays her devotion to sharing the influence of heritage and cultural identity on contemporary art. \n  \n \nFounded in 2001\, Houston Center for Contemporary Craft (HCCC) is a nonprofit arts organization dedicated to advancing education about the process\, product and history of craft.  The Center’s major emphasis is on objects of art made primarily from craft materials: clay\, fiber\, glass\, metal\, wood or found/recycled materials. \nHCCC serves as a treasured resource in the Houston arts community and the region by showcasing exhibitions that span a diversity of artists and concepts\, introducing visitors of all ages to contemporary craft through a variety of educational programming and events\, and supporting the development of working artists through its artist residency program. \nHCCC showcases the best in contemporary craft in a welcoming environment that invites you to stay for a while or drop in often. We hope that you’ll visit\, follow us online\, and become a supporter.  Free Docent-led tours are available for groups\, if scheduled in advance. \n  \nThe Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/tree-of-life-a-curatorial-talk-with-cydney-pickens-curatorial-fellow-at-houston-center-for-contemporary-craft/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20231014T120000
DTEND;TZID=America/New_York:20231014T133000
DTSTAMP:20260503T074334
CREATED:20230815T152454Z
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SUMMARY:Queering Wood Craft: Eroticism and Craft\, an LGBTQIA+ Woodworkers Roundtable Part 7
DESCRIPTION:Queering Wood Craft: Eroticism and Craft\, an LGBTQIA+ Woodworkers Roundtable Part 7 | Sat. Oct 14\, 2023 | 12:00 pm ET | LIVE on ZOOM\nClick HERE to RSVP \nThe Museum for Art in Wood launched a series of conversations with queer woodworkers. Haniel Wides\, a student at the North Bennet Street School\, will lead the next edition of the roundtable discussion with leading queer woodworkers and artists in wood\, sharing the ways their lived experience impacts their craft\, process\, and aesthetic. Join us for this enlightening and fun afternoon. \nPortrait of Haniel Wides \nHaniel Wides is a non-binary artist and fabricator from Baltimore\, MD\, who is currently enrolled in the Cabinetry and Furniture Making program at North Bennet Street School. They strive to approach woodcraft with a socially and historically conscious lens to fuse the aesthetics and philosophies of their own cultures with techniques of pre-industrial furniture making. \n  \n  \n  \n  \n  \n\nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/queering-wood-craft-eroticism-and-craft-an-lgbtqia-woodworkers-roundtable-part-7/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20230804T173000
DTEND;TZID=America/New_York:20230804T200000
DTSTAMP:20260503T074334
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SUMMARY:First Friday Opening for PLACING: The Windgate Arts Residency Program in Wood 2023
DESCRIPTION:First Friday Opening for PLACING: The Windgate Arts Residency Program in Wood 2023 | Fri\, August 4\, 2023 | 5:30 – 8:00 pm | In-person Event\nWalk-in’s Welcome \nThe Museum’s annual summer exhibition represents the culmination of the Windgate Wood Arts Residency Program (WARP-Wood)\, a two-month arts residency program. In this exhibition\, the international group of artists presents work created during the residency\, which emphasizes research\, exploration\, and the opportunity to work in a collaborative environment. Now in its twenty-sixth year\, this renowned residency offers artists specializing in the material of wood the opportunity to test their vision and skill\, while developing connections with colleagues\, collectors\, and the city of Philadelphia. \nThis year’s fellows\, listed below\, will bring immersive and installation sculpture\, furniture and woodworking\, kinetic sculpture\, and research to the Museum’s exhibition space. \nArtist Fellows:\nEmma Chorostecki | Toronto\, Ontario \nTerry Holzgreen | Los Angeles\, CA \nAdam John Manley | San Diego\, CA \nMaiko Sugano | Ibaraki\, Japan / Tainan\, Taiwan \nLaura Zelaya | Colón\, Entre Rios\, Argentina \nStudent Artist:\nTeresa Audet | Madison\, WI \nScholar:\nDeidre Visser |  San Francisco\, CA \n  \nMeet the 2023 WARP Wood Fellows! Join us for the WARP Wood Open Studio Day\, in memory of Lee Bender\, on July 15\, 2023\, at NextFab North. \n  \nOpening reception with the Windgate Resident Fellows | Aug 4\, 5:30-8 PM | Gallery talk\, 6-7 PM \n  \nThis year’s Windgate Arts Residency Program in Wood and Exhibition is generously supported by the Cambium Circle Members of the Center for Art in Wood\, donors to the Windgate Arts Residency Program in Wood appeal\, the Phil F. Brown Fund\, Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, and Windgate Foundation. In-kind support was provided by Boomerang\, Inc. and Sunlite Corporation. Special thanks to the organizing committee of the Echo Lake Collaborative Conference. \n  \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/frist-friday-opening-for-placing-the-windgate-arts-residency-program-in-wood-2023/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Exhibitions,Gallery Talks,Opening Receptions
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DTSTART;TZID=America/New_York:20230310T183000
DTEND;TZID=America/New_York:20230310T193000
DTSTAMP:20260503T074334
CREATED:20230104T200253Z
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SUMMARY:Gallery Talk with Winter Residency Fellow Michael Ferrin
DESCRIPTION:Gallery Talk with Winter Residency Fellow Michael Ferrin | NextFab 1800 North American Street | Fri. March 10\, 2023 | 6:30 pm EST | Hybrid Event\nClick HERE to RSVP\nGuests may join us either at NextFab North or via Zoom. \nJoin us for a gallery talk with the 2023 Winter Residency Fellow Michael Ferrin. The residency is designed for artists in Greater Philadelphia who work in the medium of wood and is a collaboration between the Center for Art in Wood and NextFab. An exhibition of the work created over the two-month-long program will be presented at the NextFab North Philadelphia location. \nMichael Ferrin is an artist from Southwest Philadelphia. Working primarily in wood\, he employs his training as a furniture maker and his education as an artist to explore the connection between spirituality and craft; relationship to place; and how power shapes\, and is reinforced by\, narratives about craft history. Michael’s interests range from the influence of Muslim arts on European medieval design vocabulary to the visual landscape of Philadelphia’s public transit infrastructure. He has recently been incorporating Persian khatam marquetry into his work. \n  \n  \nABOUT NEXTFAB \n\nNextFab is a network of membership-based makerspaces that provide access to tools\, technology\, education\, events\, and services for makers and creatives. They offer a variety of education and startup programs\, as well as professional design\, production\, and placemaking services for whatever your fabrication needs. \nABOUT THE CENTER FOR ART IN WOOD \nThe Center for Art in Wood is a museum of contemporary art\, craft\, and design in the material of wood. The Center presents the work of emerging and established artists from the United States and abroad and offers thought-provoking exhibitions\, a permanent collection of over 1\,100 objects and works of art\, publications and documentation\, events and workshops\, and a library with over 26\,000 artist files\, books\, and documents that span the history of craft. The Center also brings artists and researchers from around the world to Philadelphia every year to attend its unique Windgate Artist Residency Program. \nIf you have questions\, please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/gallery-talk-with-winter-residency-fellow-michael-ferrin/
LOCATION:NextFab\, 1800 N. American St\, Philadelphia\, PA\, 19122\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20230210T183000
DTEND;TZID=America/New_York:20230210T193000
DTSTAMP:20260503T074334
CREATED:20230202T170131Z
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SUMMARY:Vessel Philadelphia: The Art of Containment and Today's Makers
DESCRIPTION:Vessel Philadelphia: The Art of Containment and Today’s Makers | Fri. Feb 10\, 2023 | 6:30 – 7:30 pm | In-Person Event\nClick HERE to RSVP for this In-Person Event \nJoin us here at the Museum for Art in Wood for a conversation with local artists about how the form of the vessel inspires their work. This is an in-person event. If you are unable to join us\, there will be a recording available afterward. \n\n\n\n  \nPortrait of Miriam Carpenter by Laura Billingham \nMiriam Carpenter is a contemporary artist and designer based in Bucks County\, Pennsylvania. As a Rhode Island School of Design alumna\, she began her career designing alongside Mira Nakashima. Through new processes\, she investigates the mundane\, unveiling the hidden complexities around us. Imbued with heart and soul\, her action-oriented form of art is a union of traditional technique\, ingenuity\, and talent that is rooted in a conscious effort to create lasting positive change. Carpenter’s work can be found internationally in both private and public collections and has been exhibited most notably at the Philadelphia Museum of Art\, Michener Art Museum\, Wharton Esherick Museum\, Fuller Craft Museum\, Marshall M. Fredericks Sculpture Museum\, DeVos Art Museum\, Philadelphia International Airport\, SOFA Chicago\, Design Miami and Moderne Gallery where she is currently represented. She has been awarded six international residencies over the past eight years and is an active participant in artist collaborations around the globe. \n  \nSyd Carpenter’s work includes sculpture responding to African American farms and gardens.  She has been a professor of studio art at Swarthmore College since 1991\, retiring in 2022. She began this work after purchasing her home in Philadelphia\, where she began gardening\, following in the footsteps of her mother\, Ernestine Carpenter\, and her grandmother\, Indiana Hutson. Both women were master gardeners.   Subsequent to teaching\, she is developing projects in landscape design in addition to producing sculptures.  Awards include a United States Artist Fellowship\, Anonymous Was a Woman Fellowship\, Pew Fellowship in the Arts\, Multiple Leeway Foundation Fellowships\, National Endowment for the Arts\, the Peggy Chan Endowed Professorship of Black Studies\, The James A. Renwick Distinguished Educators Award\, Multiple Pennsylvania Council on the Arts grants and a Center for Established and Emerging Artists Fellowship. Her work is included in the permanent collections of the Metropolitan Museum of Art\,  the Renwick Gallery of the Smithsonian Institute\,  Philadelphia Museum of Art\, Montreal Museum of Art\,  the Swedish National Museum\, African American Museum of Philadelphia\, Pennsylvania Academy of Fine Arts\, the Tang Museum of Skidmore College\, the Fuller Craft Museum as well as many other public and private collections.   Her guest artist residencies include Haystack Mountain School of Crafts\, Penland\, Peters Valley Center\, Watershed Center\, Anderson Ranch\, Bennington College\, and the Brandywine Graphics Workshop. \n\n\n\n\n  \n\nKate Dannenberg is a jeweler and metalsmith living in South Philadelphia. With thoughtful craftsmanship and attention to tactile experience\, she creates jewelry and objects informed by the visual qualities of the natural world. She is interested in the way humans physically interact with precious and everyday objects—the way these interactions affect both the person and the object. Through her work as a teaching artist and curator\, she strives to uplift the jewelry and craft communities through inclusion\, education\, and enthusiasm. Kate’s work is made by hand from recycled and responsibly sourced materials. \nKate is a member of Ethical Metalsmiths and earned her Bachelor of Fine Arts in Jewelry and Metalsmithing from Rochester Institute of Technology in 2015. Her work was included in The Metal Museum’s exhibition 40 Under 40: The Next Generation Of American Metal Artists in 2019\, the Philadelphia Museum of Art Fine Craft Show (2020-2022)\, and the Smithsonian Women’s Committee’s inaugural Craft Optimism in 2021\, among other exhibitions. She recently completed an artist residency at Penland School of Craft. \n\n\n\n\n  \nJason McDonald is an artist working primarily in glass. Currently\, he lives in Philadelphia\, where he is pursuing an MFA degree at the Tyler School of Art and Architecture. He was introduced to furnace glassblowing at the age of 14 through the Hilltop Artists program in his hometown of Tacoma\, Washington. Jason credits this program for exposing him to glass\, a material that has held his attention and opened up a world of new possibilities. Jason has spent the majority of his career focusing on traditional Venetian furnace techniques\, including goblets and pattern making. He uses glass to talk about a range of issues like the barriers BIPOC people face in accessing creative spaces and the wild joy of chasing technical pursuits. He is passionate about sharing his love of the material as well as the process of glassblowing. His ambitions include building a home studio where he can invite a diverse group of people to come play at the furnace\, with an impractically large garden just outside the workshop door. \n  \nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/vessel-philadelphia-the-art-of-containment-and-todays-makers/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Exhibitions,Gallery Talks
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DTSTART;TZID=America/New_York:20230204T140000
DTEND;TZID=America/New_York:20230204T150000
DTSTAMP:20260503T074335
CREATED:20221219T181633Z
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SUMMARY:A Discussion on Humaira Abid's Sacred Games II with Founder of USILOQUY Dance Designs\, Shaily Dadiala
DESCRIPTION:A Discussion on Humaira Abid’s Sacred Games II with Founder of USILOQUY Dance Designs\, Shaily Dadiala | Sat. Feb. 4\, 2023 | 2 pm ET | Hybrid Event\nClick HERE to RSVP \nJoin us for a multidisciplinary talk and response to Humaira Abid’s Sacred Games II in the exhibition Vessel: Embodiment\, Autonomy\, and Ornament in Wood with the Founder of USILOQUY Dance Designs\, Shaily Dadiala. \nImage above: Humaira Abid\, Sacred Games II\, 2020 photo by Adeel Ahmed \nPortrait of Shaily Dadiala by Kiruthik Sai \nShaily Dadiala is a choreographer\, dancer\, and cultural producer. She is the Artistic Director of Usiloquy Dance\, which she founded in 2008. \nShe choreographs and performs original works based on the techniques of the Indian Classical dance style Bharatanatyam. She holds a bachelor’s in arts specializing in Bharatanatyam from India (1994)\, where she was born and raised. Her work applies vocabulary rooted in Bharatanatyam\, exploring the lesser-known cultural aspects of diasporas and communities that are misrepresented when it comes to social equity. The grid formed by intersections of migration\, race\, and gender drives the strategy behind her work. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/a-discussion-on-humaira-abids-sacred-games-ii-with-founder-of-usiloquy-dance-designs-shaily-dadiala/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks,Special Events
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DTSTART;TZID=America/New_York:20230125T183000
DTEND;TZID=America/New_York:20230125T193000
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SUMMARY:Material of the Vessel: a Panel Discussion
DESCRIPTION:Material of the Vessel: a Panel Discussion | Wed. Jan. 25\, 2023 | 6:30 pm ET | LIVE on ZOOM\nClick HERE to RSVP \nJoin us for an evening with Curators from the nation’s leading materials-focused art museums\, who will share their thoughts on vessels and their importance to art in the past\, present\, and future. \nPanelists\nCarissa Hussong\nCarissa Hussong has served as the Executive Director of the Metal Museum since January 2008.  Under her leadership\, the Museum has grown and is currently undertaking a major expansion that will not only transform the Museum and the field of metalworking but will also have a significant and lasting impact on Overton Park and the greater Memphis community.  Prior to joining the Metal Museum\, Hussong served as the Executive Director of the Urban Art Commission\, a Memphis\, TN non-profit that manages public art for the City of Memphis and other public and private clients.  Hussong has also worked as an Associate Curator at the Dixon Gallery and Gardens in Memphis\, TN\, and as a curatorial fellow at the Whitney Museum of American Art in New York\, NY.  Hussong has an M.B.A. from the University of Memphis\, a B.A. in English Literature from Boston University\, and a B.A. in Art History from the University of Washington.  She has been recognized by the Memphis Business Journal as a Superwoman in Business\, Class of 2022 and by the Memphis Flyer as one of 25 Who Shaped Memphis: 1989-2014.  She was the 2005 recipient of the Ellida Fri Leadership Award presented by the YWCA of Greater Memphis and was a 2003 recipient of Memphis Women Magazine’s “50 Women Who Make A Difference\,” a 2002 recipient of the Center City Commission’s Vision Award\, and one of the 2001 Memphis Business Journal’s “Top 40 Under 40.” \nJennifer-Navva Milliken\nJennifer-Navva Milliken is the Executive Director and Chief Curator for the Center for Art in Wood. Prior to her arrival at the Center\, she served as an embedded staff member in international art museums\, as an independent curator\, and as the founder of a cross-disciplinary art space. Her exhibitions have been presented in museums\, art fairs\, galleries\, and unconventional spaces\, and her writings have been included in exhibition catalogues\, anthologies\, and publications that investigate and critique the intersecting fields of art\, craft\, and design. With a global perspective\, honed through a life split between two continents\, she is driven by the extraordinary power of the arts to challenge preconceptions and bridge divides. \nSusie Silbert\nSusie J. Silbert is the curator of postwar and contemporary glass at The Corning Museum of Glass. Her curatorial practice is expansive\, constantly seeking to broaden the definitions of what the material of glass is and can be\, with the goal of making the Museum collection reflective of the breadth of artists\, makers\, and thinkers involved in the medium. \nAs part of her role at the Museum\, Silbert serves as the editor of New Glass Review\, an exhibition-in-print designed to provide a snapshot of global glassworking on an annual basis and selects the recipient of the Museum’s Rakow Commission\, awarded annually to an artist whose work is not yet in the Museum’s collection. Her international survey exhibition New Glass Now\, designed to introduce new audiences and new approaches to glass\, debuted in Corning in 2019\, before traveling to the Renwick Gallery of the Smithsonian American Art Museum in Washington D.C. and the Toyama Museum of Glass in Toyama\, Japan. \nSilbert received her BFA from the University of Wisconsin-Madison in 2003\, worked as a curator and collaborator at the Mark Peiser Studio in Penland\, North Carolina\, for four years as well as in a variety of other curatorial positions before and after earning an MA in decorative arts\, design history\, and material culture from Bard Graduate Center in 2012. She joined The Corning Museum of Glass in 2016. \nJennifer Zwilling\nJennifer Zwilling is the Curator and Director of Artistic Programs. She joined The Clay Studio in 2015 and administers the Resident Artist Program\, Exhibitions\, The Collection\, and the Guest Artist in Residence Program. She earned her BA in History from Ursinus College and MA in Art History from Temple University\, Tyler School of Art. Previously\, she was Assistant Curator of American Decorative Arts and Contemporary Craft at the Philadelphia Museum of Art. Jennifer developed and taught History of Modern Craft at Tyler School of Art for ten years\, and has taught and lectured around the world. She represents TCS as a founding Board Member of CraftNOW Philadelphia. \n\n\n\n\nModerator\nEmily Zilber\nEmily Zilber’s work directly supports contemporary art and artists\, especially those whose practices intersect with craft and design. She is the Director of Curatorial Affairs and Strategic Partnerships at the Wharton Esherick Museum\, where she facilitates conversations between contemporary artists and Esherick’s legacy\, adjunct faculty at Tyler School of Art and Architecture\, and maintains an independent consulting and coaching practice. As Guest Curator at the Renwick Gallery of the Smithsonian American Art Museum from 2020-2021\, she organized the invitational exhibition Forces of Nature and its accompanying catalog. Zilber spent almost a decade as the first Wornick Curator of Contemporary Decorative Arts at the Museum of Fine Arts\, Boston\, where she built an integrated curatorial program for craft and design within the museum’s contemporary art department. \n  \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/material-of-the-vessel-a-panel-discussion/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Exhibitions,Gallery Talks
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DTSTART;TZID=America/New_York:20230115T130000
DTEND;TZID=America/New_York:20230115T140000
DTSTAMP:20260503T074335
CREATED:20221227T221724Z
LAST-MODIFIED:20221227T221724Z
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SUMMARY:Vessels: A Conversation about What We Hold in Objects and Life
DESCRIPTION:Vessels: A Conversation about What We Hold in Objects and Life | Sun. Jan. 15\, 2023 | 1:00 pm ET | In-person Event\nClick HERE to RSVP to this free in-person event \nWhen you think of a vessel\, what comes to mind? The answers are varied and more complex. Vessels take many forms: a ceramic cup full of tea to warm your spirit and body\, the wooden form that sits on a pedestal in a gallery\, the human body that grows and nurtures life\, and a sacred space filled with care and love that deepens connections. Vessels are an integral part of life\, each different\, each purposeful\, and yet unassuming. Join Alison Croney Moses and Bintu Conté as they delve into the manifestation and undercurrents of vessels in their lives and communities. \nImage above: Alison Croney Moses\, What We Hold\, 2022. Photo by Michelle Davidson\, Shapiro Photography.\n\n  \n\nPortrait for Alison Croney Moses by Tyahra Angus \nAlison Croney Moses creates wooden objects that reach out to your senses—the smell of cedar\, the color of honey or the deep blue sea\, the round form that signifies safety and warmth\, the gentle curve that beckons to be touched. Her work is in the collections at the Museum of Fine Arts Boston and the Renwick Gallery of the Smithsonian American Art Museum. She is a recent recipient of the 2022 USA Fellowship in Craft and has been featured in American Craft Magazine. \nShe has worked over the past 15 years in alternative education settings to build out education programs that center the communities in which they take place. She is currently the Associate Director at the Eliot School of Fine & Applied Arts\, where she founded the Teen Bridge and Artist in Residence programs to help cultivate the current and next generation of artists and leaders in art and craft. She holds an MA in Sustainable Business & Communities from Goddard College\, and a BFA in Furniture Design from Rhode Island School of Design. \n  \nSelf-portrait by the Artist \nBintu Conté is born of the Mende and Maninka tribes of West Africa. Her roots and experience shape her 20+ years as a movement artist and trainer. She creates and holds sacred space on individual\, community\, and organizational levels to build [BCH1] shared connectivity. In her work\, she centers on Traditional West African and Black Dance movements\, cypher processes\, and other somatic practices to support the cultivation of awareness\, healing\, and community wellness. \nAs an artist\, Conté has partnered and collaborated with culture keepers nationally and internationally\, and she most recently served as a teaching artist at the Boston Conservatory at Berklee. She is also the co-founder of the Racines Black Dance Festival- Black Dance Boston and the founder of JAARA\, a non-profit dedicated to the preservation\, visibility\, and advancement of Afro-Diaspora arts and culture. Outside of her art\, Conté has 15+ years as a racial equity capacity builder with a variety of organizations based in the San Francisco and Boston areas. \n  \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/vessels-a-conversation-about-what-we-hold-in-objects-and-life/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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BEGIN:VEVENT
DTSTART;TZID=UTC:20221014T180000
DTEND;TZID=UTC:20221014T193000
DTSTAMP:20260503T074335
CREATED:20220929T205941Z
LAST-MODIFIED:20221010T140650Z
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SUMMARY:Live Performance and Book Release of Soma
DESCRIPTION:Live Performance and Book Release of Soma | Fri. Oct 14\, 2022 | 6:00 – 7:30 pm | In-person\nClick HERE to RSVP \n\n\n\n\nJoin us for a live performance and book release with artist Colin Pezzano for his most recent project Soma. Soma is a graphic novel told in 45 woodcuts carved during the winter of 2022. A “mundane horror\,” the narrative investigates lived and imagined experience\, corporality\, and the passage of time. During the evening\, Colin Pezzano and Sam Gasparre will be performing a live score of the Soma\, which was animated by Ricky Christian. \n\n\n\n\nColin Pezzano is a woodworker and craft artist based in South Philadelphia. His practice is defined by utilizing digital and hand processes to pass along humor\, pathos\, and memory into his chosen materials. Colin graduated from the University of the Arts in 2014 with a BFA in Crafts and shortly after received the Windgate Fellowship Award. In 2022\, he received the Windgate-Lamar Fellowship Award\, given to awardees who have continued to evolve their practice post-graduation. Colin has had two solo shows\, “Contain You” and “Still Life With Dead Game\,” at Bridgette Mayer Gallery and Allens Lane Art Center\, respectfully\, and is currently exhibiting work in The Wharton Esherick Museum’s “Home as Stage” to celebrate the Museum’s 50th anniversary. This installation coincides with the release of Colin’s book\, Soma\, a graphic novel in woodcuts. During his career\, Pezzano has participated in group shows\, juried exhibitions and attended residencies in the USA and Sweden. He maintains his practice in his basement studio. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/live-performance-and-book-release-of-soma/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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BEGIN:VEVENT
DTSTART;TZID=UTC:20221003T183000
DTEND;TZID=UTC:20221003T193000
DTSTAMP:20260503T074335
CREATED:20220915T180505Z
LAST-MODIFIED:20220925T120301Z
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SUMMARY:Windgate Wood Arts Residency Program Panel Discussion
DESCRIPTION:Windgate Wood Arts Residency Program Panel Discussion | Mon. Oct 3\, 2022 | 6:30 – 7:30 pm | LIVE on ZOOM\nCLICK HERE TO RSVP \n  \nJoin us for a panel discussion with the 2022 Windgate Wood Arts Residency Program moderated by 2019 residency alumni John-Dune Kingsley on Monday\, October 3rd. We’ll learn about their experiences\, collaborations\, and breakthroughs during the residency. Don’t miss this special event. \n  \nKailee Bosch\, Student Artist\nKailee Bosch is from Fort Collins\, Colorado. She obtained a BFA in Sculpture and Pottery from Colorado State University in 2020. Her practice stems from a background in woodturning\, growing up in her father’s shop making small objects on the lathe. Currently Kailee primarily works with wood and bronze\, blending traditional craft practices with digital fabrication and making both functional objects and speculative designs. \n  \n  \nKatie Hudnall\, Visual Documentarian and Artist\nKatie Hudnall builds other-worldly\, interactive furnitural objects that behave in expected and unexpected ways.  She received an MFA in woodworking/furniture design from Virginia Commonwealth University and a BFA in Sculpture from the Corcoran College of Art in Washington\, DC.  She lives and works in Madison\, WI\, where she runs the Wood & Furniture program at the University of Madison\, Wisconsin. Hudnall joined the residency program as an artist in 2016 and is looking forward to returning this summer as the group’s Visual Documentarian.  She is looking forward to sharing the residents’ experience through the blog posts\, as well as through sketchbook drawings and small cabinets that will contain some of the “artifacts” from this year’s adventures and cohort. \n  \n  \nJames Maurelle\, Artist\nJames Maurelle is an interdisciplinary artist\, sculpture\, video\, photography\, and sound art are his analog and digital primes. His work investigates the correlation formed between labor and creativity; at the center of this byway is the spirit of his work. Constructing objects and moving images are not unlike creating music compositions: the accompaniment\, i.e.\, tools and materials\, are a call and response to dexterity. The rubric to complete any composition is to know one’s instrument(s)/tools; the creative process is based on this reciprocal understanding. His work has shown in solo and group exhibitions in New York\, Minneapolis-Saint Paul\, Austin\, Philadelphia\, New Orleans\, Richmond\, Cincinnati\, and San Francisco. He is a recipient of the Skowhegan School of Painting and Sculpture Fellowship (2015). \n  \nJanice Smith\, Artist\nFor 40 years\, Janice has been designing and building unique wood furniture. Her interest in furniture began when “Shop for Girls”\nwas offered for the first time in high school. She still love turning ideas into reality. She especially enjoys creating a sense of movement in her designs and playing with balance and asymmetry. \n  \n  \nChris Storb\, Artist\nChris has worked professionally in the historic furniture field for over 40 years. His expertise is in the history of woodworking techniques\, processes\, and materials\, coupled with the ability to share that expertise in a meaningful way with the public. Chris worked in the conservation department of the Philadelphia Museum of Art since 2003 where he collaborated on the conservation of a broad range of American furniture in the Museum’s collection. Most recently he worked for the Dietrich American Foundation at the Philadelphia Museum of Art performing an examination\, assessment\, and treatment of over 150 wood objects in the Foundation’s collection. He has published and lectured widely on historic furniture\, woodcarving\, and the history of woodworking and continues to write for his blog “In Proportion to the Trouble.” \n  \nD Wood\, Scholar\nD Wood designed and made furniture to earn a Diploma in Crafts and Design at Sheridan College in Canada and an MFA at the Rhode Island School of Design. Her PhD from the University of Otago was about craft and studio furniture in New Zealand. She is the editor of and a contributor to Craft is Political (Bloomsbury 2021). \n  \n  \n  \n  \n  \nJohn-Duane Kingsley\, 2019 Scholar and Panel Moderator\nJohn-Duane Kingsley is a divergent thinker whose professional work and interests straddle LGBTQIA+ identity and representation within museums\, historic interiors\, contemporary craft/design\, and public education. Because these topics aren’t contained by a specific institution or discipline\, Kingsley created the DANDYCRAFT website to serve as a publicly accessible repository of his work. \nAfter pursuing an MA in Decorative Arts & Design History from George Washington University\, Kingsley moved to Detroit\, Michigan\, to supervise the design of custom reproduction furniture and decorative arts for the restoration of Fair Lane: The Home of Clara & Henry Ford. His consulting work for Twisted Preservation Cultural Consulting focuses on interpreting LGBTQIA+ narratives in cultural heritage sites. Kingsley is a published author writing on contemporary craft and design\, can be found in MetalSmith Magazine\, The Journal of Modern Craft\, and exhibit catalog for allTURNatives at the Center for Art in Wood in Philadelphia\, PA\, and as a contributing writer for the Decorative Arts Trust Bulletin. \n  \nThe Windgate Wood Arts Residency Program is a collegial experience in which the resident Fellows explore new work through research\, exploration\, and collaboration. The Center for Art in Wood awards prestigious fellowships for the annual residency program\, selecting from an international pool of applicants. Fellowships consist of five artists\, a visual documentarian\, a scholar/educator/writer\, and a student artist. Fellows work either solely in wood or in other materials in meaningful combination with wood. Applicants must exhibit proficiency in woodworking techniques in order to be eligible. The residency concludes in an exhibition at the Center for Art in Wood comprising work made by Fellows before and during the program. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDonate \nFor questions\, contact Katie Sorenson\, Community Engagement Manager\, at katie@museumforartinwood.org
URL:https://museumforartinwood.org/event/windgate-wood-arts-residency-program-panel-discussion/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220922T183000
DTEND;TZID=UTC:20220922T193000
DTSTAMP:20260503T074335
CREATED:20220823T210933Z
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SUMMARY:POSTPONED - The Windgate Residency Trivia Happy Hour
DESCRIPTION:POSTPONED – The Windgate Residency Trivia Happy Hour | Thurs. Sept 22\, 2022 | 6:30 – 7:30 pm | LIVE on ZOOM\nDue to unforeseen circumstances\, this event has been postponed. A new date will be scheduled soon. \nRSVP \nJoin us for a virtual gathering to reminisce and celebrate 25 years of the Windgate Wood Arts Residency Program (widely known as the International Turning Exchange\, or ITE). The casual hangout will offer alumni the chance to share their experiences with fun history factoids and a couple of rounds of residency Trivia. Anyone who loves the residency is welcome\, so grab your favorite snack and beverage for a don’t miss festive evening looking back at a quarter-century of the Windgate Residency! \nThe Windgate Wood Arts Residency Program is a collegial experience in which the resident Fellows explore new work through research\, exploration\, and collaboration. The Center for Art in Wood awards prestigious fellowships for the annual residency program\, selecting from an international pool of applicants. Fellowships consist of five artists\, a visual documentarian\, a scholar/educator/writer\, and a student artist. Fellows work either solely in wood or in other materials in meaningful combination with wood. Applicants must exhibit proficiency in woodworking techniques in order to be eligible. The residency concludes in an exhibition at the Center for Art in Wood comprising work made by Fellows before and during the program. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDonate \nFor questions\, contact Katie Sorenson\, Community Engagement Manager\, at katie@museumforartinwood.org \nRam Image: Daniel Forrest Hoffman\, Ram\, 2011\, Poplar\, basswood\, felt\, glass\, dye. Photo: John Carlano
URL:https://museumforartinwood.org/event/the-windgate-residency-trivia-happy-hour/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220902T140000
DTEND;TZID=UTC:20220902T141500
DTSTAMP:20260503T074335
CREATED:20220825T163342Z
LAST-MODIFIED:20220902T150651Z
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SUMMARY:FREE Guided Tour
DESCRIPTION:Guided Tour | Fri. Sept. 2\, 2022 | 2 pm | The Center for Art in Wood\nWalk-ups are welcome \nOur FREE guided tours are ~15 minutes in length\, perfect for a lunch break pitstop\, a neighborhood excursion\, or a Saturday stroll! Join us and experience our current exhibition\, Overlap: The Windgate Wood Arts Residency Program 2022. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year.
URL:https://museumforartinwood.org/event/free-guided-tour-4/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220827T140000
DTEND;TZID=UTC:20220827T141500
DTSTAMP:20260503T074335
CREATED:20220825T163051Z
LAST-MODIFIED:20220825T163051Z
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SUMMARY:FREE Guided Tour
DESCRIPTION:Guided Tour | Sat. Aug. 27\, 2022 | 2 pm | The Center for Art in Wood\nWalk-ups are welcome \nOur FREE guided tours are ~15 minutes in length\, perfect for a lunch break pitstop\, a neighborhood excursion\, or a Saturday stroll! Join us and experience our current exhibition\, Overlap: The Windgate Wood Arts Residency Program 2022. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year.
URL:https://museumforartinwood.org/event/free-guided-tour-3/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220826T140000
DTEND;TZID=UTC:20220826T141500
DTSTAMP:20260503T074335
CREATED:20220825T162705Z
LAST-MODIFIED:20220825T163229Z
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SUMMARY:FREE Guided Tour
DESCRIPTION:Guided Tour | Fri. Aug. 26\, 2022 | 2 pm | The Center for Art in Wood\nWalk-ups are welcome \nOur FREE guided tours are ~15 minutes in length\, perfect for a lunch break pitstop\, a neighborhood excursion\, or a Saturday stroll! Join us and experience our current exhibition\, Overlap: The Windgate Wood Arts Residency Program 2022. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year.
URL:https://museumforartinwood.org/event/free-guided-tour-2/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
GEO:39.9533152;-75.1447709
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Center for Art in Wood 141 N 3rd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=141 N 3rd Street:geo:-75.1447709,39.9533152
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220813T140000
DTEND;TZID=UTC:20220813T141500
DTSTAMP:20260503T074335
CREATED:20220812T200048Z
LAST-MODIFIED:20220812T200048Z
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SUMMARY:FREE Guided Tour
DESCRIPTION:Guided Tour | Sat. Aug. 13\, 2022 | 2 pm | The Center for Art in Wood\nWalk-ups are welcome \nOur FREE guided tours are ~15 minutes in length\, perfect for a lunch break pitstop\, a neighborhood excursion\, or a Saturday stroll! Join us and experience our current exhibition\, Overlap: The Windgate Wood Arts Residency Program 2022. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year.
URL:https://museumforartinwood.org/event/free-guided-tour/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=UTC:20220805T173000
DTEND;TZID=UTC:20220805T200000
DTSTAMP:20260503T074335
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SUMMARY:Opening for Overlap: The Windgate Wood Arts Residency Program 2022
DESCRIPTION:Opening for Overlap: The Windgate Wood Arts Residency Program 2022 | Fri. Aug 5\, 2022 | 5:30 – 8 pm EDT – Gallery Talk 6 – 7 pm | In-person Event\nWalk-in’s Welcome \nJoin us for First Friday and the opening of Overlap: The Windgate Wood Arts Residency Program! Now in its twenty-fifth year\, the Center for Art in Wood’s Windgate Wood Arts Residency program (long known as ITE\, International Turning Exchange) is a collegial experience that encourages an open exchange of creative and technical innovations in the field of art in wood. Throughout the summer\, the resident fellows dedicate eight weeks to focusing on individual and collaborative work\, developing peer relationships\, and testing their vision and skill in the material. As a group\, the work of the 2022 cohort represents a wide range of approaches—from historic furniture techniques to rapid prototyping and digital fabrication\, from studio furniture to multimedia performance. The Overlap exhibition celebrates the experimentation\, research\, and resolution that takes place during this unique\, intensive residency. \nThe 2022 Windgate Resident Fellows are:  \nJames Maurelle\, Artist\, Philadelphia PA\, Janice Smith\, Artist\, Philadelphia PA\, Christopher Storb\, Artist\, Philadelphia PA\, USA); Kailee Bosch\, Student Artist\, Fort Collins\, CO\, USA); Katie Hudnall\, Visual Documentarian\, Madison\, WI\, USA); D Wood\, Scholar\, Toronto\, Ontario\, Canada) \nThis year’s Windgate Wood Arts Residency Program & Exhibition is generously supported by the Cambium Circle Members of the Center for Art in Wood\, donors to the Windgate International Residency appeal and the Phil F. Brown Fund\, Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, and Windgate Foundation. In-kind support was provided by Boomerang\, Inc. and Sunlite Corporation. \nFor questions\, contact Katie Sorenson\, Senior Manager of Partnerships and Engagement\, at katie@museumforartinwood.org
URL:https://museumforartinwood.org/event/opening-for-overlap-the-windgate-wood-arts-residency-program-2022/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks,Opening Receptions
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DTSTART;TZID=UTC:20220727T183000
DTEND;TZID=UTC:20220727T193000
DTSTAMP:20260503T074335
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SUMMARY:The Decency Project – Craft and Labor as Communal Conduit with Scott Braun
DESCRIPTION:The Decency Project – Craft and Labor as Communal Conduit with Scott Braun | Wed. July 27\, 2022 | 6:30 pm EDT | Live on ZOOM\nTo RSVP\, click HERE \nJoin us for a talk with Scott Braun on the Decency Project. The Decency Project ranges from intimate dialog to group conversation to performative demonstrations and sometimes even collaborative performance. In all cases\, finding connection and community through craft and labor is at the core. What does it mean to be human? If I am human\, what does that mean I should do\, and not do? How do we define decency and shame? Come join us for this discussion and find answers together. At least more questions. Or maybe just a way to feed each other. \nThe image above is Scott Braun demonstrating spoon carving. \nScott Braun is a visual artist\, educator\, and socio-political activist whose interactive performances\, sculptures\, and installations engage participants in an exploration of self in the context of society. He has been artist-in-residence at Anderson Ranch in Colorado and Haystack in Maine\, and his work has been exhibited in solo and group exhibitions at the Queens Museum\, Sideshow Gallery\, The Rosenthal Library\, Benton/Nyce Gallery\, Pei-Ling Chen Sculpture Garden at Savannah College of Art and Design\, Rye Arts Center gallery\, and the American University Museum. \nHis current endeavor\, “The Decency Project\,” draws upon his extensive background in woodworking and social practice\, using craft and labor as a conduit for creating community. The project has traveled from Richmond\, VA to Washington\, DC\, and New York\, NY\, and is featured in the documentary series “The Line (That Divides Us).” The Decency Project has also been featured right here at the Center for Art in Wood and Love Park in Philadelphia\, PA\, and recently at the Colorado School of Mines in Golden\, CO\, in Fall 2021. \nBraun has worked professionally as a musician\, spoken word performer\, furniture designer/maker\, visual artist\, and educator. He has served as Lecturer in Sculpture at Yale School of Art\, Faculty at New York School of Interior Design\, and Assistant Professor in the Craft/Material Studies Department at VCUArts in Richmond\, VA. He holds a BA in Music from Berklee College of Music in Boston\, and an MFA in Studio Art and Social Practice from Queens College\, CUNY in NY. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nFor questions\, contact Katie Sorenson\, Senior Manager of Partnerships and Engagement\, at katie@museumforartinwood.org
URL:https://museumforartinwood.org/event/the-decency-project-craft-and-labor-as-communal-conduit-with-scott-braun/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20220622T183000
DTEND;TZID=America/New_York:20220622T193000
DTSTAMP:20260503T074335
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SUMMARY:A Curatorial Talk with Craig Edelbrock
DESCRIPTION:A Curatorial Talk with Craig Edelbrock | Wed. June 22\, 2022 | 6:30 – 7:30 pm EDT | ZOOM\nClick HERE to RSVP \nJoin us for a discussion with author and curator Craig Edelbrock on the current exhibition Spoons to Stir the Soul: The World of Norm Sartorius. We’ll talk about the process of preparing for an exhibition that spans over 40 years of work and the painstaking collection of information for the accompanying book. Don’t miss this talk with a true champion of craft! \nProtrait of Craig Edelbrock \nAuthor Craig Edelbrock retired from an academic career and is pursuing a second passion as a craft author and curator. He is vitally interested in the history\, current state\, and future of fine craft in America. He has served on the Boards of the Wharton Esherick Museum\, The Center for Art in Wood\, the Kentuck Art Center\, and the Collectors of Wood Art. \nCraig is a woodturner and spoon carver under the mentorship of Norm Sartorius. Norm\, Barry Gordon\, and Phil Jurus collaborated previously with Craig on major exhibits of Emil Milan’s works and the award-winning book Emil Milan: Midcentury Master (2018). An article about Milan written by Craig appeared in American Craft magazine (Oct/Nov 2018). \nIn preparation for Norm’s biography\, Craig interviewed more than thirty people intertwined in different ways with Norm’s life and art\, including family members\, childhood friends\, college classmates\, fellow artists\, collaborators\, collectors\, curators\, and museum directors. Drawing on his professional training and expertise in lifespan human development\, Craig’s biography explicates Norm’s life in the context of his times and addresses his motivations\, aspirations\, inspirations\, and influences. Particular attention was paid to Norm’s “Deep Well” of artistic content and to his creative process. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/a-curatorial-talk-with-craig-edelbrock/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=UTC:20220609T183000
DTEND;TZID=UTC:20220609T193000
DTSTAMP:20260503T074335
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SUMMARY:The Spoon Gram Project with Kate Hawes
DESCRIPTION:The Spoon Gram Project with Kate Hawes | Thurs. June 9\, 2022 | 6:30 – 7:30 pm | ZOOM\nClick HERE to RSVP \nThe popularity of spoon carving has exploded over the past few years. Virtual carving meetups and the fact that you don’t need a whole woodshop to successfully create a functional and beautiful spoon have made this craft accessible for everyone. Join us with artist Kate Hawes to discuss their Spoon Gram Project\, a carvers relationship to the material\, and what it means to build community. We’ll also tackle the phenomenon of spoon swapping. Don’t miss this fascinating talk. \n*Image above: Kate Hawes Spoons by Roy Gumpel\nPortrait of Kate Hawes \nKate Hawes is a woodworker and emerging craft writer based in the Catskill Mountains of New York. They are a 2022 graduate of the Masters in Critical Craft program at Warren Wilson College. Their research interests include spoon exchanges in carving community\, the material agency of wood in craft practices\, and the phenomenon of dullness in tool use. They have a certificate in cabinet and furniture making from North Bennet Street School\, and completed a residency at the Anderson Ranch Art Center. They have taught woodworking at Peters Valley School of Craft\, Makeville Studio\, the American Folk Art Museum\, and the now defunct Crafts Students League. \n  \n  \n  \nPortrait of Brianna Harden \nBrianna Harden co-founded NYC Spoon Club with Ben Gancsos in 2018 as a community meet-up for urban greenwood workers to gather and share knowledge and resources. By trade\, Brianna works as an independent graphic designer with a focus on print design\, web design\, and branding. She lives in Brooklyn\, New York. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n  \n  \n  \n  \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org. \n“Spoons” sign image taken at “The Sixth Irregular Spoon Gathering\, July 2021\, in Arkport\, NY”
URL:https://museumforartinwood.org/event/the-spoon-gram-project-with-kate-hawes/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=UTC:20220524T150000
DTEND;TZID=UTC:20220524T160000
DTSTAMP:20260503T074335
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SUMMARY:Studio Knob: Very Mature
DESCRIPTION:Studio Knob: Very Mature | Tues. May 24\, 2022 | 4 pm EDT (22:00 GMT+3) | LIVE on ZOOM\nClick HERE to RSVP \nThe studio\, which comprises the merged vision and talent of Adi Azar and Yotam Shifroni\, unveils its work in its first solo exhibition\, “Very Mature\,” at Holon’s Hava Gallery\, February 19 through May 31\, 2022\, as part of the Design Season in Holon\, Israel. \nAzar and Shifroni are partners in work and life. They brought Studio Knob to life nearly 10 years ago with a desire to create functional\, creative\, and often surprisingly interactive objects that enliven the home and stimulate creativity. Join us for this view into the exhibition\, titled Very Mature [Boger Ma’od]\, and discover a world of play\, imagination\, and giving new life to old objects. \nStudioKnob was born out of our joint lives. A ‘knob’ is the small detail that affects the larger whole\, a peephole\, a door that opens into our home and our life\, a way of sharing our design vision with the world. We are Adi Azar\, a graduate of the Shenkar School of Design and Engineering\, and Yotam Shifroni\, a graduate of the Holon Institute of Technology. Since 2015\, under the brand name StudioKnob\, we have been creating out-of-the-box furniture\, lighting\, and artifacts for interior design. \n \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDonate \nFor questions\, contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org
URL:https://museumforartinwood.org/event/studio-knob-very-mature/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220512T183000
DTEND;TZID=America/New_York:20220512T193000
DTSTAMP:20260503T074335
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SUMMARY:Young Artist Speaker Series: Danielle Rose Byrd
DESCRIPTION:Young Artist Speaker Series | Danielle Rose Byrd | Thurs\, May 12\, 2022 | 6:30 – 7:30 pm | Live on Zoom\nClick HERE to RSVP \nThe Center for Art in Wood is proud to present the Young Artist Speaker Series. Each semester a young artist is asked to share their work and speak about the transition from academia to becoming an independent artist. The fifth installment in the series will feature artist Danielle Rose Byrd taking place virtually on Thursday\, May 12\, 2022\, from 6:30 – 7:30 pm. Byrd will discuss her road to woodworking\, extensive travels\, and her recent publication The Handcarved Bowl. \nDanielle Rose Byrd: Danielle is a self-taught woodcarver and sculptor living and working in Bar Harbor\, Maine. At College of the Atlantic she explored music and sound sculpture\, and while building a handmade fiddle-ish instrument constructed from burn pile wood found on campus\, began carving scraps into spoons. \nShe has written for various magazines and journals\, and from 2014-17 was a member of Lie-Nielsen Toolworks\, traveling the country teaching hand tool woodworking fundamentals. In 2018 she was awarded the Belvedere Handcraft Fellowship by the Maine Arts Commission. Her first book\, The Handcarved Bowl\, was published in 2021. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/young-artist-speaker-series-danielle-rose-byrd/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=UTC:20220507T130000
DTEND;TZID=UTC:20220507T140000
DTSTAMP:20260503T074335
CREATED:20220301T190407Z
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SUMMARY:Gallery Talk for Spoons to Stir the Soul with Norm Sartorius
DESCRIPTION:Gallery Talk for Spoons to Stir the Soul with Norm Sartorius | Sat. May 7\, 2022 | 1:00 pm EDT | Hybrid Event\nClick HERE to RSVP\nGuests may join us in person or via ZOOM \nJoin us for a Gallery Tour of Spoons to Stir the Soul with artist Norm Sartorius who will lead you through the first career retrospective exhibition celebrating 40 years of his life and work. The exhibition includes many of Sartorius’s finest works\, selected from some of the premier private and public collections in the United States. In addition to Sartorius’s spoons\, Spoons to Stir the Soul will include outstanding examples demonstrating the breadth of his artistic repertoire\, including larger sculptures. \nNorm Sartorius (b. 1947) has built a unique career sculpting wooden spoons that\, as he says\, “stir the soul\, not the soup.” Leaving a job in psychiatric social work\, he embarked as a young man on a quest to find something tangible to make with his hands. With no background\, he apprenticed with versatile crafters Phil and Sandye Jurus in Baltimore. He learned about tools and techniques in wood and metal. Leaving the city\, he became a hippie homesteader in the mountains of West Virginia living on 25 acres on a remote mountaintop for five years. He sold functional woodenware of various kinds at local craft fairs\, but it was his spoons that caught people’s attention. They had an artistic flair that hinted at ta deep artistic well of ideas and forms expressed as spoonish sculptures. Norm\, too has said that spoons held a special attraction for him from the start. \nNow 30 years on\, Norm has “stayed in his seat\,” exploring the common wooded spoon as a context for sculpture. Using woods of exceptional beauty\, he shapes each spoon to stand as a unique artistic statement of color\, form\, and texture. Advancing the art of the spoon to a very high level\, each work is inspired by the wood itself\, and draws on his deep repository of creative ideas and ancient spoon making traditions worldwide. \n\nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/gallery-tour-with-norm-sartorius/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220421T183000
DTEND;TZID=UTC:20220421T193000
DTSTAMP:20260503T074335
CREATED:20220222T210705Z
LAST-MODIFIED:20220408T134820Z
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SUMMARY:Super-Human Philadelphia
DESCRIPTION:Super-Human Philadelphia | Thurs. April 21\, 2022 | 6:30 – 7:30 pm | LIVE on ZOOM\nClick HERE to RSVP \nJoin us for Super-Human Philadelphia a conversation exploring portraiture in the city featuring artists Susan Hagen\, Wit López\, and RA Friedman. We’ll hear about the work they create and tie their portraiture to our current exhibition Extra-Human: The Art of Michael Ferris. \nPortrait of RA Friedman \nRA Friedman is a Philadelphia-based visual artist whose work involves the interplay between the objectivity of the camera and the subjectivity of the hand made. Adept at photography\, drawing\, and re-crafting older technologies\, Friedman’s work melds the human figure’s ability to convey intimate and complex states of being with the expressiveness of markmaking and time-based discovery. Deeply introspective as well as collaborative\, his work gives voice to our personal\, artistic\, and collective histories. \n  \n  \n  \n  \nPortrait of Susan Hagen \nSusan Hagen is a Philadelphia artist\, writer and educator engaged in social and environmental issues. Ms. Hagen received a BFA in Sculpture from the Minneapolis College of Art and Design and an MFA in Sculpture from the Cranbrook Academy of Art. \nOver the years\, Ms. Hagen’s distinctive carved-wood sculptures and drawings have been exhibited in numerous venues throughout the U.S. Her work was recently highlighted in a one-person show at The Drawing Room\, an art project space in Philadelphia\, and it has also been featured at Adventureland Gallery in Chicago\, and at the Center for Art in Wood and Eastern State Penitentiary in Philadelphia. Ms. Hagen is a fellow of the Ballinglen Arts Foundation\, Ballycastle\, County Mayo\, Ireland\, where she has been in residence three times. She has also been an artist-in-residence at the McColl Center for the Arts in Charlotte\, NC and the Ragdale Foundation\, Chicago. Other honors include artist’s grants from the George Sugarman Foundation\, the Leeway Foundation\, and the Independence Fellowships in the Arts. \nMs. Hagen is a Professor at the Bucks County Community College in Newtown\, PA\, and has taught workshops at the Philadelphia Museum of Art\, Anderson Ranch in Colorado and Penland in North Carolina. She has curated numerous exhibitions and written hundreds of articles about art for publications and blogs\, including the Philadelphia City Paper\, Woodwork magazine\, Turning Points\, and the Artblog. \n  \n  \nPortrait of Wit López \nWit López is an internationally acclaimed\, award-winning multidisciplinary maker\, performance artist\,\nand cultural advocate based in Philadelphia\, Pa. \nWit is the Founder and Artistic Director of Till Arts Project\, a grassroots arts services organization serving LGBTQ+ artists in the Greater Philadelphia Area. They serve as the Chairperson of the Board of Directors for the Stockton-Rush Bartol Foundation\, a member of the Board of Directors for Vox Populi\, and a Core Assemblymember of the Philadelphia Assembly. \n  \n  \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/super-human-philadelphia/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220331T183000
DTEND;TZID=America/New_York:20220331T193000
DTSTAMP:20260503T074335
CREATED:20220207T151238Z
LAST-MODIFIED:20220207T151238Z
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SUMMARY:How it Started and How it's Going: Collector Dan Zobel
DESCRIPTION:How it Started and How it’s Going: Collector Dan Zobel | Thurs. March 31\, 2022 | 6:30 pm EST | LIVE on ZOOM\nClick HERE to RSVP \nJoin us for How it Started and How it’s Going\, a speaker series with collectors. We’ll dive into their collections and learn about how they got started and why; we’ll hear what attracts them to certain pieces and see some of their favorite works. We will also discuss what makes someone a collector of art and how to start your own collection. Our next talk features collector and woodturner\, Dan Zobel. \nDon’t miss this special glimpse into a collection! \nDan Zobel is a Philadelphia furniture shop manager\, woodturner\, and collector of wood art. Dan’s love of woodworking and woodturning began in 2007 under the tutelage of Mark Sfirri at Bucks County Community College.  Through school as well as the attendance of collaborative events\, primarily Echo Lake\, he made many connections with fellow local\, national and international woodworkers. \nDan’s wood art collection began when he went to a Michael Hosaluk demo. Michael was about to do a demo at Indiana University of Pennsylvania\, where Dan was driving out to the next day. In exchange for taking his tools and paints out\, Michael gifted Dan a small demo piece.  The kindness\, trust\, and demonstrated skill from this interaction only expounded his love for the art. \nThe local woodturning community and friendships have helped to continually grow Dan’s love of the art and collection.  His collection is not nearly the scale of the renowned collector from the first talk in this series\, Joe Seltzer\, but one unique aspect of the collection is there are no restrictions.  Dan’s collection includes prints\, furniture\, turnings\, and sculpture. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/how-it-started-and-how-its-going-collector-dan-zobel/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=UTC:20220324T183000
DTEND;TZID=UTC:20220324T193000
DTSTAMP:20260503T074335
CREATED:20220308T184005Z
LAST-MODIFIED:20220309T201146Z
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SUMMARY:Joinery\, Joists & Gender: Imagining a 21st Century Woodshop
DESCRIPTION:Joinery\, Joists & Gender: Imagining a 21st Century Woodshop | Thurs. March 24\, 2022 | 6:30 – 7:30 pm EDT | LIVE on ZOOM\nClick HERE to RSVP \nJoin us for an evening with curator\, educator\, artist\, and author Deirdre Visser. We’ll get a sneak peek of her just-published book Joinery\, Joists\, and Gender: A History of Woodworking for the 21st Century (Routledge\, 2022). She’ll be joined by a few of the artists featured in the book and in the 2019 exhibition Making a Seat at the Table: Women Transform Woodworking co-curated with Laura Mays. Don’t miss this discussion that draws on the fascinating history of the many roles women have held in the shop\, to explore equity\, economics\, sustainability\, and community in the field of woodworking. \nPortrait of Deirdre Visser \nSan Francisco native Deirdre Visser is a curator\, educator\, visual artist\, and woodworker in the city’s Mission District. As Curator of The Arts at CIIS since 2010\, Visser connects history to the present to look for common themes and engage historical context in a deeper understanding of the challenges we face today. She also has an active visual practice engaged with the arts as a form of civic participation\, working collaboratively for the past decade with the Skywatchers Ensemble in San Francisco’s Tenderloin district. \nVisser started woodworking as an undergraduate in the sculpture studio\, learning to build furniture from old-growth Douglas fir scavenged from dumpsters. She later worked as a finish carpenter on residential remodeling sites. Mostly self-taught\, Visser continued to pursue woodworking; in 2015-2016\, she studied furniture-making at the Krenov School in Mendocino. \nVisser is co-curator with Laura Mays of Making a Seat at the Table: Women Transform Woodworking\, the survey exhibition that grew out of this research process for this book and debuted in 2019 at The Center for Art in Wood in Philadelphia featuring 43 contemporary women and gender non-conforming woodworkers. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/joinery-joists-and-gender/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20220127T183000
DTEND;TZID=America/New_York:20220127T193000
DTSTAMP:20260503T074335
CREATED:20211126T193452Z
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SUMMARY:Artist Talk with Michael Ferris
DESCRIPTION:Artist Talk with Michael Ferris | Thurs. January 27\, 2022 | 6:30 – 7:30 pm EST | Zoom Event\nClick HERE to RSVP \nJoin the Center for Art in Wood for a virtual discussion with Bronx-based sculpture artist Michael Ferris. During his presentation\, Ferris will share insights about portraiture\, the cultural and art-historical influences behind his unique visual language\, and the humble materials that give form to his body of work. Don’t miss your chance to meet the artist behind this singular figurative sculpture and his timeless\, larger-than-life portrayal of everyday people. Extra-Human: The Art of Michael Ferris is on view at the Center for Art in Wood through April 24\, 2022. \nThe larger-than-life figurative sculptures of Bronx-based artist Michael Ferris embody a rich fusion of cultural and artistic traditions. Trained as a painter\, Ferris embraced sculpture twenty-five years ago and developed an inlay technique inspired by intarsia woodworking from his Middle-Eastern heritage. Ferris’s unique approach to this historical process involves the reclaiming of discarded wood\, a method informed by his environmental concerns. He further expands this traditional practice through the use of pigmented grout\, which yields a color palette that contrasts with wood’s natural hues. \nMichael Ferris’s work has been exhibited widely at museums across the nation and his work can be found in public collections at the de Young Museum in San Francisco\, CA; Illinois State Museum in Springfield\, IL; and Crystal Bridges Museum of American Art in Bentonville\, AR. Extra-Human\, which is guest-curated by Suzanne Ramljak\, is the first museum solo exhibition of the artist’s career to be presented on the East Coast. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nFor questions\, contact Katie Sorenson\, Senior Manager of Partnerships and Engagement\, at katie@museumforartinwood.org
URL:https://museumforartinwood.org/event/artist-talk-with-michael-ferris/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20211208T140000
DTEND;TZID=America/New_York:20211208T150000
DTSTAMP:20260503T074335
CREATED:20211124T183125Z
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SUMMARY:Artist Talk with Liv Blåvarp
DESCRIPTION:Artist Talk with Liv Blåvarp | Wed. December 8\, 2021 |2 pm EST | Live on Zoom\n  \nClick HERE to RSVP \nJoin us for a talk with contemporary jewelry artist Liv Blåvarp. We’ll hear Liv speak about her method\, why she chooses to work in the materials she does\, and what contemporary jewelry means to her. Don’t miss this fascinating discussion with Liv Blåvarp. \nImage above: Liv Blåvarp\, Norway\, Untitled\, 2013\, Helen Williams Drutt Family Collection. \nPortrait of Liv Blåvarp by Tore Gimle. \nLiv Blåvarp was born in East Norway in 1956. She lives and works in Østre Toten\, Norway. \nBlåvarp studied at the College of Art and Design Oslo in 1979–83\, and went on to the Royal College of Art\, London\, where she studied in 1983–84. \nShe was a member of the TRIKK group\, made up of fellow metalsmithing graduates from her alma mater in 1983–87. \nMoving from Oslo and back to her home in southeast Norway allowed her to work full-time in her own studio\, which she has done since 1984. \nHer work has been shown internationally\, including solo exhibitions in Norway\, and her work is held in museum collections in Norway\, Denmark\, Sweden\, Germany\, Scotland\, Canada\, Australia\, and the United States. \nIn addition to her jewelry-scaled work\, Blåvarp has also created commissioned art work for several public spaces in Norway. Her work has been published in two books\, including Liv Blåvarp: Jewellery Structures in Wood (Arnoldsche Art Publishers\, 2017). \nShe is a Member of the curatorial board of the Peder Balke Center\, a gallery and cultural gathering place in her home region. Charon Kransen Arts of New York has represented her work since 1995. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nFor questions\, contact Katie Sorenson\, Senior Manager of Partnerships and Engagement\, at katie@museumforartinwood.org \n 
URL:https://museumforartinwood.org/event/artist-talk-with-liv-blavarp/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20211103T140000
DTEND;TZID=America/New_York:20211103T150000
DTSTAMP:20260503T074335
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SUMMARY:Artist Talk with Vered Babai
DESCRIPTION:Artist Talk with Vered Babai | Wed. November 3\, 2021 | 2 pm EDT | Live on Zoom\nClick HERE to RSVP \nJoin us for a discussion with Israeli-based artist Vered Babai. We’ll talk with her about her choice of materials and what contemporary jewelry means to her. \n\n\n\nVered Babai: Since her graduation from the department of Jewelry Design at the Bezalel Academy of Art and Design\, Jerusalem\, in 1993\, Vered moved to Tel-Aviv and opened her private studio. \nHer works have been exhibited in museums and galleries all over the world\, and have received national awards such as the American Israel Craft Foundation Prize for Art and Sculpture and the Israeli Ministry of Culture and Sport Prize for Design. Her work has been exhibited in solo exhibitions in Paris\, Trieste\, and Izola. \nVered has taught at the Bezalel Academy of Art and Design\, Jerusalem\, and at HaStudio in Ra’anana\, Israel. For more than 20 years\, she gives private lessons in her studio. \nIn recent years\, she has also curated international exhibitions in the field of contemporary jewelry. \n\n\n\n  \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDonate \nFor questions contact Katie Sorenson\, Senior Manager of Partnerships and Engagement at katie@museumforartinwood.org \nVered Babai\, Mori\, 2021\, Pencil shavings and silver. Photo courtesy of the artist
URL:https://museumforartinwood.org/event/artist-talk-with-vered-babai/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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