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DTSTART;VALUE=DATE:20190327
DTEND;VALUE=DATE:20190331
DTSTAMP:20260430T213029
CREATED:20190228T200118Z
LAST-MODIFIED:20190301T120659Z
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SUMMARY:Gord Peteran: Unlocking the Identity of Things
DESCRIPTION:Gord Peteran: Unlocking the Identity of Things | March 27 – 30th\, 2019 | Presented by the University of the Arts and The Center for Art in Wood\nJoin us for a series of events\, lectures and workshops with Toronto artist Gord Peteran presented by the University of the Arts (UArts) and The Center for Art in Wood\, March 27 – 30\, 2019. \n\nWednesday\, March 27\, 2019 | 6pm\nArtists’ Challenge lecture\nUArts\, Hamilton Hall\n320 S. Broad Street\, Philadelphia\nFREE \n\nFriday\, March 29\, 2019 | 9am – 5pm\nMaster Class\nUArts\, Anderson Hall\n333 S. Broad Street\, Philadelphia\nMember $150 Click HERE |  Non-Member $200 Click HERE\nSave on this and future workshops by becoming a member. \nPulling Chairs\nWhich objects sustain and why? \nThere is absolutely no difference between sculpture and furniture. All of the neuroses explored in contemporary sculpture are also hidden under the upholstery of furniture. This hypothesis comes from two observations; the body’s many perceived insecurities AND the neurotic need of the objects we presently call furniture. \nIn this workshop\, participants will be asked to find a wrecked or dysfunctional piece of furniture from the garbage or from home. In the course of the workshop\, each participant will “RESTORE” their object…pulling it through time toward a present pertinence. \n\nSaturday\, March 30\, 2019 | 2 – 4pm\nCommunity Gallery Talk\nThe Center for Art in Wood\n141 N. 3rd Street\, Philadelphia\, PA 19106\nFREE \nUnlocked? \nFocusing on the push/pull of the previous days’ workshops\, participants and the public at large are invited to gather at The Center for Art in Wood for a closing pop-up display of the works and ideas generated in the workshops. A discussion around what we learned and the relevance of the work to the exhibition at the Center. \n\nFor more information\, please contact Katie Sorenson\, Community Engagement Manager at katie@museumforartinwood.org or 215-923-8000 ext. 103. \n 
URL:https://museumforartinwood.org/event/gord-peteran-unlocking-the-identity-of-things/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks,Workshops
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DTSTART;TZID=America/New_York:20190414T140000
DTEND;TZID=America/New_York:20190414T160000
DTSTAMP:20260430T213029
CREATED:20190228T172020Z
LAST-MODIFIED:20190321T141942Z
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SUMMARY:2018 Bob Stocksdale Award: Ben Strear
DESCRIPTION:The 2018 Bob Stocksdale International Excellence in Wood Award: Ben Strear | Sun\, April 14\, 2019 | 2 – 4 pm | Lecture and reception at Winterthur Museum\, Garden & Library\, New Castle County\, DE\nRegistration is required to attend.\nTo RSVP click HERE. \nPlease join us as we commemorate the 2018 Bob Stocksdale International Excellence in Wood Award with a lecture and reception at the Rotunda of the renowned Winterthur Museum\, Garden & Library. The 2018 recipient for the Bob Stocksdale International Excellence in Wood Award is Ben Strear of Grand Rapids\, Michigan. \nSupported by an anonymous donor and now in its third year\, the Bob Stocksdale International Excellence in Wood Award presents a grant of $1\,000 to an emerging or mid-career artist whose work\, like Stocksdale’s\, unites quality of craftsmanship and respect for materials. Recognizing the 2018 Stocksdale Award will be Trent Rhodes\, a Lois F. McNeil Fellow and recent graduate of the Winterthur Program in American Culture\, with a lecture on Strear and Stocksdale (1913–2003)\, a renowned master woodturner. Rhodes will discuss Strear’s work in context of the values reflected in Stocksdale’s legacy\, among them quality of craftsmanship\, respect for materials\, and artistic innovation. \nStrear creates sculpted wooden vessels that serve as canvasses for his meticulously hand-carved\, rhythmic patterns\, many of which are inspired by ancient structures and artifacts. His work is held by prominent private collections\, and he is the recipient of a number of awards\, including The Smithsonian Craft Show and the Cheongju International Craft Competition in South Korea. \n\n		\n		\n			\n				\n			\n				\n				Ben Strear\, Bleached Stele\, 2018\, bass wood\n				\n			\n				\n			\n			\n				\n			\n		\n\nImage captions\, left to right: Ben Strear\, Bleached Stele\, bass wood\, 8 1/2″ x 3 7/8″ x 22″; Stele With Smoke and Flame Pattern\, bass wood\, milk paint\, lacquer\, 8 1/8″ x 17 3/4″ x 20 1/2; Vase with Serpentine Pattern\, bass wood\, 4″ diam. x 8 1/2″\nAbove left: Ben Strear\, Cylindrical Seal\, 2017\, bass wood\, turned and carved with non-repeating pattern and striated; milk paint\, wax\, Diam. 5.5 in. x 14.5 in.\nBen Strear\nOriginally from Colorado\, Ben Strear attended the Rhode Island School of Design where he received a BFA in Furniture Design. After graduating in 2006\, he was awarded the Robyn and John Horn Woodturning Fellowship at the Arrowmont School of Arts and Crafts. In 2007 Ben moved to New York City where he found success both fabricating and managing the production of projects for high profile architects and artists. It was also during this time that Ben defined a formal language for his own sculptural woodwork. In 2016 Ben began to focus on creating sculptures full time. Ben and his family currently reside in Grand Rapids\, Michigan. \nARTIST’S STATEMENT\nMy process and materials are simple: I sculpt and carve wood. While wood by itself is very beautiful\, it’s transformative qualities are what I enjoy the most. I utilize both shallow relief and chip carving to achieve the woven\, repetitive patterns that adorn my work. I rely on monochromatic color schemes to highlight the patterning\, rather than the color of the material itself. On some of my work\, I further graphic depth by incising or burning a secondary pattern over a sculpture’s topographic surface. \nWhile the foundation for my art is largely technically driven\, I tend to look towards antiquities and fossils for added inspiration. I search for objects that possess finite detail expertly transposed over beautiful forms\, either through natural means or by human hands. When pattern and form are combined in the right way\, I end up with sculptures that have an air of mystery and impossibility. I wish to instill my work with an inherent sense of history\, challenging the viewer to determine if my work was made as a ceremonial gift for an ancient ruler\, or perhaps petrified fruits yielded by an ancient\, primordial garden. \nTo learn more about Ben Strear click HERE. \nImage caption: Ben Strear\, Eroded Cylindrical Seal\, bass wood\, milk paint\, laquer\, 5″ x 15″.\n\nTrent Rhodes\nTrent Rhodes is a Grants Associate at the Brandywine River Museum of Art and a recent graduate of the Winterthur Program in Material Culture\, where he completed his thesis on Southern antique collectors and dealers. During his time at Winterthur\, Trent served as a visiting fellow at the Center for Art in Wood\, where he and a classmate worked with the director to begin reinstalling the permanent collection. Prior to graduate school\, he worked at the Minnesota Historical Society as a Research Assistant for an exhibition on suburbia. Trent has held internships at the American Craft Council and the Goldstein Museum of Design. He graduated from Carleton College in Northfield\, Minnesota\, with a Bachelor’s degree in Art History. \n\nBob Stocksdale\n\nImage: Paul J. Smith\, Bob Stocksdale (1913 – 2003) at his studio\, Berkeley\, CA\, ca. 1985\, Inkjet print. The Center for Art in Wood Museum Collection\, Donated by the Artist. 2016.08.01.016.05\n\nBob Stocksdale\, Snakewood Bowl\, 1984\, Snakewood from Suriname\, 5″x7.5″. The Center for Art in Wood Museum Collection\, Donated by Neil and Susan Kaye. 2019.12.11.001.09\n\nFor more information\, and to RSVP\, please contact Katie Sorenson\, Community Engagement Manager\, at katie@centerforatinwood.org or 215-923-8000 ext. 103.
URL:https://museumforartinwood.org/event/2018-bob-stocksdale-award-ben-strear/
LOCATION:Winterthur Museum\, Garden & Library\, Virtual\, 5105 Kennett Pike\, Winterthur\, DE\, 19735\, United States
CATEGORIES:Gallery Talks,Special Events,The Bob Stocksdale International Excellence in Wood Award
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DTSTART;TZID=America/New_York:20190720T140000
DTEND;TZID=America/New_York:20190720T160000
DTSTAMP:20260430T213029
CREATED:20190625T154435Z
LAST-MODIFIED:20190625T154435Z
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SUMMARY:Closing and Gallery Talk for Damien Davis: Color Cargo
DESCRIPTION:Gallery Talk with Damien Davis | at The Center for Art in Wood | Sat\, July 20\, 2019 | 2 – 4 pm\nJoin us for the closing and gallery talk for Damien Davis: Color Cargo with the artist on Saturday\, July 21st. Hear Davis speak about his exploration of historical representations of blackness by composing stories\, told through a lexicon of graphic figures and shapes\, that oscillate between his personal memories and chapters of human history. A reception will follow the talk with the option to participate in a hands-on experience of building your own stories. \nDavis’ signature pre-cut shapes in wood and acrylic will provide inspiration and reflection as participants learn how to harness color and imagery in service of personal or subversive storytelling. \nThis workshop is open to ages 5 and up and welcomes all skill levels. \n\nPictured are pieces created during Woodcuts and Bolts: Storytelling with Damien Davis that took place on June 8\, 2019. You can make one of your own after the gallery talk.\nCost: $15 Members click HERE | $20 Non-Members click HERE\nSave on this and future workshops by becoming a member.\nAll materials are included in the cost of the workshop.\n \nDamien Davis (b. 1984) is a Brooklyn-based artist. His practice explores historical representations of blackness by unpacking the visual language of various cultures and questioning how these societies code/decode representations of race through craft\, design\, and digital modes of production. Davis’ work has been presented at museums and galleries across the US and in Italy\, and he is the recipient of numerous grants and residencies. He holds a BFA in Studio Art and an MA in Visual Arts Administration from New York University. \nThe Center for Art in Wood is a non-profit arts organization located in Philadelphia that interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. \nFor questions contact Katie Sorenson\, Community Engagement Manager at katie@museumforartinwood.org or 215-923-8000 ext 103.
URL:https://museumforartinwood.org/event/closing-and-gallery-talk-for-damien-davis-color-cargo/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190921T170000
DTEND;TZID=America/New_York:20190921T200000
DTSTAMP:20260430T213029
CREATED:20190903T144403Z
LAST-MODIFIED:20190918T201917Z
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SUMMARY:Closing Event for allTURNatives
DESCRIPTION:Closing Event for allTURNatives with the Windgate ITE Fellows | Sat. Sept. 21\, 2019 | 5 – 8 pm | The Center for Art in Wood\nFREE \nJoin us for the closing celebration of allTURNatives: Form + Spirit 2019 with a conversation with the Windgate ITE Fellows Per Brandstedt and Joshua Enck. Hear about their experiences during the Windgate ITE Residency Program and how it influenced their work. Explore this multi-disciplinary exhibition\, which reflects each of the 2019 resident fellows’ explorations—from work produced before arrival on the residency\, to work created in the last weeks. September 21st is the last day of the show\, making this a don’t-miss event. \nExhibition Tour and Conversation\, 5:30 – 7 pm\nMakers Mixer\, 7 – 8 pm \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nFor questions contact Katie Sorenson\, Community Engagement Manager at katie@museumforartinwood.org or 215-923-8000 ext 103.
URL:https://museumforartinwood.org/event/closing-event-for-allturnatives/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks,Special Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191023T180000
DTEND;TZID=America/New_York:20191023T200000
DTSTAMP:20260430T213029
CREATED:20190709T195019Z
LAST-MODIFIED:20220203T180306Z
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SUMMARY:Young Artist Speaker Series: Emily Bunker
DESCRIPTION:Young Artist Speaker Series | Artist Emily Bunker | Wed\, Oct 23\, 2019 | 6 – 8 pm | The Center for Art in Wood\nThe Center for Art in Wood is proud to present the Young Artist Speaker Series. Each semester a young artist is asked to share their work and speak about the transition from academia to an independent artist. The second installment in the series will feature artist Emily Bunker taking place on Wednesday\, October 23\, 2019\, from 6 – 8 pm. Bunker will discuss her experiences developing her career\, her community-based projects\, her decision to apply to grad school and the steps she took to find the right program for her. \nThis event is free to the public. The Center for Art in Wood is a nonprofit arts organization. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nFor question please contact Community Engagement Manager Katie Sorenson at katie@museumforartinwood.org. \n\nEmily Bunker works as a builder with a focus on fine woodworking\, community design education\, and material research. She has worked in a range of woodshops including Michael Hurwitz\, the Philadelphia Museum of Art Conservation Department and a five-year stint as a Project Manager at Staack Moore Woodworking. \nHer strong interest in land art and material research led her to make work as an artist-in-residence at several programs including the Frank Lloyd Wright School of Architecture/Taliesin West\, Art Farm\, and CAC Troy. Her projects have been featured in SP Weather Station\, Conflux Festival 2012\, and Fairmount Park Conservancy’s recent “Meadow Mansions” among others. \nAfter earning her BFA at the University of Delaware she has continued her education through self-directed projects and workshops including Corzo Center\, Anderson Ranch Arts Center\, Center for Art in Wood\, and a shoemaking intensive at Velo by Zin in Barcelona\, Spain. \nIn 2016 she organized and facilitated #Craftswomen\, a panel discussion at the National Furniture Society Conference\, which led to a workshop tour project for young women that she recently developed with the support of a grant from the Leeway Foundation. Emily is presently teaching design/build workshops through Tiny WPA and maintains her own independent projects at NextFab in South Philadelphia. \nShe lives in Philadelphia and maintains a strong connection to her family’s tree farm in Western New York where she hikes and occasionally harvests wood for projects.
URL:https://museumforartinwood.org/event/young-artist-speaker-series-2/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191214T140000
DTEND;TZID=America/New_York:20191214T160000
DTSTAMP:20260430T213029
CREATED:20191113T211255Z
LAST-MODIFIED:20191113T212443Z
UID:10001485-1576332000-1576339200@museumforartinwood.org
SUMMARY:Artist Talk with Yoav S. Liberman
DESCRIPTION:Artist Talk with Yoav S. Liberman | at The Center for Art in Wood | Sat\, Dec 14\, 2019 | 2 – 4 pm\nJoin us for an artist talk with Yoav S. Liberman on Saturday\, December 14\, 2020. Hear Liberman speak about his experience in the field of studio furniture and his recent book Working Reclaimed Wood: A Guide for Woodworkers\, Makers & Designers\, published by Penguin Random House/Popular Woodworking Books\, 2018. \nYoav S. Liberman is a studio furniture artist\, a writer\, and an educator. His pieces have been featured in many curated exhibitions and in several woodworking books\, most recently in Robin Wood’s CORES Recycled. He’s a regular contributor to Popular Woodworking Magazine and a past contributor to American Woodworker and Woodwork Magazines. \nYoav has a degree in architecture and later held two competitive residency programs: at The Worcester Center for Crafts in Massachusetts\, and the Windgate Foundation Fellowship at Purchase College\, New York. Yoav teaches woodworking at the Rudolf Steiner School in Manhattan\, and frequently guest teaches in craft schools across the country. He lives in Chestnut Ridge\, NY. Yoav is the author of Working Reclaimed Wood: A Guide for Woodworkers\, Makers & Designers\, published by Penguin Random House/Popular Woodworking Books\, 2018. \n  \n 
URL:https://museumforartinwood.org/event/artist-talk-with-yoav-s-liberman/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200208T153000
DTEND;TZID=America/New_York:20200208T163000
DTSTAMP:20260430T213029
CREATED:20200123T151904Z
LAST-MODIFIED:20200123T151904Z
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SUMMARY:A Conversation with Humaira Abid at PAFA
DESCRIPTION:A Conversation with Humaira Abid\, Jennifer-Navva Milliken Artistic Director\, (The Center for Art in Wood)\, and Jodi Throckmorton\, Curator of Contemporary Art (PAFA) | Sat\, February 8 | 3:30 – 4:30 PM  | $15\, free for members of the Center and PAFA at the Rhoden Arts Center\, Samuel M.V. Hamilton Building\, Philadelphia Academy of Fine Arts \nArtist Humaira Abid’s life and passion has been to use her artistic language to expose taboos and their harmful effects on society. In her current exhibition at the Center for Art in Wood\, Abid transports visitors into a concurrent reality\, one in which tens of millions of people worldwide have had to flee their homes\, a troubling narrative she conveys through a collection of carvings and paintings. In conversation with Artistic Director Jennifer-Navva Milliken and Curator of Contemporary Art Jodi Throckmorton\, Abid will highlight how contemporary artists can engage with tradition while also subverting it to address societal problems\, taboos\, stereotyping\, and oppression. \nTo register for tickets click HERE. \nFor more information or questions please contact Abby King\, Assistant Director of Adult Programs\, Pennsylvania Academy of the Arts\, aking@pafa.edu or 215-391-4806.
URL:https://museumforartinwood.org/event/a-conversation-with-humaira-abid-at-pafa/
LOCATION:Pennsylvania Academy of the Arts\, Rhoden Arts Center Samuel M.V. Hamilton Building\, Philadelphia\, PA\, 19102\, United States
CATEGORIES:Gallery Talks
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200304T180000
DTEND;TZID=America/New_York:20200304T200000
DTSTAMP:20260430T213030
CREATED:20200130T211146Z
LAST-MODIFIED:20200212T220526Z
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SUMMARY:Young Artist Speaker Series
DESCRIPTION:Young Artist Speaker Series | Wit López | Wed\, March 4\, 2020 | 6 – 8 pm | The Center for Art in Wood\nThe Center for Art in Wood is proud to present the Young Artist Speaker Series. Each semester a young artist is asked to share their work and speak about the transition from academia to an independent artist. The third installment in the series will feature artist Wit López taking place on Wednesday\, March 4\, 2020\, from 6 – 8 pm. López will discuss their experiences developing their career\, multidisciplinary practice\, and the road that led them to work with the material of wood once again. \nThis event is free to the public. The Center for Art in Wood is a nonprofit arts organization. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nFor question please contact Community Engagement Manager Katie Sorenson at katie@museumforartinwood.org. \n\nWit López is a multidisciplinary maker\, performer\, cultural advocate\, and public speaker based in Philadelphia\, PA. As a performer\, Wit uses movement\, music\, costuming\, props\, and storytelling to address issues that deeply impact their communities by harnessing themes like gender identity/gender fluidity\, body image\, disability\, illness\, hairiness\, sexuality\, Blackness\, Latinidad\, and class. They are a classically trained mezzo-soprano\, flautist\, and actor\, with extensive training in West African dance\, Afro-Puerto Rican dance\, ballet\, and modern. With their practice in craft\, Wit designs installation experiences through furniture (new and upcycled)\, textiles\, and home goods that prioritize the importance of comfort\, accessibility\, audience interaction\, and warm memories for the artist and viewer. \n  \nIn 2019\, Wit was awarded an Independence Foundation Fellowship in the Arts for Visual Art for their practice in fiber art and woodworking. They are also one of 10 recipients of the Leeway Foundation Transformation Award for 2019. To support their curatorial work of organizing the QT Noir Arts Festival\, Wit has received 2018 and 2019 Leeway Foundation Art and Change grants. As part of a cohort of 16\, Wit was also part of the 7th cycle of Innovative Cultural Advocacy Fellows at CCCADI in Harlem\, NY\, in 2019.
URL:https://museumforartinwood.org/event/young-artist-speaker-series-3/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200416T170000
DTEND;TZID=America/New_York:20200416T183000
DTSTAMP:20260430T213030
CREATED:20200413T175023Z
LAST-MODIFIED:20200416T222046Z
UID:10001503-1587056400-1587061800@museumforartinwood.org
SUMMARY:Artist Lecture: Humaira Abid
DESCRIPTION:Humaira Abid\, The Stains are Forever\, 2016. Photo: Adeel Ahmed.\nArtist Lecture: Humaira Abid | Sponsored by the University of the Arts and the Center for Art in Wood | Thurs\, April 16\, 2020 | Live on ZOOM at 5 pm EDT\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJoin the University of the Arts and the Center for a virtual Artist Lecture via ZOOM with Humaira Abid. Artist Humaira Abid’s life and passion is devoted to leveraging her artistic language to expose taboos and their harmful effects on society. In the exhibition Searching for Home\, on view at the Center for Art in Wood’s website\, Abid transports visitors into a concurrent reality\, in which tens of millions of people worldwide have fled their homes—a troubling narrative that the artist depicts through installations of carvings and paintings. Abid will discuss her work and how contemporary artists can engage with tradition while also subverting it to address societal problems\, taboos\, stereotyping\, and oppression. To attend virtually\, follow the link above. If you have questions please contact Katie Sorenson\, Community Engagement Manager at katie@museumforartinwood.org \n\n  \n\nPhoto of Humaira Abid by Amber Hammad \nHumaira Abid’s carved wood sculpture and paintings—known for their exquisite detail—depict human relationships\, societal repression\, and the consequences of keeping basic truths from being discussed and shared. The beauty and seductive virtuosity of her work offset her political\, ironic\, provocative\, and even scandalous objects and installations. \nHumaira Abid was born and raised in Lahore\, Pakistan. She immigrated to the United States in 2008 and now lives and works in Seattle\, WA. \nAbid received her BFA in sculpture and miniature painting from the National College of Arts\, Lahore\, in 2000. Her works have been exhibited in museums and galleries and documented in publications around the world and reviewed by local\, national\, and international news media. Abid is the recipient of numerous honors\, most recently the 2019 Artist Trust Arts Innovator Award. \nHer work has been published in books and other print media\, and she has been the recipient of prestigious awards and grants. She has lectured widely and participated in residencies and symposia around the world. Two documentary features focused on Abid and her work\, produced by the KCTS9 branch of PBS and Seattle Channel\, were both nominated for Northwest Emmy Awards. The artist is represented by Greg Kucera Gallery\, Seattle. \n 
URL:https://museumforartinwood.org/event/artist-lecture-humaira-abid/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Exhibitions,Gallery Talks
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GEO:39.9533152;-75.1447709
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200501T183000
DTEND;TZID=America/New_York:20200501T193000
DTSTAMP:20260430T213030
CREATED:20200428T205756Z
LAST-MODIFIED:20200501T222136Z
UID:10001508-1588357800-1588361400@museumforartinwood.org
SUMMARY:Virtual First Friday: Artists\, Curators\, and Cocktails
DESCRIPTION:Virtual First Friday: Artists\, Curators\, and Cocktails | Hosted by CraftNOW | Fri\, May 1\, 2020 | Live on ZOOM at 6:30 pm EDT\nJoin CraftNOW Philadelphia and friends for the inaugural Virtual First Friday\, the first in a series of virtual events hosted by CraftNOW! \nA 30-plus year tradition\, art lovers in Philadelphia have reserved the First Friday of every month for gallery hopping. To continue this tradition\, CraftNOW will help to organize a group of curators and artists each First Friday of the month until we can safely return to our favorite galleries. \nDuring Virtual First Friday\, spend the evening interacting with fellow arts and culture enthusiasts\, and hear from some of Philadelphia’s premier artistic minds during a night of conversation. \nFor the inaugural event\, participating art institutions will include:\nThe Clay Studio\nThe Center for Art in Wood\nPhiladelphia Museum of Art\nWharton Esherick Museum. \nVirtual First Friday will be moderated by CraftNOW Executive Director Leila Carter and will feature artists and curators engaging in 10-minute conversations with question and answer sessions. \nON THE AGENDA\nMay 1\, 2020\, 6:30 p.m.\nJoin Zoom Meeting\nhttps://temple.zoom.us/j/94227700429\nMeeting ID: 942 2770 0429 \nPARTICIPANTS\nThe Clay Studio – Curator of Artistic Programs Jennifer Zwilling and guest artist Clarissa Eck will discuss Clarissa’s use of animals as inspiration with a mini demonstration of her sgraffito carving technique. \nThe Center for Art in Wood – From the ongoing series Object Lessons\, Artistic Director Jennifer-Navva Millikien will present The Saffron Trade\, Wood Turning\, and Pennsylvania Dutch Show-Offs: Saffron Vessels in the Center for Art in Wood’s Permanent Collection. \nPhiladelphia Museum of Art – Artist Roberto Lugo and Philadelphia Museum of Art curators Elisabeth Agro and Jack Hinton will discuss their dynamic gallery installation uniting iconic Ben Franklin representations from across the centuries\, Houdon’s bust of Benjamin Franklin\, and Lugo’s All About the Benjamins. \nWharton Esherick Museum – Curator Emily Zilber will be sharing new resources now available on the museum’s website providing a glimpse into the artist’s studio – an opportunity you wouldn’t normally be afforded while strolling through Old City. \n?Enjoy a May Day cocktail!?\nHere’s the recipe:\n2 ounces gin\n3/4 ounce fresh squeezed lemon juice\n1/2 ounce Grand Marnier\n1/4 ounce simple syrup*\nSparkling topper\, such as champagne\, sparkling wine\, or water
URL:https://museumforartinwood.org/event/virtual-first-friday-artists-curators-and-cocktails/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks,Museum Collection,Special Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200505T183000
DTEND;TZID=America/New_York:20200505T193000
DTSTAMP:20260430T213030
CREATED:20200428T144707Z
LAST-MODIFIED:20200505T173810Z
UID:10001504-1588703400-1588707000@museumforartinwood.org
SUMMARY:Atlas Obscura: Behind the Scenes at the Center for Art in Wood
DESCRIPTION:Behind the Scenes at the Center for Art in Wood | Hosted by Atlas Obscura | Tues\, May 5\, 2020 | Live on ZOOM at 6:30 pm EDT\nTickets $8\nMembers: Email Katie Sorenson for a special discount code\n\nSave on this and future events by becoming a member. \n  \nJoin Jennifer-Navva Milliken\, Artistic Director for the Center for Art in Wood\, for a behind-the-scenes tour of the Center’s permanent collection of contemporary art\, craft\, and design in the material of wood. This program will focus on regional practice against a three-hundred-year history of artisanship and craft manufacture in Pennsylvania. Milliken\, who curated the Center’s Pennsylvania Made exhibition\, will talk about wooden vessels\, furniture\, saffron boxes\, and sculpture while touching upon processes of ornamental wood turning\, the commitment to the value of collaboration in Pennsylvania craft and design\, and other discussions unique to creative engagement with wood in the region. \nJennifer-Navva Milliken is the Artistic Director for The Center for Art in Wood. Prior to her arrival at the Center\, she served as an embedded staff member in international art museums\, as an independent curator\, and as the founder of a cross-disciplinary art space. Her exhibitions have been presented in museums\, art fairs\, galleries\, and unconventional spaces\, and her writings have been seen in exhibition catalogues\, anthologies\, and publications that investigate and critique the intersecting fields of art\, craft\, and design. With a global perspective\, honed through a life split between two continents\, she is driven by the extraordinary power of the arts to challenge preconceptions and bridge divides. \nThis online experience is part of Atlas Obscura’s Wonder From Home initiative. The Atlas Obscura mission has always been to inspire wonder and curiosity about the incredible world we all share. Now\, more than ever\, there’s a need to stay connected—not only to our sense of wonder\, but to each other. Follow and share the hashtag #WonderFromHome for inspiring stories\, more incredible online experiences\, and live streams with the Atlas Obscura community. And check out AtlasObscura.com\, the definitive guide to the world’s hidden wonders\, to keep virtually exploring the world through the website’s atlas of amazing places\, unique stories\, and videos. \nPhotos by John Carlano.
URL:https://museumforartinwood.org/event/atlas-obscura-behind-the-scenes-at-the-center-for-art-in-wood/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks,Museum Collection,Special Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200521T183000
DTEND;TZID=America/New_York:20200521T193000
DTSTAMP:20260430T213030
CREATED:20200519T170756Z
LAST-MODIFIED:20200519T201004Z
UID:10001520-1590085800-1590089400@museumforartinwood.org
SUMMARY:Take a Hike: A Conversation with Jim Tabor
DESCRIPTION:Take a Hike: A Conversation with Jim Tabor | Thurs\, May 21\, 2020 | Live on ZOOM at 6:30 pm EDT\nRSVP \nTake a virtual trip of delight and discovery along the Appalachian Trail with woodcarver and hiker Jim Tabor. Jim will talk about his love of spoon carving\, stories from the Trail\, and what it means to be a “Trail Angel.” \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDonate
URL:https://museumforartinwood.org/event/take-a-hike-a-conversation-with-jim-tabor/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks,Special Events
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ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
GEO:39.9533152;-75.1447709
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Center for Art in Wood 141 N 3rd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=141 N 3rd Street:geo:-75.1447709,39.9533152
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200528T123000
DTEND;TZID=America/New_York:20200528T133000
DTSTAMP:20260430T213030
CREATED:20200519T180530Z
LAST-MODIFIED:20200520T130249Z
UID:10001521-1590669000-1590672600@museumforartinwood.org
SUMMARY:Artist Talk with Dania Chelminsky
DESCRIPTION:Photo: Ran Erde\nArtist Talk with Dania Chelminsky | Thurs\, May 28\, 2020 | Live on ZOOM at 12:30 pm EDT\nRSVP \nJoin us for a lunch break with contemporary jewelry artist Dania Chelminsky. Dania will talk about her childhood immigration to Israel from Mexico City and how this experience turned her focus to the body and the material of wood as she pursued a career in metalsmithing. \nPhoto by the artist. \nDania Chelminsky was born in Mexico City in 1961 and has lived in Israel since 1970. She studied sciences\, metalworking\, design for the performing arts; in 2018\, she received her MA in Integrated Design at the Holon Institute of Technology. From 1988 to 2000\, she designed jewelry at her own studio and shop in Tel Aviv. After that\, she moved to a studio and started to investigate conceptual directions in the creation of jewelry. \nIn her work\, she combines contrasting materials\, mixing organic with synthetic\, hard with soft\, and crafted with found objects. Intrigued by the points at which these materials intersect\, Chelminsky uses traditional metalsmithing techniques to emphasize moments of tension. Her juxtaposition of such disparate elements allows her to tell a story with each of her pieces\, inspiring a moment of thought about the way we relate to the world that surrounds us. \nHer works have been profiled in international publications such as Metalsmith\, Portfolio\, Domus\, and Lark Books. She has exhibited her work extensively throughout the world\, with multiple solo exhibitions presented at Periscope Gallery\, Tel Aviv\, as well as at Museo Lazaro Galdiano\, Madrid. She has also participated in many group exhibitions\, including the Tel Aviv Biennial\, Eretz Israel Museum\, Tel Aviv; Alliages Gallery\, SHMUCK\, Munich\, and the Alliages collection\, Museum Espace Solidor\, Cagnes-sur-Mer\, France; the Islamic Art Museum\, Jerusalem; the Benaki Museum\,  Athens\, Greece; and Benedikt Aichele Atellier\, Paris\, France. \n\nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDonate \nFor questions contact Katie Sorenson\, Community Engagement Manager at katie@museumforartinwood.org
URL:https://museumforartinwood.org/event/artist-talk-with-dania-chelminsky/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
GEO:39.9533152;-75.1447709
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Center for Art in Wood 141 N 3rd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=141 N 3rd Street:geo:-75.1447709,39.9533152
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200616T183000
DTEND;TZID=America/New_York:20200616T193000
DTSTAMP:20260430T213030
CREATED:20200610T192658Z
LAST-MODIFIED:20200622T201647Z
UID:10001417-1592332200-1592335800@museumforartinwood.org
SUMMARY:Searching for Home in Philadelphia
DESCRIPTION:Searching for Home in Philadelphia | Tues\, June 16\, 2020 | Live on ZOOM at 6:30 pm EDT\nRSVP \nJoin us for a panel discussion with Searching for Home artist Humaira Abid\, Dana Gold of Nationalities Service Center\, Anne Ishii of Asian Arts Initiative\, and Hazami Sayed of Al-Bustan Seeds of Culture. We’ll discuss the contributions made by immigrants to the Philadelphia’s rich culture\, and connect to the situation faced by immigrants and refugees during COVID-19 and how the pandemic made it easy to overlook the vulnerable and unprotected.\n\nPhoto of Humaira Abid by Amber Hammad \nHumaira Abid’s carved wood sculpture and paintings—known for their exquisite detail—depict human relationships\, societal repression\, and the consequences of keeping basic truths from being discussed and shared. The beauty and seductive virtuosity of her work offset her political\, ironic\, provocative\, and even scandalous objects and installations. \nHumaira Abid was born and raised in Lahore\, Pakistan. She immigrated to the United States in 2008 and now lives and works in Seattle\, WA. \nAbid received her BFA in sculpture and miniature painting from the National College of Arts\, Lahore\, in 2000. Her works have been exhibited in museums and galleries and documented in publications around the world and reviewed by local\, national\, and international news media. Abid is the recipient of numerous honors\, most recently the 2019 Artist Trust Arts Innovator Award. \nHer work has been published in books and other print media\, and she has been the recipient of prestigious awards and grants. She has lectured widely and participated in residencies and symposia around the world. Two documentary features focused on Abid and her work\, produced by the KCTS9 branch of PBS and Seattle Channel\, were both nominated for Northwest Emmy Awards. The artist is represented by Greg Kucera Gallery\, Seattle. \nDana Gold \nDana Gold is a Job Developer at Nationalities Service Center\, where she connects clients to jobs in the Philadelphia area to promote their economic autonomy and general self sufficiency. Specifically\, Dana helps refugee and immigrant clients research open positions\, submit applications\, prepare for interviews\, and learn professional standards in the US\, among other job readiness initiatives. Her job is focused on building partnerships with local employers in order to connect clients to great jobs in the Philadelphia region.\n\nDana is passionate about making complicated systems more accessible and transparent for all\, and this is shown through her breadth of experience teaching English both at NSC and abroad. She has also worked at college access programs in her native Oakland\, CA and in Philadelphia to help high school students navigate the college application process. She holds Bachelor’s degrees in Political Science and Spanish from Bryn Mawr College.\n  \nAnne Ishii \nAnne Ishii is the Executive Director of Asian Arts Initiative in Philadelphia. Her writings have appeared in multiple publications including Slate\, the Village Voice\, and Publishers Weekly. Her translation and editorial projects include the Eisner-award winning manga My Brother’s Husband by Gengoroh Tagame\, Batmanga!: the Secret History of Batman in Japan\, and Massive: Gay Japanese Manga and the Men Who Make It. She is co-founder of the publishing\, fashion\, and creative agency Massive Goods\, which represents queer and feminist artists from Japan. \n  \n  \n  \n  \nHazami Sayed \nHazami Sayed\, an Arab-American\, grew up in the Arab region and came to the U.S. to pursue higher education. She founded Al-Bustan Seeds of Culture with the launch of an Arabic language and cultural camp in 2002. Her interest stemmed from a desire to develop a creative and supportive environment where her young boys could learn the Arabic language and be immersed in the richness of Arab arts and culture while navigating their place in American society. Sayed has worked in the fields of architecture and urban development in Philadelphia and New York City. Her areas of interest and research were community development and affordable urban housing in which she worked at the UNDP\, several architecture firms\, and taught a seminar at the University of Pennsylvania. She is also a photographer and has exhibited her work in Philadelphia. She received her Bachelor of Arts in Economics from Stanford University and Master of Architecture from Columbia University. Sayed is a recipient of the Leeway Foundation’s Transformation Award given to Philadelphia-area women artists committed to art-making for social change. She serves on the Board of Directors of the Philadelphia Cultural Fund and Greater Philadelphia Cultural Alliance. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDonate
URL:https://museumforartinwood.org/event/searching-for-home-in-philadelphia/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
GEO:39.9533152;-75.1447709
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Center for Art in Wood 141 N 3rd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=141 N 3rd Street:geo:-75.1447709,39.9533152
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200618T000000
DTEND;TZID=America/New_York:20200618T235900
DTSTAMP:20260430T213030
CREATED:20200608T163453Z
LAST-MODIFIED:20200616T211341Z
UID:10001416-1592438400-1592524740@museumforartinwood.org
SUMMARY:Ursula von Rydingsvard: Into Her Own Viewing
DESCRIPTION:Ursula von Rydingsvard: Into Her Own Viewing | Thurs\, June 18\, 2020 | Link to View the Film 12:00 am – 11:59 pm EDT\nNon-Members: $12 Click Here\nMembers: Free – To RSVP email Katie Sorenson\, Community Engagement Manager at katie@museumforartinwood.org \n*Once you have purchased/RSVP’d\, you will receive the link one day before the viewing room opens. You can view the documentary at any time during the 24 hours that the viewing room is open. Once this window has passed; the film will no longer be available to view. Please note that this screening offers closed captioning. \nVon Rydingsvard in her Williamsburg studio on South 5th Street\, surrounded by the cedar cast of katul katul\, 2002. \nUrsula von Rydingsvard: Into Her Own is an artistic biography of one of the few women in the world working in monumental sculpture. Von Rydingvard’s work has been featured in the Venice Biennale and is held in the collections of some of the world’s great museums\, including New York’s Museum of Modern Art\, the Art Institute of Chicago\, and the San Francisco Museum of Modern Art. But she may be best-known for work in Public spaces – imposing pieces painstakingly crafted with complex surfaces. \nVon Rydingsvard and assistants preparing to work on Ene Due Rabe\, San Francisco\, 1990. \nVon Rydingsvard working on the patina of Uroda\, a monumental copper sculpture commissioned by Princeton University\, 2015. \n  \n  \n  \n  \n  \n  \nIn this documentary\, we go behind the scenes with von Rydingsvard\, as she and her collaborators – cutters\, metalsmiths\, and others – produce new work\, including challenging commissions in copper and bronze. But the film also delves into the artist’s personal life\, and how it has shaped her work. Born in Poland during the Second World War\, she was partly raised in a displaced persons camp and came to the US as a refugee with her nine-person family. Her younger brother shares memories of being raised by their violent\, domineering father – a man whose influence von Rydingsvard continues to feel. Brought up in a blue-collar environment\, she became a teacher and then\, as a single mother\, moved to New York in the 1970s to take up her artistic practice full-time. \nIn conversations with curators\, patrons\, family\, and fellow artists\, we come to know von Rydingsvard as a driven but compassionate sculptor with a deep commitment to her art and the world around her. \nPlease also join us for the Into Her Own Panel Discussion on Thursday\, June 18\, 2020 at 6:30 with artists Ursula von Rydingsvard and Vivian Chiu and Daniel Traub\, the director of the film Ursula von Rydingsvard: Into Her Own moderated by Jennifer-Navva Milliken\, Artistic Director of the Center for Art in Wood. We’ll learn more about the monumental sculptures von Rydingsvard creates and the making of the film. Click here to RSVP for this free event. \nImage above: Ursula von Rydingsvard\, Ona\, Barclays Center\, Brooklyn\, 2013.
URL:https://museumforartinwood.org/event/ursula-von-rydingsvard-into-her-own-viewing/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks,Special Events
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ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
GEO:39.9533152;-75.1447709
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Center for Art in Wood 141 N 3rd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=141 N 3rd Street:geo:-75.1447709,39.9533152
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200626T140000
DTEND;TZID=America/New_York:20200626T140000
DTSTAMP:20260430T213030
CREATED:20200524T173626Z
LAST-MODIFIED:20200602T192823Z
UID:10001412-1593180000-1593180000@museumforartinwood.org
SUMMARY:Artist Talk with Erez Nevi Pana
DESCRIPTION:Artist Talk with Erez Nevi Pana | Fri\, June 26\, 2020 | Live on ZOOM at 2:00 pm EDT\nRSVP \nErez Nevi Pana takes an investigative and human-centered approach to both raw and discarded materials\, excavating their properties and exposing and extracting the hidden\, often toxic or destructive\, byproducts of industrial manufacture. His egalitarian attitude toward materials and makers brings poetry to objects of uncanny beauty—pure collaborations between nature and culture\, otherworldly but borne of the earth. \nReclaimed wood is the underlying structure for his salt objects. Nevi Pana eschews glue\, sanding papers\, and most varnishes\, which are made from animal-based ingredients. Lathe-turned and bound\, the wooden scaffolds are subjected to some of the most unique phenomena of nature. \nIn this don’t-miss talk\, Nevi Pana will share insights into his work\, his thoughtful research into materials and processes\, and his seminal thinking in Vegan Design as a curative approach to human-caused natural devastation. \nImage above from the Bleached and Salts series. Photo by Klaudia Rothkegel \n\n		\n		\n			\n				\n			\n			\n				\n			\n			\n				\n			\n		\n\nImage captions\, left to right: Erez Nevi Pana\, Bleached and Salts series\, Dead Sea Salt Stool; Salts; Before Dipping. Photo: Klaudia Rothkegel \nPortrait of Erez Nevi Pana by Klaudia Rothkegel. \nErez Nevi Pana (b. 1983) is an explorer who uses design as a significant tool to investigate phenomena through material experimentation. Nevi Pana earned his BA in design from the Holon Institute of Technology (Israel) and an MA from the Design Academy Eindhoven (The Netherlands) where his thesis focused on the recrystallization of salt. In 2015\, Nevi Pana formed La Terrasse in Eindhoven as a platform for designers\, artists\, writers\, and thinkers to work closely together\, share their thoughts on a central theme\, and realize their visions. The Design Museum Holon recently acquired two of Nevi Pana’s works\, which were developed from an organic material mixture of soil and fungi\, for their permanent collection in addition to three salt pieces from his solo exhibition at the museum. Nevi Pana practices research and design around the world as a doctoral student investigating the topic of vegan design. \n  \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDonate
URL:https://museumforartinwood.org/event/artist-talk-with-erez-nevi-pana/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
GEO:39.9533152;-75.1447709
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Center for Art in Wood 141 N 3rd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=141 N 3rd Street:geo:-75.1447709,39.9533152
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200723T183000
DTEND;TZID=America/New_York:20200723T193000
DTSTAMP:20260430T213030
CREATED:20200226T221438Z
LAST-MODIFIED:20200719T145904Z
UID:10001497-1595529000-1595532600@museumforartinwood.org
SUMMARY:Rescheduled - 2019 Bob Stocksdale Award: Humaira Abid
DESCRIPTION:Rescheduled – The 2019 Bob Stocksdale International Excellence in Wood Award: Humaira Abid | Thurs\, July 23\, 2020 | 6:30 pm | Virtual Lecture Co-hosted by Winterthur Museum \n  \nRSVP \nJoin us to celebrate the fourth year of the Bob Stocksdale International Excellence in Wood Award. Supported by an anonymous donor\, this award is presented annually to an emerging or mid-career artist whose work\, like Stocksdale’s\, unites quality of craftsmanship and respect for materials. The 2019 recipient for the Bob Stocksdale International Excellence in Wood Award is Humaira Abid of Seattle\, WA. \nIn commemoration of the 2019 Stocksdale Award\, Emily Whitted\, a current Lois F. McNeil Fellow in the Winterthur Program in American Material Culture\, will present a virtual lecture on Abid and renowned master woodturner Bob Stocksdale (1913–2003). Whitted will discuss Abid’s work in the context of the values embodied by Stocksdale\, among them his quality of craftsmanship\, respect for materials\, and artistic innovation in the material of wood. \nAbid works in the disciplines of woodcarving and traditional Mughal miniature painting. Through her depictions of objects and figures\, Abid articulates themes that are often provocative and challenging\, amplified by her manipulation of heritage practices and the materiality of wood. Her carved and painted works\, known for their virtuosity and exquisite detail\, have been exhibited in museums and galleries and documented in publications around the world. \nImages above: Humaira Abid\, Searching for Home\, 2016-17. Photo: Adeel Ahmed. Bob Stocksdale\, Snake Bowl\, 1984. Photo: John Carlano\n  \n\n		\n		\n			\n				\n			\n			\n				\n			\n		\n\n \nImage captions clockwise: Humaira Abid\, Searching for Home (detail) and Leila\, 2016-17. Pine wood\, carved; red wood stain. Borders and Boundaries (detail)\, 2017. Barbed wire: Mahogany wood\, carved. The World is Beautiful\, and Dangerous Too (detail)\, 2017. Shoes: Pine wood carved; red wood stain. Composite image by the artist sourced from two photographs taken following anti-Muslim riots in Myanmar. AFP\, March 29\, 2013. From Fragments of Home Left Behind II\, 2019-20. Pine wood\, carved; wood stain\, gouache\, pigments on handmade wasli paper\, Plexiglas. Photo: Adeel Ahmed\nHumaira Abid\nHumaira Abid was born and raised in Lahore\, Pakistan. She immigrated to the United States in 2008 and now lives and works in Seattle\, WA. \nAbid received her BFA in sculpture and miniature painting from the National College of Arts\, Lahore\, in 2000. Her work has been reviewed by local\, national\, and international news media. Abid is the recipient of numerous honors\, most recently the Artist Trust Innovator Award. \nPhoto: Steven Miller\n\nEmily Whitted\nEmily Whitted is a current Lois F. McNeil Fellow in the Winterthur Program in American Material Culture. She received her B.A from the University of Richmond in 2016. Her research interests include historic textiles\, contemporary Appalachian craft\, and the intersections of craft\, gender\, and social justice. Emily’s current thesis “The American-Made Stocking\,” investigates the eighteenth-century knit stocking industry in Germantown\, Pennsylvania\,” and she will graduate this May with her Master’s degree in American Material Culture. \n  \n  \nFor more information\, please contact Katie Sorenson\, Community Engagement Manager\, at katie@centerforatinwood.org .
URL:https://museumforartinwood.org/event/2019-bob-stocksdale-award-humaira-abid/
LOCATION:Winterthur Museum\, Garden & Library\, Virtual\, 5105 Kennett Pike\, Winterthur\, DE\, 19735\, United States
CATEGORIES:Gallery Talks,The Bob Stocksdale International Excellence in Wood Award
ATTACH;FMTTYPE=image/png:https://museumforartinwood.org/wp-content/uploads/2020/02/Untitled-design-45-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200728T183000
DTEND;TZID=America/New_York:20200728T183000
DTSTAMP:20260430T213030
CREATED:20200714T200602Z
LAST-MODIFIED:20200716T204333Z
UID:10001425-1595961000-1595961000@museumforartinwood.org
SUMMARY:Artist Talk with Roy Underhill
DESCRIPTION:Artist Talk with Roy Underhill | Tues\, July 28\, 2020 | Live on ZOOM at 6:30 pm EDT\nRSVP \nJoin us for a talk with woodworking celebrity Roy Underhill! The talk will take place in his very own Woodwright School where Roy will share stories from his life and work\, including his experience hosting the hit PBS series The Woodwright’s Shop. Don’t miss this opportunity to spend an evening with a woodworking icon! \nRoy Underhill is an American woodworker and television show host. Born and raised in Washington\, D.C.\, he was the first master housewright at the Colonial Williamsburg reconstruction. Since 1979\, he has been the host of the PBS series The Woodwright’s Shop. Along with This Old House\, which debuted the same year\, it is the longest running PBS “how-to” show. \nUnderhill was introduced to traditional woodworking by a sister who worked at the Smithsonian Institution. He attended the University of North Carolina at Chapel Hill and earned a degree in Theater. In the early 1970s\, Roy and his wife moved to Colorado to form Homestead Arts\, an acting studio\, and then on to a remote area of New Mexico where traditional woodworking was one of the few means of survival. \nIn the late 1970s\, Roy moved back to North Carolina and studied at Duke University\, pursuing a multi-disciplinary course of study including engineering\, forestry\, and history; he was subsequently awarded a Master of Forestry in 1977. At the birth of his first daughter\, he approached the UNC Center for Public Television with an idea about a traditional woodworking show. Initially rejected\, the idea was finally accepted; in 1979\, filming began on The Woodwright’s Shop at West Point on the Eno in Durham\, NC. Around the same time\, he also took the job as master housewright and later director of interpretive development for Colonial Williamsburg in Virginia. \nMore recently\, Roy also works as a communications consultant. He is the author of several books\, including The Woodwright’s Eclectic Workshop and Woodwright’s Shop: A Practical Guide to Traditional Woodcraft. In 2011 he gave a presentation at TEDx Raleigh\, sharing the value of ingenuity and living in the present. \nRoy has started teaching traditional woodworking in a classroom environment he calls “The Woodwright’s School”. As of January 2014\, his classroom is located in Pittsboro\, NC. \nMany hand-tool aficionados hold Roy Underhill in extremely high regard and may refer to him as “St. Roy.” \nImage caption: Roy Underhill with VanGogh Chair. Photo by Mike Oniffery\nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE\nFor questions contact Katie Sorenson\, Community Engagement Manager at katie@museumforartinwood.org
URL:https://museumforartinwood.org/event/artist-talk-with-roy-underhill-2/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
ATTACH;FMTTYPE=image/jpeg:https://museumforartinwood.org/wp-content/uploads/2020/07/Roy-w-VanGogh-Chair-scaled.jpg
ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
GEO:39.9533152;-75.1447709
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Center for Art in Wood 141 N 3rd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=141 N 3rd Street:geo:-75.1447709,39.9533152
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200730T183000
DTEND;TZID=America/New_York:20200730T193000
DTSTAMP:20260430T213030
CREATED:20200714T161241Z
LAST-MODIFIED:20200716T161918Z
UID:10001423-1596133800-1596137400@museumforartinwood.org
SUMMARY:To Understand a Tree\, a work-in-process
DESCRIPTION:To Understand a Tree\, a work-in-process with Gina Siepel  | Thurs. July 30\, 2020 | 6:30 – 7:30 pm | LIVE on ZOOM\nRSVP \nWhat is the community of a tree? Are woodworkers part of it? What will happen if I\, as a woodworker\, place myself in a deeper relationship to the forest? \nInterdisciplinary artist and woodworker Gina Siepel discusses her ongoing work\, To Understand a Tree\, currently in process in the forest of western Massachusetts. To Understand a Tree is inspired by a desire to contemplate a living forest tree and its immediate habitat from the perspective of a woodworker\, directly engaging both the forest ecosystem and the furniture making process. In collaboration with naturalist Kate Wellspring and others\, Siepel is studying a single red oak tree\, integrating artistic and scientific methodologies. Forests are complex\, interconnected systems\, and in that spirit\, To Understand a Tree connects furniture and object making to questions of forest ecology\, climate change\, and resource extraction. \nImage above: Gina Siepel\, video still\, To Understand a Tree: Time\, 2020 \nGina Siepel \nGina Siepel is an interdisciplinary artist and woodworker based in Greenfield\, MA. Her work explores cultural understandings of nature\, gender\, and American history\, through the production of objects\, installations\, and collaborative experiments in public spaces. Past exhibitions include the DeCordova Museum\, the Colby Museum of Art\, Vox Populi Gallery\, the Center for Maine Contemporary Art\, Marlboro College\, Smith College\, Flux Factory\, and the Center for Art in Wood. Gina has received funding from the Massachusetts Cultural Council\, the Berkshire Taconic Foundation\, and the Puffin Foundation\, and has been an artist-in-residence at Skowhegan\, Mildred’s Lane\, Sculpture Space\, and Hewnoaks. Gina holds a BFA from the School of Art + Design at SUNY Purchase\, an MFA from the Maine College of Art\, and studied woodworking at the Center for Furniture Craftsmanship. In addition\, Gina has worked extensively in the field of theatrical scenic design and construction\, designing and building projects all over New York City and the northeast. Gina currently teaches studio art at Mount Holyoke College\, and is a Visiting Artist at the Smith College Macleish Field Station. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE\nFor questions contact Katie Sorenson\, Community Engagement Manager at katie@museumforartinwood.org
URL:https://museumforartinwood.org/event/to-understand-a-tree-a-work-in-process/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
ATTACH;FMTTYPE=image/jpeg:https://museumforartinwood.org/wp-content/uploads/2020/07/thumbnail_1_tree_time_7.11.19_2.jpg
ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
GEO:39.9533152;-75.1447709
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Center for Art in Wood 141 N 3rd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=141 N 3rd Street:geo:-75.1447709,39.9533152
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200807T183000
DTEND;TZID=America/New_York:20200807T193000
DTSTAMP:20260430T213030
CREATED:20200710T182150Z
LAST-MODIFIED:20200811T183210Z
UID:10001418-1596825000-1596828600@museumforartinwood.org
SUMMARY:Object Lesson: Ksenia Nouril
DESCRIPTION:Object Lesson | Ksenia Nouril | Fri. August 7\, 2020 | 6:30 – 7:30 pm | Live on ZOOM\nRSVP \nJoin us for First Friday Object Lesson followed by a festive virtual happy hour. Object Lesson is a monthly First Friday speaker series that opens wide the cases of the Center’s Museum Collection through the perspectives of individuals from the worlds of art\, design\, performance\, community activism\, education\, and more\, creating fresh dialogues about the Collection and its objects. The series invites the public for an up-close and personal experience in an informal\, discursive setting that will encourage exploration of the many treasures in the Collection. \nKsenia Nouril (Photo by Matt Rencher) \nKsenia Nouril is the Jensen Bryan Curator at The Print Center\, a 105-year-old non-profit institution in Philadelphia dedicated to expanding the understanding of photography and printmaking as vital contemporary arts. A specialist in global contemporary art\, Ksenia previously held a Contemporary and Modern Art Perspectives (C-MAP) Fellowship in the International Program at The Museum of Modern Art\, New York. She has organized exhibitions at the Bruce Museum\, Lower East Side Printshop\, MoMA\, and Zimmerli Art Museum. Ksenia lectures widely and frequently writes for international exhibition catalogues\, magazines\, and academic journals\, including ARTMargins Online\, The Calvert Journal\, Institute of the Present\, OSMOS\, and Woman’s Art Journal. She has published two books: Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology (co-editor and contributor\, MoMA\, 2018) and Ilya Kabakov and Viktor Pivovarov: Stories About Ourselves (editor and contributor\, Rutgers University Press\, 2019). Ksenia holds a BA in Art History and Slavic Studies from New York University and an MA and PhD in Art History from Rutgers\, The State University of New Jersey. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year.\nDonation\n \nFor questions contact Katie Sorenson\, Community Engagement Manager at katie@museumforartinwood.org
URL:https://museumforartinwood.org/event/object-lesson-ksenia-nouril/2020-08-07/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks,Museum Collection
ATTACH;FMTTYPE=image/jpeg:https://museumforartinwood.org/wp-content/uploads/2018/08/Collection-Entrance-Crop-e1537991855403.jpg
ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
GEO:39.9533152;-75.1447709
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Center for Art in Wood 141 N 3rd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=141 N 3rd Street:geo:-75.1447709,39.9533152
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200818T183000
DTEND;TZID=America/New_York:20200818T193000
DTSTAMP:20260430T213030
CREATED:20200811T201246Z
LAST-MODIFIED:20200812T143440Z
UID:10001522-1597775400-1597779000@museumforartinwood.org
SUMMARY:Women Turn the World
DESCRIPTION:Women Turn the World | Tues. August 18\, 2020 | 6:30 – 7:30 pm | Live on ZOOM\nRSVP \nOn the 100th anniversary of the passing of the Nineteenth Amendment\, join us for a panel discussion with women who are leading the woodturning field. Panelists will discuss how the landscape of the art form is changing\, share their experiences\, and speak on what needs to happen to foster and support equity and inclusion in the field. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year.\nDonation\n \nFor questions contact Katie Sorenson\, Community Engagement Manager at katie@museumforartinwood.org \nImage above is of Alice Paul.
URL:https://museumforartinwood.org/event/women-turn-the-world/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
ATTACH;FMTTYPE=image/jpeg:https://museumforartinwood.org/wp-content/uploads/2020/08/Postcard-4-1.jpg
ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
GEO:39.9533152;-75.1447709
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Center for Art in Wood 141 N 3rd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=141 N 3rd Street:geo:-75.1447709,39.9533152
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200904T183000
DTEND;TZID=America/New_York:20200904T193000
DTSTAMP:20260430T213030
CREATED:20200710T182150Z
LAST-MODIFIED:20200929T134636Z
UID:10001422-1599244200-1599247800@museumforartinwood.org
SUMMARY:Object Lesson: Leila Cartier
DESCRIPTION:Object Lesson | Leila Cartier | Fri. September 4\, 2020 | 6:30 – 7:30 pm | Live on ZOOM\nRSVP \nJoin us for First Friday Object Lesson followed by a festive virtual happy hour. Object Lesson is a monthly First Friday speaker series that opens wide the cases of the Center’s Museum Collection through the perspectives of individuals from the worlds of art\, design\, performance\, community activism\, education\, and more\, creating fresh dialogues about the Collection and its objects. The series invites the public for an up-close and personal experience in an informal\, discursive setting that will encourage exploration of the many treasures in the Collection. \nLeila Cartier is the Executive Director of CraftNOW Philadelphia  \nLeila Cartier is the Executive Director of CraftNOW Philadelphia\, which unites organizations to promote the historic and contemporary role of the city in the fields of craft and making. Her studio practice is located in 1241 Carpenter Studios + Project Space in South Philadelphia and she is represented by SchmidtDean Gallery. \nFrom 2010 – 2015\, Cartier was the Director of Exhibitions at the William King Museum of Art in her hometown of Abingdon\, Virginia\, an underserved area of the Appalachian coalfields with little to no other access to the arts. Her curatorial projects consisted of bringing art from around the world to the region\, documenting and exhibiting material culture from Southwest Virginia and Northeast Tennessee\, and presenting regional contemporary art in all media. \nShe holds an MFA in Painting and Drawing from the School of the Art Institute of Chicago and concurrently studied Arabic Language at Depaul University with a Jacob K. Javits Fellowship. Her BFA in Art and Art History from Moore College of Art & Design in Philadelphia included a year spent with Temple University Rome\, Italy. \nNorm Sartorius\, Spoon\, 1995\, quilted Honduran mahogany\, rose of the mountain\, ebony The Center for Art in Wood Museum Collection\, Donated by Fleur Bresler  \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year.Donation \nFor questions contact Katie Sorenson\, Community Engagement Manager at katie@museumforartinwood.org \n 
URL:https://museumforartinwood.org/event/object-lesson-leila-cartier-2020-09-04/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks,Museum Collection
ATTACH;FMTTYPE=image/jpeg:https://museumforartinwood.org/wp-content/uploads/2018/08/Collection-Entrance-Crop-e1537991855403.jpg
ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
GEO:39.9533152;-75.1447709
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Center for Art in Wood 141 N 3rd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=141 N 3rd Street:geo:-75.1447709,39.9533152
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200922T183000
DTEND;TZID=America/New_York:20200922T193000
DTSTAMP:20260430T213030
CREATED:20200915T160003Z
LAST-MODIFIED:20200916T111559Z
UID:10001524-1600799400-1600803000@museumforartinwood.org
SUMMARY:A Conversation with Robert Rising\, aka BlackLumberjack
DESCRIPTION:A Conversation with Robert Rising\, aka BlackLumberjack | Tues. Sept. 22\, 2020 | 6:30 – 7:30 pm | Live on ZOOM\nRSVP \nJoin us for an evening with Robert Rising\, aka BlackLumberjack\, the founder of NYCITYSLAB and creator and host of the Instagram talk show\, Conversations with BlackLumberjack. We’ll learn about Robert’s woodworking journey\, discover why he mills his own grains\, and find out who his favorite guest has been on his IG TV series. RSVP for a chance to hear about Robert this time as we exchange roles with this legendary interviewer!\n \nRobert Rising operates NYCITYSLAB\, a company dedicated to saving fallen tress and rescuing and recycling beautiful wood slabs from destruction and waste. NYCITYSLAB transforms every last piece into works of masterful craftsmanship and function for a range of clients\, as well as custom-designed projects. Robert is a woodworker\, environmentalist\, entrepreneur\, vegetarian\, designer\, builder\, and restorer of antiques. In 2004\, he set out to build his own house out of local wood.  After a successful but difficult search\, he decided to continue on\, and help others to find quality\, local wood in New York City.\nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year.Donation \nFor questions contact Katie Sorenson\, Community Engagement Manager at katie@museumforartinwood.org
URL:https://museumforartinwood.org/event/a-conversation-with-robert-rising-the-black-lumber-jack/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
ATTACH;FMTTYPE=image/jpeg:https://museumforartinwood.org/wp-content/uploads/2020/09/IMG_0143-1.jpg
ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
GEO:39.9533152;-75.1447709
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Center for Art in Wood 141 N 3rd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=141 N 3rd Street:geo:-75.1447709,39.9533152
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200923T170000
DTEND;TZID=America/New_York:20200923T180000
DTSTAMP:20260430T213030
CREATED:20200918T205406Z
LAST-MODIFIED:20200923T153544Z
UID:10001525-1600880400-1600884000@museumforartinwood.org
SUMMARY:Exhibition Tour of Sacred Games with Humaira Abid
DESCRIPTION:Exhibition Tour of Sacred Games with Humaira Abid | Wed. Sept. 23\, 2020 | 5:00 – 6:00 pm | Live on ZOOM\nRSVP \n\n \nJoin us for a tour of artist Humaira Abid’s most recent exhibition “Sacred Games” on view at the Greg Kucera Gallery in Seattle\, WA. Working in her chosen material of wood\, “Sacred Games” is a timely reflection of the current political and religious landscape and is Abid’s newest body of work. The exhibition is on view now until November 7th. Her previous solo exhibition\, Searching for Home is on view at the Center until October 3\, 2020.\n \n \n \nAbid works in the disciplines of woodcarving and traditional Mughal miniature painting. Through her depictions of objects and figures\, Abid articulates themes that are often provocative and challenging\, amplified by her manipulation of heritage practices and the materiality of wood. Her carved and painted works\, known for their virtuosity and exquisite detail\, have been exhibited in museums and galleries and documented in publications around the world.\n \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year.\nDonate\n \n \n \nImage: Humaira Abid\, BREATHE\, 2020\, Pine wood; Approximately 54 x 60 x 1 inches. Photo by Adeel Ahmed
URL:https://museumforartinwood.org/event/exhibition-tour-of-sacred-games-with-humaira-abid/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
ATTACH;FMTTYPE=image/png:https://museumforartinwood.org/wp-content/uploads/2020/09/Untitled-design-11.png
ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
GEO:39.9533152;-75.1447709
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Center for Art in Wood 141 N 3rd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=141 N 3rd Street:geo:-75.1447709,39.9533152
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201002T183000
DTEND;TZID=America/New_York:20201002T193000
DTSTAMP:20260430T213030
CREATED:20200929T141706Z
LAST-MODIFIED:20200929T141944Z
UID:10001526-1601663400-1601667000@museumforartinwood.org
SUMMARY:Object Lesson: Sam Davis
DESCRIPTION:Object Lesson | Sam Davis | Fri. October 2\, 2020 | 6:30 – 7:30 pm | Live on ZOOM\nRSVP \nJoin us for First Friday Object Lesson followed by a festive virtual happy hour. Object Lesson is a monthly First Friday speaker series that opens wide the cases of the Center’s Museum Collection through the perspectives of individuals from the worlds of art\, design\, performance\, community activism\, education\, and more\, creating fresh dialogues about the Collection and its objects. The series invites the public for an up-close and personal experience in an informal\, discursive setting that will encourage exploration of the many treasures in the Collection. \nSam Davis is currently completing his undergraduate Art History studies at the Tyler School of Art + Architecture at Temple University. \nA native Philadelphian\, Sam grew up going to First Friday events with family and friends\, and now works at the Center for Art in Wood as a visitor services associate and social media specialist. You can usually find him behind the front desk of the Center\, giving a gallery tour\, or posting orangutan videos on the Center’s social media. \nThis past school year\, Sam completed his thesis addressing the history and importance of Eco-critical art theory\, with an accompanying ecological analysis of William Eggleston’s photography. In the future\, he hopes to help bring art and art history out of academic circles in order to make the arts more accessible for everyone. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDonate
URL:https://museumforartinwood.org/event/object-lesson-sam-davis/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
ATTACH;FMTTYPE=image/jpeg:https://museumforartinwood.org/wp-content/uploads/2020/09/Collection-Entrance-Crop-968x1000-1.jpg
ORGANIZER;CN="The%20Center%20for%20Art%20in%20Wood":MAILTO:info@museumforartinwood.org
GEO:39.9533152;-75.1447709
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Center for Art in Wood 141 N 3rd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=141 N 3rd Street:geo:-75.1447709,39.9533152
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201022T183000
DTEND;TZID=America/New_York:20201022T193000
DTSTAMP:20260430T213030
CREATED:20200824T184201Z
LAST-MODIFIED:20200918T204250Z
UID:10001523-1603391400-1603395000@museumforartinwood.org
SUMMARY:Catland: The Soft Power of Cat Culture in Japan
DESCRIPTION: \nCatland: The Soft Power of Cat Culture in Japan | Thurs. October 22\, 2020 | 6:30 – 7:30 pm | LIVE on ZOOM\nRSVP \nImage: Cat priest Koyuki at the Nyannyanji Temple in Kyoto\, photograph by Rie Yamamoto.\nJoin us for a fun\, and fascinating discussion on the phenomenon of Japanese cat culture with author Sarah Archer. \nImagine you’re reading the news\, and you come across an article about a new product or service that caters to cats. Maybe it strikes you as unusually thoughtful\, or it looks exceptionally well-crafted. Perhaps it appears to have been undertaken with a seriousness of purpose and attention to detail that would rival that of any human-centered endeavor—and this seriousness\, in and of itself\, is irresistibly endearing. Do you have any doubt where this hypothetical cat product or service comes from? You do not: it’s from Japan. \nThe world of Japanese cat culture is vast. Enter\, and you’ll discover Shinto and Buddhist beliefs about animals and nature\, folklore about cats both real and supernatural\, cats depicted in Japanese works of art and literature over the course of centuries\, cat-inspired material culture and everyday objects\, cat animation\, the global export of cuteness\, cat tourism and nekonomics—the local term for the economic boon that results from a popular cat attraction. Japan’s cat culture contains multitudes\, and it transcends physical geography. You might be allergic to cats. You might not be a cat person. (Yet.) But once you’ve been beckoned inside\, the chances are good that you’ll decide to stay a while. Welcome to Catland. \nCatland: The Soft Power of Cat Culture in Japan is available from Amazon\, Barnes & Noble\, Bookshop\, and IndieBound. Stay tuned for news of upcoming events and book-signings! Press inquiries: please email Nicholas Teodoro at Countryman Press. \nCatland includes original photographs by Lee Chapman\, Giovanni Piliarvu\, and Rie Yamamoto. \n​Sarah Archer: Welcome! I’m an award-winning design and culture writer based in Philadelphia. My books The Midcentury Kitchen and Midcentury Christmas are available now from Countryman Press. My new book Catland: The Soft Power of Cat Culture in Japan is on shelves now. \nI’m a contributing editor at American Craft Magazine\, and write regularly for Hyperallergic\, The Atlantic\, Architectural Digest\, and The New Yorker online. My articles and reviews have appeared in Curbed\, Metropolis\, CityLab\, Slate\, The Washington Post\, The Magazine Antiques\, Modern Magazine\, The Journal of Modern Craft\, and Studio Potter. I was the 2017 Jentel Visiting Critic at the Archie Bray Foundation in Helena\, Montana. I’ve contributed essays to exhibition catalogs for the Renwick Gallery of the Smithsonian Institution\, the Peabody Essex Museum\, the Portland Art Museum\, the Milwaukee Museum of Art\, and the Museum of Arts and Design\, as well as to the anthologies Shows and Tales\, edited by Art Jewelry Forum\, and The Ceramic Reader from Bloomsbury Press. I have curated exhibitions at Urban Glass and Pratt Manhattan Gallery. Prior to moving to Philadelphia to become Senior Curator at the Philadelphia Art Alliance\, I was the Director of Greenwich House Pottery in New York City. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year.Donation \nFor questions contact Katie Sorenson\, Community Engagement Manager at katie@museumforartinwood.org
URL:https://museumforartinwood.org/event/catland-the-soft-power-of-cat-culture-in-japan/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20201118T183000
DTEND;TZID=America/New_York:20201118T193000
DTSTAMP:20260430T213030
CREATED:20201111T164759Z
LAST-MODIFIED:20220207T193230Z
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SUMMARY:Young Artist Speaker Series: Ellie Richards
DESCRIPTION:Young Artist Speaker Series | Ellie Richards | Wed\, November 18\, 2020 | 6:30 – 7:30 pm | Live on Zoom\nThe Center for Art in Wood is proud to present the Young Artist Speaker Series. Each semester a young artist is asked to share their work and speak about the transition from academia to becoming an independent artist. The fourth installment in the series will feature artist Ellie Richards taking place virtually on Wednesday\, November 18\, 2020\, from 6:30 – 7:30 pm. Richards will discuss her experiences developing her career\, extensive travels\, and the connections and relationships that are created during a residency. \nEllie Richards looks to the tradition of both woodworking and the readymade to create eclectic assemblage\, installation\, and objects exploring intersections of labor and leisure. She has traveled extensively to investigate the role play and improvisation have on the artistic process and will be a 3 year Resident Artist at Penland School of Crafts 2020-2023. \nThis event is free to the public. The Center for Art in Wood is a nonprofit arts organization. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nFor questions please contact Community Engagement Manager Katie Sorenson at katie@museumforartinwood.org.
URL:https://museumforartinwood.org/event/young-artist-speaker-series-ellie-richards/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20210114T183000
DTEND;TZID=America/New_York:20210114T193000
DTSTAMP:20260430T213030
CREATED:20210106T184810Z
LAST-MODIFIED:20210110T175453Z
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SUMMARY:A Discussion with Windgate ITE Alumni
DESCRIPTION:A Discussion with Windgate ITE Alumni | Thurs. January 14\, 2021 | 6:30 – 7:30 pm | LIVE on ZOOM\nRSVP to receive the virtual link \nJoin us for a panel discussion featuring Windgate ITE alumni. Founded in 1995\, the Windgate International Turning Exchange (ITE) is a uniquely collaborative arts residency program. For two summer months\, artists and researchers from around the world live\, work\, ideate\, and create together in the clamorous center of Philadelphia. Together\, they share knowledge and skill\, but also form lasting bonds that extend beyond the residency. During this tumultuous time\, breakthroughs\, intense bursts of creativity\, material and conceptual experimentations\, and collaborations occur. Significantly\, this singular place-based experience engages a wide community\, beyond the participating fellows—from children enjoying interactive and touchable works in the culminating exhibition of residency work\, to collectors seeking to expand their art holdings.  \nPanelists:\nFelicia Francine Dean\, US— Artist Fellow\, ITE 2017\nMorgan Hill\, US—Artist Fellow\, ITE 2018\nTodd Hoyer\, US—Artist Fellow\, ITE 1995\nYuri Kobayashi\, Japan/US—Artist Fellow\, ITE 2014\nHayley Smith\, UK/US—Artist Fellow\, ITE 1995 \nModerator:\nJennifer-Navva Milliken\, Artistic Director of the Center for Art in Wood \nFelicia Francine Dean (image by Benjamin Sechrest) \nFelicia Francine Dean – Felicia Francine Dean’s creative work applies intrinsic methods of reconciling identity\, space and place based on her experiences as a bi-racial individual growing up in South Florida and living in the Southern United States. Physical forms of her ideas are abstracted during investigations into material identities\, surface\, furniture and textile methods of making. She holds an MFA degree in Interior Architecture with a focus on furniture design\, a BA in Studio Art and an Upholstery diploma.  Currently\, she is an Assistant Professor in the College of Architecture & Design’s School of Interior Architecture at the University of Tennessee\, Knoxville. Felicia Francine has engaged in nationally and international residencies\, exhibits\, and conferences such as the Digital Stone Project and Windgate ITE residencies\, Marble Codes exhibit in Florence Italy\, and Interior Design Educators Council and Furniture Society conferences. Her work has been featured as an emerging designer by Dwell Magazine and at the High Point Furniture Market. \nMorgan Hill (image by Heather Canterbury) \nMorgan Hill – Morgan likes watching cult movies in search of surprise and in contrast to her daily tasks. She is entirely too enthusiastic about costume competitions\, the next bash she will throw\, 80’s music\, and learning something new. When she is not doing those things\, she is creating wearable art\, objects\, and installations that embody her passion for an unusual life. \nMorgan Hill’s formal art education began at Memphis College of Art (TN)\, where she focused in drawing. Her desire for a design literacy led her to study interior design at the University of Central Arkansas\, and she earned her BFA in Furniture and Woodworking at the University of Arkansas Little Rock. She has completed the Penland School of Craft Core Fellowship (NC) and the Windgate ITE Residency at the Center for Art in Wood (PA). Morgan’s work has been included in exhibits at the Asheville Art Museum (NC)\, Center for Art in Wood (PA)\, Contemporary Art Museum Raleigh (NC)\, Alabama Center for Architecture\, and numerous collections. Today\, she creates in a shared studio with four of her favorite colleagues in Spruce Pine\, NC. \nTodd Hoyer (Image by Hayley Smith) \nTodd Hoyer – Todd Hoyer was born in 1952\, in Wisconsin.  He was raised in Phoenix\, AZ.\, where he attended Arizona State University\, majoring in manufacturing engineering and design technology from 1970-1975.  He moved to Bisbee\, Arizona in 1976 where he began working in his studio. \nHe has been invited to over 100 group and solo exhibitions. His work is in many private collections and museums including the Renwick Gallery of the Smithsonian American Art Museum; Philadelphia Museum of Art; Museum of Fine Arts\, Boston; and the Victoria & Albert Museum\, London. \nHe has participated in residencies in the U.S. and Australia\, and has taught extensively over the last forty years in the US\, Australia\, Canada and Ireland. \nYuri Kobayashi (image by Bailey Davids Photography) \nYuri Kobayashi – Yuri Kobayashi is a furniture maker and sculptor based in Camden\, Maine. Born in Japan\, she first studied architectural design and then trained in woodworking at Shinrin Takumi Juku in Takayama. After moving to the U.S.\, Yuri earned an MFA in Furniture Design from San Diego State University and taught at the Rhode Island School of Design for fourteen years. Yuri’s approach demonstrates a cross-bridge between craft\, art\, and design. She carries out her studio practice as a long-standing fellow at the Center for Furniture Craftsmanship in Rockport\, Maine. She exhibits nationally and has received a number of competitive residencies\, grants\, and fellowships\, including the Windgate ITE Residency in 2014 and residencies at SUNY Purchase\, the University of Wisconsin\, Madison\, and Arizona State University Art Museum. \nHayley Smith (image by Todd Hoyer) \nHayley Smith – Hayley Smith was born in 1965 in Cardiff\, Wales\, where she received her BA Honors degree in Art Education in 1991. \nSmith started exhibiting in 1990. She has undertaken two residencies at Grizedale Sculpture Park\, England\, and was one of the resident fellows in the first Windgate ITE Residency Program\, PA in 1995. She participated in the “Designing Futures” residency in Western Australia. She has taught classes at schools including Anderson Ranch Arts Center and Arrowmont School of Arts & Crafts\, and has presented at symposiums in Australia\, Ireland and throughout the US. \nSmith’s work is in private and public collections including the Detroit Institute of Arts; Museum of Arts and Design\, New York City; Museum of Fine Arts\, Houston; Los Angeles County Museum of Art; Renwick Gallery of the Smithsonian American Art Museum; Victoria & Albert Museum\, London; Yale University Art Gallery. \nIn 1998\, Smith moved to Bisbee\, Arizona\, where she still resides and works today a mile high in the Mule Mountains. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDonate \nFor questions\, contact Katie Sorenson\, Community Engagement Manager\, at katie@museumforartinwood.org \nImage: Amber Johnston\, Fellow Yuri Kobayashi and Jack Laramore during Open Studio Day\, 2014
URL:https://museumforartinwood.org/event/a-discussion-with-windgate-ite-fellows/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20210121T183000
DTEND;TZID=America/New_York:20210121T193000
DTSTAMP:20260430T213030
CREATED:20201229T203513Z
LAST-MODIFIED:20201229T203957Z
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SUMMARY:Artist Talk with Gord Peteran
DESCRIPTION:Artist Talk with Gord Peteran | Thurs\, Jan 21\, 2021 | Live on ZOOM at 6:30 pm EST\nRSVP \nJoin us for a talk with Toronto artist Gord Peteran and hear his thoughts about art\, design\, craft\, sculpture and furniture. \nImage above: Gord Peteran\, A Table of Turnings\, 2014\, found wooden turnings\nWhile having completed hundreds of private\, corporate and public commissions\, he has also lectured and exhibited extensively. \nThe Milwaukee Art Museum’s retrospective on Peteran toured nine museums across the United States. \nTwo books have been published on his work and he is included in many private and museum collections\, including University of Toronto Art Museum\, the Milwaukee Art Museum\, the Peabody Essex Museum in Salem\, Museum of Fine Arts\, Boston\, and the Royal Ontario Museum. \nHe is a professor at OCAD University in Toronto. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDonate \nFor questions\, contact Katie Sorenson\, Community Engagement Manager\, at katie@museumforartinwood.org \n 
URL:https://museumforartinwood.org/event/artist-talk-with-gord-peteran/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20210225T183000
DTEND;TZID=America/New_York:20210225T193000
DTSTAMP:20260430T213030
CREATED:20210208T181030Z
LAST-MODIFIED:20210218T193743Z
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SUMMARY:A Gallery Talk with Artist Tom Loeser and Guest Curator Glenn Adamson
DESCRIPTION:A Gallery Talk with Artist Tom Loeser and Guest Curator Glenn Adamson | Thurs. February 25\, 2021 | 6:30 pm EST | LIVE on ZOOM\nPlease RSVP \nJoin us for a discussion with Artist Tom Loeser and Guest Curator Glenn Adamson on the exhibition Please\, Please\, Please. We’ll talk about Loeser’s imaginative approach to furniture and ponder the question: If the furniture we sit on every day were totally different\, would our lives be different\, too? \nAbove image: Dig 23\, 2015. Spalted maple and shovel handles. Photo: Bill Lemke\nPortrait of Tom Loeser \nTom Loeser designs and builds one-of-a-kind functional and dysfunctional objects. Though he seeks new form and meaning through his work\, the history of design and object-making is always his starting point. He holds a BA from Haverford College\, a BFA from Boston University\, and an MFA from the University of Massachusetts\, Dartmouth. Loeser was head of the wood/furniture area in the Department of Art at the University of Wisconsin\, Madison\, from 1991 to 2020. \nLoeser is the recipient of four Visual Artist Fellowship Grants from the National Endowment for the Arts and an NEA Creative Artist Exchange Fellowship. His work has been featured in many national and international exhibitions and his work is held in the collections of the Smithsonian Cooper-Hewitt National Design Museum and Museum of Arts and Design (New York\, NY); Rhode Island School of Design Museum (Providence\, RI); Museum of Fine Arts\, Houston (Houston\, TX); and many others\, including the Center for Art in Wood. He was elected to the American Craft Council College of Fellows in 2012.\nwww.tomloeser.com \nGlenn Adamson by Lenore Tawney. \nGlenn Adamson is a curator\, writer and historian based in New York. He has previously been Director of the Museum of Arts and Design; Head of Research at the V&A; and Curator at the Chipstone Foundation in Milwaukee. Adamson’s publications include Thinking Through Craft (2007); The Craft Reader (2010); Postmodernism: Style and Subversion (2011\, co-edited with Jane Pavitt); The Invention of Craft (2013); Art in the Making (2016\, co-authored with Julia Bryan-Wilson; and Fewer Better Things: The Hidden Wisdom of Objects (2018). His newest book is Craft: An American History\,  published by Bloomsbury\, and he is co-host of the online interview series Design in Dialogue. www.glennadamson.com \n  \n  \nFor questions\, contact Katie Sorenson\, Senior Manager of Partnerships and Engagement\, at katie@museumforartinwood.org \nThis FREE event is co-sponsored by the Craft and Material Studies Program of the University of the Arts and the Center for Art in Wood.
URL:https://museumforartinwood.org/event/a-gallery-talk-with-artist-tom-loeser-and-guest-curator-glenn-adamson/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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