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DTSTART;TZID=America/New_York:20151011T120000
DTEND;TZID=America/New_York:20151011T180000
DTSTAMP:20260504T215749
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SUMMARY:Old City Fest
DESCRIPTION:Old City Fest is a celebration of art and design\, fashion and food\, creativity and culture on the streets of America’s most historic square mile— Old City\, Philadelphia. This event highlights the region’s premier art and design district\, showcasing local designers\, creative firms\, restaurants\, retailers\, galleries\, theater\, culture\, history and architecture. \nThe Design Showcase\, opening during Old City Fest is located in the Gerry Lenfest Gallery at The Center for Art in Wood.  It will feature actual room settings created by Marguerite Rodgers Interior Design using an eclectic array of furnishings\, objects and art exclusively from Old City shops and galleries. \nThe Center will also be presenting a tent in front of its large installation wooden doors\, with items for sale and wood turning demonstrations on a lathe\, featuring Suzanne Kahn and Derek Weidman.  The Center’s Len Sherock Museum Store will also be open with fine art objects\, handmade goods\, toys\, home decor\, and more. \nThis event will also include a festival stage with live music\, a design showcase installation\, a kid’s zone\, pop-up street performances\, and a wide array of food\, beverages\, art\, craft and retail shopping\, with over 100 local vendors participating. \nNew this year\, Philadelphia Independents is sponsoring Independents Row\, a special designated area featuring Old City artists.
URL:https://museumforartinwood.org/event/old-city-fest/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Classes,Exhibitions,Special Events
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DTSTART;TZID=America/New_York:20151113T150000
DTEND;TZID=America/New_York:20151113T173000
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SUMMARY:Spanning Generations: A Conversation
DESCRIPTION:A presentation of Craft NOW Philadelphia \nModerators Bruce Metcalf and Judith Schaechter will present a panel discussion consisting of teachers and their choice of an artist they once taught or mentored.  Topics will include the transitions between generations of makers\, transactions between deep knowledge and learning\, and speculation about the future of craft. \nKeynote address by Perry Price\, American Craft Council (ACC) Director of Education \nPanel Discussion between ACC Fellows and Emerging Talent with Meghan Ayers\, Sharon Church\, Chrissy Day\, Ted Hallman\, Kathryn Pannepacker\, Warren Selig\, Paula Winokur\, and Robert Winokur \nAttendees are invited to attend a post-panel reception from 6pm-8pm at the Philadelphia Art Alliance\, located at 251 S 18th Street. If you plan to attend\, please RSVP for the reception as well as for the discussion. \nThis event is free\, but please click here to register.
URL:https://museumforartinwood.org/event/spanning-generations-a-conversation/
LOCATION:UArts\, 333 S. Broad Street\, Philadelphia\, PA\, 19107\, United States
CATEGORIES:Classes,Conferences,Opening Receptions,Special Events,Symposiums
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DTSTART;TZID=America/New_York:20151114T110000
DTEND;TZID=America/New_York:20151114T160000
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SUMMARY:CraftNOWCreate
DESCRIPTION:On Saturday\, November 14th\, craft steps out of the studio and into the heart of Philadelphia with CraftNOWCreate\, a hands-on exploration of craft at the Kimmel Center. All activities are free and family-friendly. \nDemonstrations by the Center are programmed by Suzanne Kahn and include a wooden whistle workshop by Beth Ireland\, wood turning on the lathe by Derek Weidman. \nOther activities and demonstrations included ceramic artists going head-to-head in a series of “battles” on the pottery wheel\, and a “make your own scarf” machine knitting station. \nFeaturing activities and demonstrations by The Center for Art in Wood\, the Clay Studio\, the Philadelphia Art Alliance\, the Philadelphia Museum of Art\, Tyler School of Art and the University of the Arts.
URL:https://museumforartinwood.org/event/craftnowcreate/
LOCATION:Kimmel Center\, 300 S Broad St\, Philadelphia\, PA\, 19102\, United States
CATEGORIES:Classes,Special Events,Symposiums
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DTSTART;VALUE=DATE:20160623
DTEND;VALUE=DATE:20160627
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SUMMARY:CRAFT / FACTURING: AN EVOLUTION OF MAKERS + ENTREPRENEURSHIP FS2016
DESCRIPTION:Furniture Society Conference\, Philadelphia\, PA\nCraft-facturing addresses a contemporary community of Makers who are socially engaged\, collaborative and digitally savvy. New paradigms for making and production\, sharing and distribution are emerging that both support and challenge the more traditional role of the craftsperson in our culture. The 2016 FS conference will frame this moment in Philadelphia’s rich environment as a unique and vital site of past and future crafts activity. \nProgramming at conference aims to offer multiple perspectives. In recent years the programming has blended artist presentations with panel discussions on contemporary topics relevant to the studio furniture community and the conference theme.  Presentations range greatly from technique driven topics to highlighting individual practices\, such as historical or contemporary makers important to the studio furniture field and emerging makers presenting their talented approaches to studio design/build practices. \nIn conjunction with the Furniture Society: \nWorkshop: Seven at the Center: the 2016 Windgate ITE Fellows Collaboration Laboratory\, Thursday\, June 23\, 10:15AM-5:00PMFellows: Amy Forsyth\, Ashley Eriksmoen\, Betty Scarpino\, Katie Hudnall\, Merryll Saylan\, Michaela Crie Stone\, Nucharin Wangphongsawasd; at UArts\, Room J-COS1. The seven Windgate ITE Fellows awarded residencies by The Center for Art in Wood each have a variety of skills and techniques that they employ in their work. They will be sharing these with one another and with visitors to their studio. \nPresentation: 1600-2000 Philadelphia Furniture\, Thursday\, June 23\,11:30AM-12:15PM\nSpeaker: Josh Lane; at CBS Auditorium\nFrom its founding in 1682\, Philadelphia has been a center of furniture innovation\, particularly chairmaking. This presentation reviews the development of forms and the influence of aesthetic traditions among the city’s multi-various ethnic communities on the development of seating furniture from the 17th century to the mid-19th century. \nPanel Discussion: On the Edge of Your Seat: Chairs for the 21st Century discussion\, Thursday\, June 23\, 1:30-2:45 PM\nAt the Gershman Y Chapel\nPanel: Jasper Brinton\, Benjamin Colman\, Susie Silbert \nOld City Gallery Crawl\, Thursday\, June 23\, 6-8:30PM\nParticipating Galleries: Moderne Gallery\, Snyderman-Works Galleries\, The Center for Art in Wood*\, The Clay Studio\, Wexler Gallery\nThis free event will provide conference attendees with an exclusive look at the Old City Arts District’s offerings from a number of notable galleries and arts organizations. Trolley from UArts to Old City courtesy of Gallery Crawl Sponsor Old City District. All exhibitions are within walking distance. *Book signing also part of Crawl event—artists to be announced   \nFurniture Society: Closing Remarks\, Party\, Dinner & Dance\, Saturday\, June 25\, 7:00-9:30PM\nEvening Event at Solmssen Court*\n*Book signing also part of Closing event—artists to be announced \n 
URL:https://museumforartinwood.org/event/craft-facturing-an-evolution-of-makers-entrepreneurship-fs2016/
LOCATION:UArts\, 333 S. Broad Street\, Philadelphia\, PA\, 19107\, United States
CATEGORIES:Classes,Conferences,Special Events,Symposiums
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DTSTART;VALUE=DATE:20200118
DTEND;VALUE=DATE:20200120
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SUMMARY:The Doorway Effect: Techniques for Enclosing Space and Memory with Sarah Marriage
DESCRIPTION:The Doorway Effect: Techniques for Enclosing Space and Memory | Sarah Marriage at A Workshop of Our Own (WOO) | 1780 Union Ave\, Baltimore\, MD | Sat\, Jan. 18 and Sun\, Jan. 19\, 2020 | 10 am – 4 pm each day\nCLOSED \n  \nThe “Doorway Effect” refers to the phenomenon of forgetting things after walking through a doorway into a different room. Psychologists suggest it is a result of how we compartmentalize things in our brain. \n“Entering or exiting through a doorway serves as an ‘event boundary’ in the mind\, which separates episodes of activity and files them away.” –University of Notre Dame Psychology Professor Gabriel Radvansky. \nIn this masterclass\, the doorways we build\, and the spaces we enclose\, will be too small for us to occupy or walkthrough physically. Our exploration of the Doorway Effect will focus on the idea of compartmentalizing memories\, and how objects–and the way we contain them and access them–relate to how we recall memories. \nIn this fast-paced class\, students will build one cabinet or box\, with at least one door. Together we will explore methods for hanging doors\, sliding doors\, and tambour doors (rolling doors). A combination of hand tools and machines will be used. \nInfo for students: all tools and materials are included. If students have their own favorite hand tools\, they are welcome to bring them along. \n\nSarah Marriage lives and works in Baltimore\, MD\, where she is the founder and director of A Workshop of Our Own\, a non-profit educational woodshop created by and for women and gender non-conforming individuals\, with a mission to provide training\, advocacy and opportunity for people underrepresented by gender in the field of furniture making and woodworking. Sarah studied architecture at Princeton University and fine woodworking at The College of the Redwoods (now The Krenov School). She is a member of the board of trustees of The Furniture Society. She has been a visiting artist at Herron School of Art & Design\, a studio fellow at the Center for Furniture Craftsmanship\, and a John D Mineck furniture fellow. She has taught at The Krenov School\, Penland School of Craft\, Anderson Ranch Arts Center\, and Haystack Mountain School of Crafts. Sarah’s work has shown at galleries and trade shows across the US\, including Dwell on Design (CA)\, ICFF (NY)\, the American Craft Council Show (MD)\, and Pritam & Eames Gallery (NY). \nA Workshop of Our Own (WOO\, for short)\, based in Baltimore\, MD\, is a supportive woodshop and educational space run by and for women and non-binary craftspeople. WOO offers short and long-form workshops in woodworking and furniture making\, rentable studio space\, and open shop hours. The 6400 sq ft woodshop opened its doors in April 2017\, with a mission to train and support people of underrepresented genders in the field of professional woodworking. In its first two years\, WOO instructors have taught more than 500 students\, and the WOO community comprises over 70 active members. \nThe Center for Art in Wood is a non-profit museum located in Philadelphia that interprets\, nurtures and champions creative\nengagement and expansion of art\, craft and design in wood to enhance the public’s understanding and appreciation. \nAll materials are included in the cost of the workshop. \nCancelation Policy\nCancelations of a workshop must be made by email. The Center will offer a full refund if notice is given at least 30 days before the workshop. Refunds will not be given after that date. \nThe Center for Art in Wood reserves the right to cancel a workshop due to severe weather or unforeseen circumstances. Participants will be notified in advance and offered a full refund. \nFor questions contact Katie Sorenson\, Community Engagement Manager at katie@museumforartinwood.org or 215-923-8000 ext 103. \n 
URL:https://museumforartinwood.org/event/the-doorway-effect-techniques-for-enclosing-space-and-memory/
LOCATION:A Workshop of Our Own\, 1780 Union Ave\, Baltimore\, MD\, 21211\, United States
CATEGORIES:Classes
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DTSTART;TZID=America/New_York:20200501T173000
DTEND;TZID=America/New_York:20200501T180000
DTSTAMP:20260504T215749
CREATED:20200428T144817Z
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SUMMARY:Wood Shed Wind Down with Navva
DESCRIPTION:Wood Shed Wind Down with Navva | Fri\, May 1\, 2020 | Facebook 5:30 pm EDT\nLet’s toast First Friday! Join the Center’s Artistic Director\, Jennifer-Navva Milliken\, to learn about the history and use of wooden bar tools as well as the secrets behind some of her signature drinks. This First Friday\, Navva will talk about the wooden cocktail muddler and demonstrate its use in a guided lesson making the spring-filled Darling\, You Are Getting Better Looking Every Day\, a cocktail inspired by a work in the Center’s collection by Jean-François Escoulen [ref. OBJ 572]. \nTo watch\, visit the Center’s Facebook Page. \nThis event is free to the public. The Center for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year.
URL:https://museumforartinwood.org/event/cocktails-with-navva/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Classes,Special Events
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DTSTART;TZID=America/New_York:20231014T120000
DTEND;TZID=America/New_York:20231014T150000
DTSTAMP:20260504T215749
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SUMMARY:Sculptural Weaving with Reed: A Workshop with Teresa Audet
DESCRIPTION:Sculptural Weaving with Reed: A Workshop with Teresa Audet | Sat. Oct 14\, 2023 | 12:00 – 3 pm ET | NextFab 1800 N. American St\, Philadelphia\n$100 General Registration \n$85 Museum or NextFab Member Registration \nIn celebration of the closing of PLACING: The Windgate Arts Residency Program 2023\, the Museum for Art in Wood and NextFab are proud to announce an afternoon workshop with artist Teresa Audet. In this exploratory workshop\, students will learn several types of weaving with rattan reed. We will cover twined basketry\, random weave\, and hex weave. Everyone will get to try a few techniques and then combine them to create a sculptural vessel of their own design. No prior experience necessary.\n* Image above: Teresa Audet\, A Journey\, 2023. Photo John Carlano \nPortrait of Teresa Audet \nTeresa Audet creates sculptures using carved wood\, woven rattan\, and cast paper pulp. Her current research focuses on the connections between craft\, performance art\, and care ethics. Audet is interested in objects that serve as vessels for unexpected and emotional interaction through utility\, humor\, and absurdity. Her work contains hidden interiors and unexpected drawers\, rewarding the viewer for deep looking. The small luxuries within these works are experienced on an intimate level. \nAudet’s practice explores the role of artmaking as a meditative tool for emotional processing. For Audet\, practicing mindfulness through the use of hand tools and repetitive actions becomes a performance of care and communication. The resulting objects serve as a visual diary\, telling secrets between her hands and her brain. Audet’s work lives in the space between function and non-function and mirrors her own balance of logic and emotion. \nTeresa Audet\, Drip 2\, 2023 WARP Wood. Photo by John Carlano \n\n\n\n\n\n\nABOUT NEXTFAB\nNextFab is a network of membership-based makerspaces that provide access to tools\, technology\, education\, events\, and services for makers and creatives. They offer a variety of education and startup programs\, as well as professional design\, production\, and placemaking services for whatever your fabrication needs. \n\n\n\n\n\n\n  \nABOUT THE MUSEUM FOR ART IN WOOD\nThe Museum for Art in Wood is a museum of contemporary art\, craft\, and design in the material of wood. The Museum presents the work of emerging and established artists from the United States and abroad and offers thought-provoking exhibitions\, a permanent collection of over 1\,100 objects and works of art\, publications and documentation\, events and workshops\, and a library with over 26\,000 artist files\, books\, and documents that span the history of craft. The Museum also brings artists and researchers from around the world to Philadelphia every year to attend its unique Windgate Artist Residency Program. \nPlease direct questions to Katie Sorenson\, Director of Outreach and Communications at\, katie@museumforartinwood.org. \n 
URL:https://museumforartinwood.org/event/sculptural-weaving-with-reed-a-workshop-with-teresa-audet/
LOCATION:NextFab\, 1800 N. American St\, Philadelphia\, PA\, 19122\, United States
CATEGORIES:Classes,Workshops
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