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DTSTART;TZID=America/New_York:20161007T000000
DTEND;TZID=America/New_York:20170113T235500
DTSTAMP:20260425T071320
CREATED:20161006T162708Z
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SUMMARY:CALL FOR ENTRIES--SMALL FAVORS: THINK INSIDE THE BOX
DESCRIPTION:[Photo above: Derek Reeverts\, Buying the Farm\, Earthenware\, mixed media\, 2016\, and (right) Katie Susko\, Bud Vase\, 2016\, from The Clay Studio’s Small Favors submissions]\nThe Center for Art in Wood is happy to announce our collaboration with The Clay Studio\, Philadelphia\, for our Len Scherock Museum Store Exhibition–SMALL FAVORS: THINK INSIDE THE BOX\nSMALL FAVORS: THINK INSIDE THE BOX engages artists’ creativity in new and exciting ways with the challenge of making pieces on a very small scale. For some artists\, the work they create is similar to what they normally make but at a reduced scale. Others use it as an opportunity to break away from what they create in their daily studio practice. Regardless of this choice\, the works exhibited are incredibly varied in material\, form\, and aesthetics. Though small in scale the artworks created for this exhibition are huge in impact. Each work is exhibited in a four-inch plexiglass wall mounted cube. SMALL FAVORS: THINK INSIDE THE BOX will be on view from March 3 – May 27\, 2017 \nConceived of in 2006 by The Clay Studio\, SMALL FAVORS: THINK INSIDE THE BOX grew out The Clay Studio’s efforts to offer accessible\, high-quality artworks that appeal to art enthusiasts of all ages: for seasoned collectors who are challenged for space it allows them to continue to collect work by artists they love. For young art collectors it provides a financially accessible entry point. \nIt is our hope that offering a juried and invitational exhibition of this kind brings to light new and established makers and broadens the audience we reach through the display of these unique works of art. NOTE: Collaborations with artists working in clay is highly encouraged–please indicate if your submission is a collaboration by providing information for yourself and the collaborating clay artist. \nA complete application consists of the following: \n\nArtist contact information\nBrief Artist statement that addresses the inspiration for your work; effect of chosen materials on your process; what you wanted to accomplish.\nUp to three digital images (.jpeg files) no more than three pieces maximum. Images must be of works available for inclusion in this exhibition with no measurement exceeding 3.75” Corresponding image information: title\, medium\, size\, and date\n$25 Application Fee\nThe entry fee is non-refundable and The Center reserves the right to use images for educational or publicity purposes. All applications become the property of the Center and will not be returned.\n\nSubmission of application will be available through Slideroom- click here starting October 7\, 2016. Applications will be accepted through January 13\, 2017. No paper applications will be accepted.\nApplications are due on January 13\, 2017 \nNotifications to artists will go out by January 27\, 2017 \nArtwork is due to arrive to The Center for Art in Wood no later than February 10\, 2017 \nThe exhibition will be on view from March 3 – May 27\, 2017 \nThe Jurors \nAlbert LeCoff co-founded The Center for Art in Wood in 1986 as a not-for-profit arts and education organization dedicated to promoting public understanding and appreciation of wood art and the experienced and emerging artists of the field. LeCoff\, an experienced wood turner\, organizes exhibitions\, publications (over 25 to-date)\, educational events\, gallery talks and an annual summer residency program called the Windgate ITE International Residency Program featuring international artists\, scholars and photojournalists based at the University of the Arts in Philadelphia\, PA.  In 2011\, the organization changed its name to The Center for Art in Wood and moved to a busy Old City\, Philadelphia location.  The name change reflects the breadth and depth of wood art that artists make and that the Center follows and encourages through installations. \nChristine Lee is a Senior Sustainability Scholar of the Julie Ann Wrigley Global Institute of Sustainability and Assistant Professor in Wood/Sustainability of the School of Art at Arizona State University. She received her M.F.A. from San Diego State University in Furniture Design and Woodworking and her B.S.A from the University of Wisconsin- Madison. She has a multidisciplinary practice straddling art\, design and sustainability. Lee has participated in exhibits at venues including the Traver Gallery in Seattle\, San Francisco Museum of Craft and Design\, the Museum of Arts and Design in NYC\, the Bellevue Arts Museum\, the Society of Arts and Crafts in Boston\, the Society of Contemporary Craft in Pittsburgh\, the Aspen Art Museum\, the Racine Art Museum\, and the ASU Art Museum. She has been awarded residences at places such as Recology\, Purchase College\, the University of Wisconsin-Madison\, Arizona State University\, Center for Turning and Furniture Design at Indiana University of Pennsylvania\, the Oregon College of Art and Craft\, Anderson Ranch Arts Center\, Workshop Residence\, and Djerassi. She is currently a resident artist at the City of Phoenix 27th Avenue Solid Waste Management Facility Transfer Station. \nMichael McMillan is Associate Curator at Fuller Craft Museum in Brockton\, Massachusetts\, where he has been on the curatorial staff since 2012. Passionate about the future trajectory of contemporary craft-based media\, he has also written for American Woodturner\, Metalsmith\, and the National Basketry Organization Quarterly Review. In addition\, Michael speaks on matters of contemporary craft and has been profiled in The Crafts Report (now Handmade Business). He continues to seek opportunities in exhibition\, collection\, and publicity realms for the celebration of the handmade. \nSelection Process and Details All work selected for inclusion in this exhibition must be available for sale with The Center for Art in Wood receiving a 50% commission for all work sold and paying for the return shipment of any unsold work providing the work is being shipped to a US address. The Center for Art in Wood will not cover the cost of international return shipping\, the artist is responsible for any international shipping cost. The retail cost shall not exceed $980.  A $20 surcharge will be added to the retail price of all selected works to cover the cost of the SMALL FAVORS: THINK INSIDE THE BOX plexi-cube. \nFor questions please contact Lori Reece\, Director of Administration and Sales lori@museumforartinwood.org 215 923 8000
URL:https://museumforartinwood.org/event/call-entries-small-favors/
LOCATION:The Center for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Call for Entries,Exhibitions
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DTSTART;TZID=America/New_York:20230615T170000
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SUMMARY:Call for papers - Symposium: The Mashrabiya Project\, craft and architecture
DESCRIPTION:Call for papers\nSymposium: The Mashrabiya Project\, craft and architecture\nOrganizers: Museum for Art in Wood and the Center for Architecture + Design\nDate: July 20–21\, 2023\nThe mashrabiya is an iconic component of Islamic architecture. A scalable window lattice that facilitated ventilation while providing privacy and shade\, the mashrabiya also brought ornament to severe building façades. Found across North Africa\, West Asia\, South Asia\, and the islands of the Pacific\, the mashrabiya can be made from lathe-turned or carved wood\, stone\, or cement. \nIts porosity\, material versatility\, geometric patterning\, and adaptability present unexplored opportunities for architecture. From Hassan Fathy\, I. M. Pei\, and Jean Nouvel in the twentieth century\, to Farshid Moussavi\, Zaha Hadid\, and Senan Abdelqader in the twenty-first\, architects and designers have studied this form for inspiration and found innovative ways to incorporate it. \nWhat applications does the mashrabiya present for the future of architecture? Despite its power as a signifier for Islamic material culture\, little material has been dedicated to the study of the mashrabiya. In this two-day symposium co-hosted by the Museum for Art in Wood and the Center for Architecture + Design\, architects\, designers\, engineers\, and makers are invited to discuss the potential of the mashrabiya on architecture that is sustainable\, culturally meaningful\, and supports the needs of our future spaces. \nThe Museum for Art in Wood seeks emerging scholars and practitioners to present during this symposium\, held in conjunction with the Museum’s exhibition\, The Mashrabiya Project. Selected papers will be awarded an honorarium. \nPlease email up to 250 words and a brief CV for consideration no later than June 15\, 2023\, to info@museumforartinwood.org; subject line should read MASHRABIYA SYMPOSIUM.
URL:https://museumforartinwood.org/event/call-for-papers-symposium-the-mashrabiya-project-craft-and-architecture/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Call for Entries,The Mashrabiya Project
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